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Lanark: A Life in Four Books (Canongate…
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Lanark: A Life in Four Books (Canongate Classics) (Original 1981; 2007. Auflage)

von Alasdair Gray

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2,044377,931 (4)97
A modern vision of hell, is set in the disintegrating cities of Unthank and Glasgow, and tells the interwoven stories of Lanark and Duncan Thaw. A work of extraordinary imagination and wide range, its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love, and yet our compulsion to go on trying. First published in 1981, Lanark immediately established Gray as one of Britain's leading writers.… (mehr)
Mitglied:marlaa
Titel:Lanark: A Life in Four Books (Canongate Classics)
Autoren:Alasdair Gray
Info:Canongate Books Ltd (2007), Paperback, 573 pages
Sammlungen:Deine Bibliothek
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Werk-Informationen

Lanark. Ein Leben in vier Büchern von Alasdair Gray (1981)

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Big and baffling. Feels like it needs a re-read to comprehend, but it is big. There are Big Themes of socialism and capitalism and Freud and subconscious, but it's hard to know how seriously any of it is being taken. The parts (Books) that are fantastical are sort of compelling and sort of tiresome—lots of visual imagery and description that I find hard to keep in mind. The time-mangling stuff is well done, though. Plot is picaresque in these parts. The parts (Books) that are realist-ish are kind of straightforward and very much a reminder that the 1950s are now an awful long time ago. The protagonist is both fully realised and a cypher. The sexual politics and general attitude to women are both pretty dated. The whole is somehow less playful than I expected from Gray, though there is the odd good joke. It's certainly an achievement but I don't know what it achieves. ( )
  hypostasise | Sep 13, 2023 |
Wow! Joyce meets Vonnegut in Glasgow. Wohda thought? Wow! ( )
  Estragon1958 | May 23, 2022 |
This book was a bit patchy and long for me. There were sections I really enjoyed and yet as a whole I wasn't quite convinced by it. It's weird and inventive with some very memorable scenes, but its what I would characterise as 'men's fiction' where the women tend to be a bit poorly drawn and unconvincing. I probably most enjoyed some of the deconstruction towards the end. Its quite disjointed between the realism of books 1 and 2, and the fantasy of books 3 and 4, which by the way are not in that order in the book. I feel like its very much a curate's egg, but it's a cult classic and I'm glad I've read it. ( )
1 abstimmen AlisonSakai | Jul 25, 2021 |
Fascinating, confusing, weird. I can't even begin to offer a plot synopsis. I was fascinated by parts and bored to tears by other parts. Epic strangeness that nevertheless strikes amazingly close to home at times. A novel not soon forgotten. ( )
  Charon07 | Jul 16, 2021 |
Bulk alone--560 or so pages--signals Scottish first-novelist Gray's determination: he means to make a detailed, leisurely analogue to today, to set it in a future-world city much like Glasgow. The main of Gray's big metaphorical structure is built on fantasy. And though this construct has its moments, it never even comes close to cohering. The eye, instead of being scathing, is more simply chafed; there's a sharp edge here, but it glints only once in a long while. Some appeal for fanciers of grand-scale sociological futurescapes, then, with more ambition than real imagination or power.
hinzugefügt von poppycocteau | bearbeitenKirkus Reviews (Feb 1, 1980)
 
What's worth saying, these decades on, is that Lanark , in common with all great books, is still, and always will be, an act of resistance. It is part of the system of whispers and sedition and direct communion, one voice to another, we call literature. Its bravery in finding voice, in encouraging the enormous power of public, national, artistic, sexual and political imagination, is not something to take for granted.

Alasdair Gray's big book about Glasgow is also a big book about everywhere. Its insistence on the literal if mistrusted truth - that Glasgow and Scotland and every small nation and individual within it are part of the whole wide world - is something worth saying indeed. Dear reader, delay no longer. Engage with the text. Imagine. Admire the view.
hinzugefügt von SnootyBaronet | bearbeitenThe Guardian, Janice Galloway
 
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"Who did the council fight?"
"It split in two and fought itself."
"That's suicide!"
"No, ordinary behaviour. The efficient half eats the less efficient half and grows stronger. War is just a violent way of doing what half the people do calmly in peacetime: using the other half for food, heat, machinery and sexual pleasure. Man is the pie that bakes and eats himself, and the recipe is separation."
"It is plain that the vaster the social unit, the less possible is true democracy."
He wallows under, gasping and tumbling over and over in salt sting, knowing nothing but the need not to breathe. A humming drumming fills his brain, in panic he opens eyes and glimpses green glimmers through salt sting. And when at last, like fingernails losing clutch on too narrow a ledge, he, tumbling, yells out last dregs of breath and has to breathe, there flows in upon him, not pain, but annihilating sweetness.
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A modern vision of hell, is set in the disintegrating cities of Unthank and Glasgow, and tells the interwoven stories of Lanark and Duncan Thaw. A work of extraordinary imagination and wide range, its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love, and yet our compulsion to go on trying. First published in 1981, Lanark immediately established Gray as one of Britain's leading writers.

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