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The Journey Home (Depression Series #2)…
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The Journey Home (Depression Series #2) (Steeple Hill Love Inspired Historical #14) (2008. Auflage)

von Linda Ford

Reihen: Depression Series (2)

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322750,566 (3.3)1
A STRANGER AT HER DOOR  What unseen hand guided Kody Douglas's horse to that bleak, windswept South Dakota farmhouse? The "half-breed" cowboy--a man of two worlds, at home in neither--would never know. But when he finds a lovely, vulnerable young woman there, abandoned in the darkest hours of the Depression, he cannot simply ride away and leave her.  Charlotte Porter reluctantly follows this hard, embittered yet compelling man to his family's homestead. And the more she learns about him, and the secret child who haunted his memories, the more she aches to comfort him and make him her own. But could two outcasts--brought together by hard times and shared faith--truly find love in so cold and heartless a world?… (mehr)
Mitglied:rebecca191
Titel:The Journey Home (Depression Series #2) (Steeple Hill Love Inspired Historical #14)
Autoren:Linda Ford
Info:Steeple Hill (2008), Mass Market Paperback, 288 pages
Sammlungen:Deine Bibliothek
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Tags:great depression, historical romance

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The Journey Home von Linda Ford

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I haven't lived in places with American Indians, so I don't really know about the prejudices they receive, but I imagine it's like any other minority. This book dealt with the issue of half-breeds back in the depression where it was more unusual. Kody seemed extra stubborn, but mostly hurt for his adoptive parents. I doubt that Charlotte really knew how she felt, but only expressed what she was taught by her family, who seem rather unreliable. I enjoyed this about as well as any of the other "Love Inspiried" books. ( )
  eliorajoy | Oct 27, 2013 |
Kody Douglas is half-white, half-Native American, and despite his loving foster parents, he's never found a world where he feels he belongs. But if there's one thing his upbringing taught him, it's that he can't leave a damsel in distress. So when Kody finds Charlotte Porter alone in a dust storm with no food or water to speak of, he does what his mother would have wanted - he brings her to his parents. But Kody had a reason for leaving town - a secret daughter whom he doesn't want to see hurt the way he was. Charlotte, however, soon takes the little girl into her heart and fights for Kody to become a 'real' father to her.

The Good:
The Christian themes (though not to my taste) were nicely handled, I thought. Kody's reasons for his loss of faith were persuasive, and his return to the beliefs of his childhood struck me as believable, though I thought it got a bit short shrift.

Sometimes, Charlotte actually is spunky. There's a great scene where she takes on a couple of outlaws that are threatening her. Plus, I enjoyed watching her go to work and learning how valuable it was for her self-esteem to stand on her own two feet.

The portrayal of Kody as stuck between two worlds where neither accepted him was an interesting theme. I found his situation poignant.

The Bad:
The heroine is prejudiced against Native Americans. Although she practically blows up at the hero for daring to suggest such a thing, she nonetheless accuses him of stealing and thinks:
"She'd prayed for rescue, someone to offer her a home. The only person to do so was a half-breed. And Lother (a particularly loathsome individual bent on marrying her and using her as a brood-hen). She shuddered. [...] Of the
two, Kody seemed slightly less undesirable." Slightly? Then there's the time when some nasty persons call her a 'squaw' to which she replies "Of course they think evil of others."

The writing itself raises some of the same general issues. The Native Americans in this story cycle between speaking normally, and sounding like they stepped out of a stereotypical old Western movie. I'm not joking. They actually say things like: "Doctor say there are special shoes." and "Be satisfied she happy."

But what really got to me was the heroine. She persists in seeing the world through rose-tinted glasses. She completely dismisses every one of Kody's concerns about facing prejudice by claiming that it's just ignorant people making nasty remarks. Not once does she acknowledge the fact that those remarks are extremely painful. She doesn't stand up for him when such remarks are made, and she completely dismisses the more dire consequences of prejudice - seemingly utterly forgetting that being in her presence at the beginning of the book almost got Kody lynched! Lynching is not one of those situations conducive to turning the other cheek.

It really upset me that she kept nagging, badgering, and threatening to blackmail Kody into doing what she felt was right with a child that she neither knew nor had any responsibility for. She seemed to be a really presumptuous busybody to me. And while the author had Kody point out how kind and understanding she was, I never saw any evidence of it. Instead she seemed rather closed-minded and unwilling to empathize with any other point of view.

The Bottom Line: If you choose to write about prejudice, you really should address the real issues. This wasn't merely a case of childhood sticks and stones. Really nasty things happened and still happen because of prejudice. And in this book at least, the heroine never seems to comprehend that, even when the evidence is right in front of her nose. I couldn't deal with the characters or the way the topic was handled. I wouldn't recommend this one.

Also posted on my blog

FTC Disclosure: I received a free copy through the Tell Harlequin program. ( )
  Caramellunacy | Nov 24, 2008 |
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Preserve me, O God, for in thee do I put my trust.
                                                      Psalms 16:1
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This book would not be what it is without the help of several key people:

First, my editor, Melissa, who saw what it needed. Thank you for your guidance and encouragement.

And then two very dear critique partners who listen to me whine and still find ways to point out what I'm doing right and where I should reconsider my direction. To Debbie and Carolyne, thank you both for your continued support, your friendship and your helpful suggestions. If I dedicate every book to you it's because I couldn't do it without you.
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South Dakota, 1934

He didn't know why God answered his prayers any more than he could explain why he still said them.
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A STRANGER AT HER DOOR  What unseen hand guided Kody Douglas's horse to that bleak, windswept South Dakota farmhouse? The "half-breed" cowboy--a man of two worlds, at home in neither--would never know. But when he finds a lovely, vulnerable young woman there, abandoned in the darkest hours of the Depression, he cannot simply ride away and leave her.  Charlotte Porter reluctantly follows this hard, embittered yet compelling man to his family's homestead. And the more she learns about him, and the secret child who haunted his memories, the more she aches to comfort him and make him her own. But could two outcasts--brought together by hard times and shared faith--truly find love in so cold and heartless a world?

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