The Death of King Arthur by Matthew Freeman. The classic legend brought to the stage with a contemporary sensibility in an epic verse drama of adventure, romance, and ambiguous nobility. Match by Marc Chun. In this exquisite one act play, random chance brings five ordinary people together on a bright blue May afternoon, with extraordinary results. Woman Killer by Chiori Miyagawa. Two Brooklyn families are torn apart in this startling new drama about the nature and origin of evil, inspired by a 1721 Bunraku puppet play from Japan. The Wild Ass's Skin by J. Scott Reynolds. A spare, elegant, intensely theatrical realization of Balzac's novel about a destitute young man and the magic animal skin that may bring him his heart's desires. Halo by Ken Urban. Tales of life and love squandered in late twentieth century New Jersey are intertwined in this provocative and challenging dramatic pageant. Shyness is Nice by Marc Spitz. A hilarious and profane farce about two 30-year-old virgins, their supposedly cool heroin-addicted pal, and Australian prostitute, and her pimp. Reality by Curtiss I' Cook Dr. A thought-provoking comedy/murder mystery set in a world where not even the playwright can be sure of getting out alive. The Resurrectionist by Kate Chell. An exciting drama of seventeenth century England about a strong-willed young woman caught up in a web of graverobbing and murder. Bunny's Last Night in Limbo by Peter S. Petralia. A Boy discovers his sexuality in this quirky and innovative one act: coming of age in suburbia has never been quite like this. Summerland by Brian Thorstenson. A lonely young man and his mother search for happiness, and for their destinies, in this stunning play about an America where everything still seems possible.