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To Dream of the Dead (2008)

von Phil Rickman

Reihen: Merrily Watkins (10)

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2209121,480 (4.26)19
December, and the river is rising. The village of Ledwardine has never been flooded in living memory. Within days it will be an island. There's no electricity. The church is serving as a temporary mortuary for two people who drowned. Only one man feels safer. An aggressively-atheist author has been moved, for his own safety, Rushdie-style, into a secluded house just outside the village. Fundamentalist Christians have hated him for years. Now he's offended the Muslims. Bad move. Meanwhile, archaeologists, assisted by Merrily's teenage daughter, Jane, are at work in Coleman's Meadow, unearthing an ancient row of standing stones which some people would rather stay buried. The atheist's temporary home is close to the site, and his young wife is becoming conspicuously agitated. Is it the fear of discovery or the kind of fear that she, of all people, could never disclose? One thing is clear the last person who's going to be welcome in that house is an exorcist. With the flood water washing up Church Lane towards the vicarage and the shop running out of cigarettes, it looks like a cold and complex Christmas for Merrily Watkins in an ancient community forced to untangle its own history against the swirling uncertainty of the future.… (mehr)
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I found 'To Dream of the Dead' a big return to form - there's a claustrophobic atmosphere to the story that makes the suspense much more real, especially towards the end as all the plotlines come together and there is a real sense of threat hanging over a drowned Ledwardine and its residents towards the end of the story. I enjoyed the intersection of many of the storylines from the recent novels, and the nicely ambiguous deliverance elements to the story. ( )
  SuzieD | Jan 3, 2023 |
A – if not the – distinctive trait of Phil Rickman’s “Merrily Watkins” series has always been the way he has kept things in the balance between rational and possibly supernatural explanations for the events transpiring. Individual novels have been leaning to more towards the one side or the other, and To Dream of the Dead – the tenth volume in the series – not only shifts the balance towards the rational, but is the installment with the least amount of supernatural elements in the whole series so far, turning the novel almost into a “normal” mystery.

It is probably symptomatic for this is that it takes until the third chapter for Merrily to make her first appearance, and that the novel starts out with DI Frannie Bliss, who we will continue to follow for a substantial part of the novel (and who will have some… interesting developments in his life in the course of it). To me, the main attraction of the series has, from the first volume onwards always been its depiction of British village life, and more specifically on the Welsh-English border, with both the mystery and the supernatural elements just providing the plot devices to move the novels from one location and one character to the next, so I’m fine with the changing emphasis. And Rickman still delivers on giving a realistic and fascinating portrait of the contemporary British countryside – however, it cannot be denied that there has been some chang in tone over the last few volumes as well, not so much in emphasis as in tone: The novels have become increasingly bleak and bitter, the countryside becoming a less and less pleasurable place.

Rickman never presented his readers with an idyll – right from the start he showed all the pettiness and intolerance rural communities are capable of. But there also was a sense of belonging and of community that tied people together, a pride in their regional heritage, and the last few novels in the series have shown how that increasingly disappears, eaten away by greedy politicians, ruthless businessmen, destroyed by disregard for environment, history or indeed other people. It has not quite reached the point where things would start to get depressing, but the more recent novels have become considerably darker than the early installments. I do wonder where the series is going if it keeps up this trend, but I’ll most likely continue to follow it to wherever that is, as I’m fairly confident that Rickman’s portrayal does indeed accurately reflect the changes in the way of life in rural Britain, as sad as that is. And of course, because I still like to spend time with Merrily, Jane, Lol and the other recurring characters Rickman has assembled over the course of ten novels. The “Merrily Watkins” series might not be the most flashy of crime series, might deliver neither the most nail-biting tension nor the most puzzling mysteries, but it has carved out a niche all of its own and one that I have enjoyed visiting every time so far.
  Larou | Jan 20, 2015 |
I always enjoy reading the Merrily Watkins books, though sometimes they do not lend themselves to a comfortable night's sleep as your brain ponders on the many (sometime gruesome) issues Rickman touches upon in his novels!

Whilst I had worked out who the murderer was in this book some while before the 'reveal', it did nothing to spoil the book for me as there were so many other threads which needed completing - giving me plenty of entertainment throughout the novel. ( )
1 abstimmen floriferous | Oct 31, 2011 |
The Merrily Watkins books are always simply wonderful. This was one of the best. Rickman has a real gift for mashing up very real social and political issues with spiritual and supernatural undertones to create something completely fresh and completely relevant. ( )
1 abstimmen TheBentley | Dec 6, 2009 |
I've been reading this series since its inception (this is book #10) and slowly each book has just got better and better. Forty pages from the end, I got frustrated with myself for not being able to read faster so desperate was I to know how it concluded. The elements that makes up this series seem too improbable: a female priest who is also an exorcist who struggles to cope with her life, her parishioners, the more esoteric elements of her job and her pagan teenage daughter. But it’s also the series supporting characters which make this a joy to read. Personally this is the best ongoing series on the bookshelves. Rickman is a writer who isnt afraid to let the plot off its leash and yet he pulls everything back together in an effortless finale. A master storyteller. I cannot recommend this series of books highly enough. And with a year to wait for book #11 it’s time I started back at the beginning. ( )
1 abstimmen theforestofbooks | Nov 22, 2009 |
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Watching the wooden horses bobbing on their golden carousel, Bliss had become aware of darkness like a hole behind the spinning lights.
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December, and the river is rising. The village of Ledwardine has never been flooded in living memory. Within days it will be an island. There's no electricity. The church is serving as a temporary mortuary for two people who drowned. Only one man feels safer. An aggressively-atheist author has been moved, for his own safety, Rushdie-style, into a secluded house just outside the village. Fundamentalist Christians have hated him for years. Now he's offended the Muslims. Bad move. Meanwhile, archaeologists, assisted by Merrily's teenage daughter, Jane, are at work in Coleman's Meadow, unearthing an ancient row of standing stones which some people would rather stay buried. The atheist's temporary home is close to the site, and his young wife is becoming conspicuously agitated. Is it the fear of discovery or the kind of fear that she, of all people, could never disclose? One thing is clear the last person who's going to be welcome in that house is an exorcist. With the flood water washing up Church Lane towards the vicarage and the shop running out of cigarettes, it looks like a cold and complex Christmas for Merrily Watkins in an ancient community forced to untangle its own history against the swirling uncertainty of the future.

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