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Other Americas

von Norman Spinrad

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In his own inimitable style, Spinrad examines in four stunning novellas one of his most compelling obsessions--the possible futures of America. Written with the biting wit and penetrating insight that are his trademarks, this new collection is exciting and essential reading.
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I'm not the best at writing reviews, but since no one else has for this book, I feel I must.

First of all, it a collection of 4 novellas about different futures that could exist for America. America affected by overpopulation, or environmental destruction, or strong censorship. One is a fairly normal America though.

The novellas are:
Street Meat
The Lost Continent
World War Last
La Vie Continue


Only one of them deserves 5 stars in my opinion (World War Last) and the rest are either 3 or 4 stars.

All of them are somewhat dark, humorous, and entertaining stories. Typical Spinrad, in other words. Lots of interesting characters as well. Just read the book, ok? ;D ( )
  broccolima | Jan 26, 2014 |
“Street Meat” -- More sleazy, more disgusting, and with more violence than Spinrad's novel Little Heroes set in the same universe. Spinrad once again uses his favorite device of multiple-viewpoint narratives (here in the third person). There is more than a little of H. G. Wells' The Time Machine in the story what with the economic stratification of the rich above ground and the poor, animalistic, cannibal streeties inhabiting the dark subway tunnels. The rhyming rhythmn and cadence of the story seems to owe something to rap music.

“The Lost Continent” -- A poignant and powerful story where once again Spinrad uses multiple viewpoints this time in the first person. It works well here to not only characterize but show how each of the three cultures, African, American, and Amero-African respond to the ruins of the Space Age Americans. Once again, Spinrad uses the imagery of the New York subway to represent degeneration into beastiality. I liked the reversal of the common “they were sure primitive and/or weird” story cliche that usually occurs when future historicans and archaeologists look back on our culture. Here they were not only not our descendents but technological inferiors. I liked our culture being held in great awe, and it helps to greater appreciate our immense, casual feats. However, like the characters who think of us as gods and demons with “souls not like ours” (it is a cautionary tale) the reader wonders. The story does have some dated material in the concern with smog, specifically a smog bank that persists for two centuries. Still, the story has an emotional grandeur in its portrayal of the strange insanity of Space Age America.

"World War Last" -- A vulgar, caustic, and occassionally quite funny satire which targetted, seemingly, the Reagan Administration. Putting whores on the U. S. Presidential cabinet was a touch worthy of the Golden Age of Satire.

"La Vie Continue" -- A fun story with moments of grimness and burlesque and all delighfully complicated as Spinrad spears Hollywod and superpower politics on a skewer of satire. Spinrad manages to carry off the conceit (in every sense of the word) of having himself a character in this future. Spinrad is once again fascinated by the media and the concept of enlightened self-interest, and here he shows a dear love of wheeling and dealing that comes through in his non-fiction too. The story is about sacrificing one's own interest for friendship and love. That is the uplifting, poignant part of the story. The wheeling and dealing part was fun too. ( )
  RandyStafford | Jun 6, 2012 |
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AutorennameRolleArt des AutorsWerk?Status
Norman SpinradHauptautoralle Ausgabenberechnet
Schorr, ToddUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
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In his own inimitable style, Spinrad examines in four stunning novellas one of his most compelling obsessions--the possible futures of America. Written with the biting wit and penetrating insight that are his trademarks, this new collection is exciting and essential reading.

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