In this issue of Parkett, Richard Flood writes, "Christopher Wool hasn't left much of the American angst and anger out of his art. The terse staccato of his language--rushing between noir wise guys, Burma Shave teasers, Punk rants, Lenny Bruce riffs and Zen smack downs--is a mad imploded sampler of rage, denial and brutal pragmatism." Scott Rothkopf takes on Wade Guyton's latest inkjet paintings in bull's-eye prose. And writing on Robert Frank, Eileen Myles claims: "Pull My Daisy refers to a g-string being dropped away, but the emotional underpinnings of this film make it more like a red flag being waved at a bull." Also, Paul Chan on Paul Sharits, Max Wechsler on F lix Vallotton, Thomas Eaton on Kenneth Anger, Burkhard Meltzer on Susan Philipsz and Victor Tupitsyn. Insert by Kerstin Br tsch, spine by Paulina Olowska.