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Your Blues Ain't Like Mine (1992)

von Bebe Moore Campbell

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492349,855 (3.95)16
"Intriguing...A thoughtful, intelligent work...The novel traces the yeasr from he '50s to the ate '80s, from Eisenhower to George Bush....She writes with simple eloquence about small-town life in the South, right after the start of the great social upheaval of he civil rights movement....Campbell has a strong creative voice." THE WASHINGTON POST BOOK WORLD Chicago-born Amrstrong Tood is fifteen, black, and unused to the ways of the segregated Deep South, when his mother sends him to spend the summer with relatives in rural Mississippi. For speaking a few innocuous words in French to a white woman, Armstrong is killed. And the precariously balanced world and its determined people--white and black--are changed, then and forever, by the horror of poverty, the legacy of justice, and the singular gift of love's power to heal.… (mehr)
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Whenever I hear someone rave about The Help, I suggest they read Your Blues Ain't Like Mine. The Help has good parts, but on the whole Your Blues Ain't Like Mine -- a novel based on the Emmett Till murder -- seems so much more realistic and honest about how horrible conditions were for African-Americans in the 1950s South.

Here's a post I wrote about the novel for Newsworthy Novels, a blog that matches novels to today's headlines and events (this entry was for Black History Month): http://newsworthynovels.blogspot.com/2013/02/black-history-month-campbells-your.... ( )
  mcenroeucsb | Mar 16, 2013 |
Well written novel, loosely based on the murder of Emmett Till in Mississippi in 1955. I particularly liked the characterization and depth the author imparts to both her protagonists and villains. Helped me connect with the tragedy in a way I never would have otherwise. ( )
  majjacsobe | May 6, 2009 |
www.barnesandnoble.com
Annotation
Set in the recent American past, this is a timeless tale of racism, murder, and redemption. A black Chicago-born teen goes Deep South for the summer and is murdered for saying the wrong thing to a white woman. Repercussions are felt by everyone involved, both black and white, for generations.

From the Publisher
Repercussions are felt for decades in a dozen lives after a racist beating turns to cold-blooded murder in a small Mississippi town in the 1950s. Bebe Moore Campbell's affecting memoir, Sweet Summer: Growing Up With and Without My Dad, was hailed by The Philadelphia Inquirer as "a remarkable achievement." "Ripe with family stories, lush with images, suffused with emotions," said the Kansas City Star. "It is probably one of the more overdue books about and for the black community," wrote Nikki Giovanni in The Washington Post. Now Campbell turns her abundant talents to fiction in an evocative first novel, Your Blues Ain't Like Mine. Chicago-born Armstrong Todd is fifteen, black, and unused to the segregated ways of the Deep South when his mother sends him to spend the summer with relatives in her native rural Mississippi. For speaking a few innocuous words in French to a white woman, Armstrong pays the ultimate price when her husband, brother-in-law, and father-in-law decide to teach him a lesson. The lives of everyone involved in the incident - black and white - are changed forever, and the reverberations extend well into the next generation. Resonant with the sorrows of poverty and racial prejudice as well as the triumphs of love and social justice, Your Blues Ain't Like Mine marks the debut of a powerful, clear voice in contemporary fiction.
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  goneal | Nov 30, 2006 |
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"Intriguing...A thoughtful, intelligent work...The novel traces the yeasr from he '50s to the ate '80s, from Eisenhower to George Bush....She writes with simple eloquence about small-town life in the South, right after the start of the great social upheaval of he civil rights movement....Campbell has a strong creative voice." THE WASHINGTON POST BOOK WORLD Chicago-born Amrstrong Tood is fifteen, black, and unused to the ways of the segregated Deep South, when his mother sends him to spend the summer with relatives in rural Mississippi. For speaking a few innocuous words in French to a white woman, Armstrong is killed. And the precariously balanced world and its determined people--white and black--are changed, then and forever, by the horror of poverty, the legacy of justice, and the singular gift of love's power to heal.

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