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von William Shakespeare

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1,990276,702 (3.43)79
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For the second edition of All's Well That Ends Well, Alexander Leggatt has written a completely new introduction to Russell Fraser's text of one of Shakespeare's most puzzling, ambiguous and demanding plays. Leggatt's interest in performance is evident throughout the introduction, particularly in his discussion of the instability of the main characters. He also provides a full, illustrated and thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, and explores our experience as an audience of seeing and hearing the play performed. An updated reading list completes the volume.… (mehr)
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Not one of my favorites of the Bard. Perhaps our modern ways have ruined this one, but for the life of me, I don't see why Helena is so taken with Bertram. He's an arrogant ass. You can do better, Helena, shame on you. Now I have to watch some performances of it, to see if they enlighten or enhance. ( )
  MrsLee | Jan 13, 2022 |
There should be a rating for “a lot of fun to read, but boy oh boy”.

If you want to read Measure for Measure but they do the bed trick on our hero not our villain, or Measure for Measure but don't we all agree that Lucio is the absolute worst man in the world?, or Measure for Measure but actually let's not examine any systems of power-- well here’s the tonally confusing play for you. ( )
  misslevel | Sep 22, 2021 |
39. All’s Well that Ends Well by William Shakespeare
written: 1st known copy is First Folio in 1623, but usually dated 1603-1606
format: 280-page Signet Classic paperback
acquired: June
read: Jul 5 – Aug 7
time reading: 9:40, 2.7 mpp
rating: 4
locations: France and Florence
about the author: April 23, 1564 – April 23, 1616

[[Sylvan Barnet]] – series (c1963, 1965, 1988, 2005)
Sources
[[William Painter]] – from [The Palace of Pleasure] (3rd edition, 1575)
criticism
[[Samuel Johnson]] – from [14008561::The Plays of William Shakespeare] (1765)
[[M. C. Bradbrook]] – from [Shakespeare and Elizabethan Poetry] (1951)
[[Joseph Westlund ]]– Longing, Idealization and Sadness In All’s Well that Ends Well (1984)
[[Bruce Smith]] – What Doing it In the Dark, Without Words, Tells Us About Early Modern Sexuality (2005)
[[Sylvan Barnet]] – All’s Well that Ends Well on stage and screen

short version: Shakespeare‘s heroin scores an unwilling, promiscuous, maybe syphilic, but upperclass husband and tricks him into impregnating her.

Possibly titled Love's Labour Won at some point, this a problem play in that it's a comedy, but not exactly. It involves a flipping of gender roles, and bed trick. Here the heroin, Helena, choses the husband, and he, Bertram, rejects her sexually. Hence the bed trick. Helena takes the place of Bertram's desired mistress in bed, in the dark, without him ever knowing. (Which says?) Anyway, Helena plays the tricks, marries her unreachable man, and then gets pregnant by him, then finally gets him to commit. Happiness seems very unlikely.

2021
https://www.librarything.com/topic/333774#7601694 ( )
  dchaikin | Sep 12, 2021 |
It's taken me a few years to finally come back around to the rest of the Arkangel productions of Shakespeare's plays. Not sure why I suddenly stopped, I just did. But now I'm back.

This, to me, feels very much like one of Shakespeare's lesser plays. It's a relatively simple plot, one that I'm also sure many would have a massive problem with (I'm not exactly fond of it myself).

This one, to me, despite the usual fantastic efforts of Arkangel, was only okay. ( )
  TobinElliott | Sep 3, 2021 |
PAROLLES:
"There’s little can be said in ’t. ’Tis against the
rule of nature. To speak on the part of virginity is
to accuse your mothers, which is most infallible
disobedience. He that hangs himself is a virgin;
virginity murders itself and should be buried in
highways out of all sanctified limit as a desperate
offendress against nature. Virginity breeds mites,
much like a cheese, consumes itself to the very
paring, and so dies with feeding his own stomach.
Besides, virginity is peevish, proud, idle, made of
self-love, which is the most inhibited sin in the
canon. Keep it not; you cannot choose but lose by
’t. Out with ’t! Within ten year it will make itself
two, which is a goodly increase, and the principal
itself not much the worse. Away with ’t!"
( )
  staunchwoody | Oct 30, 2020 |
keine Rezensionen | Rezension hinzufügen

» Andere Autoren hinzufügen (51 möglich)

AutorennameRolleArt des AutorsWerk?Status
William ShakespeareHauptautoralle Ausgabenberechnet
Brigstocke, W. OsborneHerausgeberCo-Autoreinige Ausgabenbestätigt
Hunter, G. K.HerausgeberCo-Autoreinige Ausgabenbestätigt
Hunter, G. K.HerausgeberCo-Autoreinige Ausgabenbestätigt
LaMar, Virginia A.HerausgeberCo-Autoreinige Ausgabenbestätigt
Lowes, John LivingstonHerausgeberCo-Autoreinige Ausgabenbestätigt
McEachern, Claire ElizabethHerausgeberCo-Autoreinige Ausgabenbestätigt
Sagarra, Josep M. deÜbersetzerCo-Autoreinige Ausgabenbestätigt
Snyder, SusanHerausgeberCo-Autoreinige Ausgabenbestätigt
Wright, Louis B.HerausgeberCo-Autoreinige Ausgabenbestätigt

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In delivering my son from me, I bury a second husband.
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Love all, trust a few. Do wrong to none.
No legacy is so rich as honesty.
Praising what is lost
Makes the remembrance dear.
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This work is for the complete All's Well That Ends Well only. Do not combine this work with abridgements, adaptations or simplifications (such as "Shakespeare Made Easy"), Cliffs Notes or similar study guides, or anything else that does not contain the full text. Do not include any video recordings. Additionally, do not combine this with other plays.
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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For the second edition of All's Well That Ends Well, Alexander Leggatt has written a completely new introduction to Russell Fraser's text of one of Shakespeare's most puzzling, ambiguous and demanding plays. Leggatt's interest in performance is evident throughout the introduction, particularly in his discussion of the instability of the main characters. He also provides a full, illustrated and thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, and explores our experience as an audience of seeing and hearing the play performed. An updated reading list completes the volume.

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Durchschnitt: (3.43)
0.5 1
1 7
1.5 2
2 33
2.5 6
3 103
3.5 21
4 89
4.5 4
5 41

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