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Taft (1994)

von Ann Patchett

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7863028,159 (3.35)84
Fiction. Literature. HTML:

An ex-jazz drummer wants nothing more than to be a good father in this moving family novel by the New York Times–bestselling author of The Dutch House.

When his lover takes away his son, he's left only with his Beale Street, Memphis bar. He hires a young waitress named Fay Taft who brings with her a desperate, dangerous brother, Carl, and the possibility of new intimacy. Nickel finds himself consumed with Fay and Carl's dead father—Taft—obsessing over and reconstructing the life of a man he never met.

A stunning artistic achievement, Taft confirms Ann Pathcett's standing as one of the most gifted writers of her generation and reminds us of our deepest instincts to protect the people we love.

"What could be merely a literary parlor trick—keeping three stories in the air at once—becomes...as resonant as a blues song, each story harmonizing with and answering others.... Expect miracles when you read Ann Patchett's fiction."—New York Times

"A moving emblem of fatherhood's rarely explored passion."—Los Angeles Times

"Patchett writes with remarkable conviction and attention to telling detail.... [She] is excellent at portraying the steady love and interest that holds the family members together, even though that love and interest isn't always successful in preserving the members from danger."—Jane Smiley, Pulitzer Prize–winning author of Golden Age

"Strikingly original."—Kirkus Reviews.
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2. Taft by Ann Patchett
reader: J. D. Jackson
OPD: 1994
format: 9:14 audible audio (246 pages)
acquired: December 18 listened: Dec 18, 2023, Jan 2-10, 2024
rating: 3
genre/style: Fiction theme: Random audio
locations: then contemporary Memphis, TN
about the author: American author born in Los Angeles in 1963, who grew up mainly in Nashville.

Anne Patchett's second novel. I'm not sure this was reasonable or fair, but I felt uncomfortable enough with white author Ann Patchett writing the voice of a black character, that when, after listening to this for a day, I got covid and stopped commuting to work, I also stopped listening. I just paused. My discomfort was cultural appropriation. I didn't mean to be political, it just felt wrong to me. Of course, she wrote this in 1994 and at that time I don't imagine I would have cared. Anyway, come January 2, I drove into work and started listening again.

This is a novel of Beale Street in Memphis. John Nickel, who misses his young son, living in Miami with the boy's mother, managers a bar on Beale Street, and hires a young white girl who says she's 20 as a waitress, Fey Taft. Fay's east Tennessee family is displaced and imploding after the recent death of her father. Slowly John finds himself getting involved in their issues.

This is not Patchett's best work. It doesn't have what I consider her strength: strong characters that she understands well in some way and can place in any situation and make it captivating. These are characters she can't know, and has to construct, and I didn't feel they were very strong. Nonetheless, it is actually an enjoyable novel.

For Patchett completists only.

2024
https://www.librarything.com/topic/356616#8353749 ( )
  dchaikin | Jan 10, 2024 |
A black man named John Nickel runs a bar in Memphis. He meets Fay Taft and hires her as a server, despite the fact that he believes she is underage. Her brother, Carl, is mixed up with drugs. Their father (the titular Taft) has died, and their mother is not around. Nickel begins imagining the life of their father, though they had never met.

Nickel is an interesting character. He is an ex-drummer. He is estranged from his ex-girlfriend and mother of his son, who has moved to Miami. He made some mistakes earlier in life, which he acknowledges, but very much wants a relationship with his son. I think we are supposed to admire him but his actions make this difficult.

For me, the structure of this story does not work very well. It mixes up what is real (Nickel’s life) with what is imagined (Taft’s life with his kids). I am not sure I understood the point of the imagined storyline. Perhaps Nickel is dreaming a fatherhood he would like to have with his own son? If so, it was a weak link. I think it would have been much more effective if the storyline had focused on Nickel. The plot takes a strange twist toward the end, which did not work for me. It was okay but not Patchett’s best in my opinion. ( )
1 abstimmen Castlelass | Oct 30, 2022 |
John Nickel is a black ex-drummer, managing a Memphis bar. He is settled into a comfortable routine, until he hires a white, teenage waitress and his life slowly begins to upend. I like the characters and the writing is mostly fine but the storytelling never really took off. A bit of a misfire for Patchett but it was only her second novel. ( )
  msf59 | Jun 14, 2022 |
Ann Patchett is one of my favorite writers. This is an early book by her and admittedly it is not up to the same level as her later works. That being said it is an interesting story that takes place in Memphis. It involves race relations but is more about people being pulled in different directions while trying to figure out how to conduct their lives. It is a good story about the South and the pull of family that takes us into the less than positive directions when it comes to our personal decisions. A worthwhile introduction to Patchett but if you are short on time then skip to her later stronger works. ( )
1 abstimmen nivramkoorb | Oct 23, 2021 |
John Nickel, the manager of a restaurant in Memphis, hires a new waitress, Fay Taft. Her brother Carl seems to be part of the deal but they bring complications in their wake.

There were times when I wondered where Ann Patchett was going with this and why I should be interested in any of this. I was confused in the parts involving Fay and Carl's late father, unsure whether this was what happened or whether this was what Nickel imagined their life before coming to Memphis was like. I still hadn't reached any conclusion by the end of the book, but it did feel much more cohesive and I wanted to know what happened next to Nickel, his son, the Woodmore sisters, and Fay. ( )
  Robertgreaves | Jul 16, 2021 |
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» Andere Autoren hinzufügen (2 möglich)

AutorennameRolleArt des AutorsWerk?Status
Patchett, AnnHauptautoralle Ausgabenbestätigt
Chalmers, AnneGestaltungCo-Autoreinige Ausgabenbestätigt
Coe, DianaUmschlaggestalterCo-Autoreinige Ausgabenbestätigt
Guider, JohnUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Jackson, J. D.ErzählerCo-Autoreinige Ausgabenbestätigt
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Fiction. Literature. HTML:

An ex-jazz drummer wants nothing more than to be a good father in this moving family novel by the New York Times–bestselling author of The Dutch House.

When his lover takes away his son, he's left only with his Beale Street, Memphis bar. He hires a young waitress named Fay Taft who brings with her a desperate, dangerous brother, Carl, and the possibility of new intimacy. Nickel finds himself consumed with Fay and Carl's dead father—Taft—obsessing over and reconstructing the life of a man he never met.

A stunning artistic achievement, Taft confirms Ann Pathcett's standing as one of the most gifted writers of her generation and reminds us of our deepest instincts to protect the people we love.

"What could be merely a literary parlor trick—keeping three stories in the air at once—becomes...as resonant as a blues song, each story harmonizing with and answering others.... Expect miracles when you read Ann Patchett's fiction."—New York Times

"A moving emblem of fatherhood's rarely explored passion."—Los Angeles Times

"Patchett writes with remarkable conviction and attention to telling detail.... [She] is excellent at portraying the steady love and interest that holds the family members together, even though that love and interest isn't always successful in preserving the members from danger."—Jane Smiley, Pulitzer Prize–winning author of Golden Age

"Strikingly original."—Kirkus Reviews.

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