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Lädt ... Exit the King / The Killer / Macbettvon Eugène Ionesco
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Loved it!: This book made me think: am I the king that lives his life and doesn't care what happens? When I am just about to die, will I be regretting just like this king does? Am I living my life to its full extent? Some good philosophical questions are raised in the book. I recommend you to read it. Zeige 2 von 2 keine Rezensionen | Rezension hinzufügen
Beinhaltet
Exit the King is a highly stylized, ritualized death rite unfolding the final hours of the once-great king Berenger the First. As he dies, his kingdom also dies. His armies suffer defeat, the young emigrate, the seasons change overnight, and his kingdom's borders shrink to the outline of his throne. At last, as the curtain falls, the king himself dissolves into a gray mist. The Killer is a study of pure evil. Bérenger, a conscientious citizen, finds himself in a radiantly beautiful city marred only by the presence of a killer. Bérenger's determination to find the murderer in the face of official indifference and his final defeat at the hands of an impersonal, pitiless cruelty speak with the universality of Kafka's The Trial. Macbett, inspired by Shakespeare's play, is "a grotesque joke . . . [and] a very funny play. . . . Ionecso maliciously undermines sources and traditions, spoofing Shakespeare along with tragedy."--Mel Gussow, The New York Times Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)842.914Literature French French drama 1900- 20th century 1945-1999Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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Oh. But oh. Geoffrey Rush is something special. He had the entire audience eating from the palm of his hand and the kids behind me were riveted throughout. I've never seen anybody enjoy theatre as much as they did this day.
The play, translated by Geoffrey Rush and Neil Armfield, had never been produced in Australia before. Hard to understand why as it is easy going stuff as Theatre of the Absurd goes. The audience was there to see Geoffrey - I imagine plenty of them had never been in a theatre. They were not to be disappointed. Exit the King is a one person show where the rest of the case is no more than accoutrements. Sorry, Susan Sarandon, you're gorgeous and you get some good lines, but still.
I wonder if he did this when it was on Broadway: at some point he spluttered a drink of water all over a lady in the front row. By way of apology he waggled his finger at her and said 'That's what you get for being overexcited and booking your seat too early.' Audience goes wild. How clever, I think to myself. Ah, I find out from Felicity, who is wealthy enough to see it twice. He does that every night.
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