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Het verstoorde evenwicht von Joyce Hackett
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Het verstoorde evenwicht (2003. Auflage)

von Joyce Hackett, Karina van Santen

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493527,321 (2.75)2
In Theresienstadt, the notorious Czech concentration camp, Yuri Masurovsky, a world-renowned pianist, survived persecution by playing for his captors. Years later, his daughter Isabel finds herself orphaned and adrift in Italy and bound to her father's past. Although she has not performed in years, she takes a job teaching the troubled son of a miserly millionaire. Isabel learns he is concealing a legendary cello, which was confiscated by the Nazis and has never resurfaced. Giulio is a cagey surgical resident who also works as a gigolo. A compulsive performer and liar, he turns out to be more genuine than anyone Isabel has ever known. Slowly, he provokes, coaxes and seduces her into the present, helping her see that she must live not in her father's time, but in her own. In DISTURBANCE OF THE INNER EAR, Joyce Hackett has created a pitch-perfect first-person narrative. Her dazzling debut marks the arrival of an exciting new novelist.… (mehr)
Mitglied:saravosmaer
Titel:Het verstoorde evenwicht
Autoren:Joyce Hackett
Weitere Autoren:Karina van Santen
Info:Amsterdam : De Bezige Bij; 316 p, 22 cm; http://opc4.kb.nl/DB=1/PPN?PPN=252780515
Sammlungen:Deine Bibliothek
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Tags:fictie

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Disturbance of the Inner Ear: A Novel von Joyce Hackett

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I read this book really fast to find out what happens. After it finishes the trajectory of the book and where it ends feels like the reader should have guessed, but I think that is the art of the author, and that like life, there are many ways it could have taken and each one could have been just as convincing. As the book progressed I felt more sure of what had happened in the past and less sure of the present - and that was a part of the attraction for me. Thank goodness I didn't read the Goodreads bullshit about the healing power of erotic love - or I would never have started it. ( )
  Ma_Washigeri | Jan 23, 2021 |
I read this book really fast to find out what happens. After it finishes the trajectory of the book and where it ends feels like the reader should have guessed, but I think that is the art of the author, and that like life, there are many ways it could have taken and each one could have been just as convincing. As the book progressed I felt more sure of what had happened in the past and less sure of the present - and that was a part of the attraction for me. Thank goodness I didn't read the Goodreads bullshit about the healing power of erotic love - or I would never have started it. ( )
  Ma_Washigeri | May 27, 2018 |
I thought this was a very interesting premise, and a pretty exciting read. However, it lacked emotion and was a bit too 'artsy'. At times, I felt like the writer wanted to prove her writing prowess rather than craft a good story. ( )
  MWPH | Jul 24, 2010 |
A potent brew indeed. The Russian/Jewish former prodigy narrator is suffering both from harrowing memories of concentration camps and the deaths of her parents in the past, and dire straits in the present, where she is homeless, moneyless, again bereaved, her musical genius traumatically stifled, fleeing her new lover, causing disaster with her every act. All these tumultuous ingredients, though, are presented in so jumbled a fashion, and with so little explanation, that I found it a quite baffling as well as disturbing read; frequent recourse to the jacket blurb did not give sufficient enlightenment as to what had happened, was happening, and why.
Further difficulty in comprehension derives from the language and plot's being based on music.
hinzugefügt von KayCliff | bearbeitennewBOOKSmag, Hazel K. Bell (May 31, 2014)
 
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In Theresienstadt, the notorious Czech concentration camp, Yuri Masurovsky, a world-renowned pianist, survived persecution by playing for his captors. Years later, his daughter Isabel finds herself orphaned and adrift in Italy and bound to her father's past. Although she has not performed in years, she takes a job teaching the troubled son of a miserly millionaire. Isabel learns he is concealing a legendary cello, which was confiscated by the Nazis and has never resurfaced. Giulio is a cagey surgical resident who also works as a gigolo. A compulsive performer and liar, he turns out to be more genuine than anyone Isabel has ever known. Slowly, he provokes, coaxes and seduces her into the present, helping her see that she must live not in her father's time, but in her own. In DISTURBANCE OF THE INNER EAR, Joyce Hackett has created a pitch-perfect first-person narrative. Her dazzling debut marks the arrival of an exciting new novelist.

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