Hhmm.. Welp, my copy is a hardback from 1972 - but this edition is close enuf. This has writings by Antonin Artaud, Bertold Brecht, & E. Gordon Craig - amongst many others - but these 3 are probably enuf to get across the idea of why I'm giving it a high rating. Craig, if I remember correctly, proposed a theater of all sets, lighting & motion - W/O actors. Now, I skimming thru his section of this bk & I see no reference to that & I don't know if Craig actually ever realized those ideas or even if I'm confused about the whole business. Nonetheless, it's largely b/c of my association of Craig w/ such things that I give this bk the rating I do. At any rate, this is probably the largest concentration of theater theory that I've ever read & it's important to me for that alone. I've gone thru the "plays" section of my library - picking out the ones I've read to list here on GoodReads. It's interesting to see the collection of plays that I have & to then see how few of them I've read. It reminds me that I don't like reading plays much. &, as w/ all my attempts to scratch the surface of what I've read, it makes me want to read MORE, MORE! ( )

An anthology, edited by America’s leading dramatic critic, in which Artaud, Brecht, Gordon Craig, Stanislavski and other great theatrical theorists reveal the ideas underlying their productions and point to the possibilities of the modern theatre.