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Elfland

von Freda Warrington

Weitere Autoren: Siehe Abschnitt Weitere Autoren.

Reihen: Aetherial Tales (1)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
2981487,556 (3.68)25
The feylike Vaethyr regularly travel between the Spiral and our world until the gates are summarily and permanently closed by Lawrence Wilder, the Gatekeeper. He warns of danger, but the Vaethyr on Earth need to return to the Spiral to survive. Rose Fox, a woman born to magic but tormented by her place in her adopted world, and her lover Sam Wilder must breach the dreaded gates and face the danger, to save themselves and the Aetherial community.… (mehr)
  1. 00
    The Sorcerer's House von Gene Wolfe (majkia)
    majkia: another interesting interpretation of the supernatural and how it might affect normal human beings.
  2. 01
    Die Erbin der Welt von N. K. Jemisin (majkia)
    majkia: both are well-written creative takes on normal fantasy tropes
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Beautiful prose, great story, loved the worlds she creates. ( )
  bjsikes | Jan 30, 2023 |
Mesmerising fantasy with many feature references to current fantasy like twilight. Perhaps a fanfic of Elfland?

Here's my full review:
http://www.sholee.net/2018/03/mpov-elfland-aetherial-tales-1.html ( )
  Sholee | Sep 9, 2021 |
Elfland by Freda Warrington examines the lives of Aetherials (that would be fairies to us humans) living on Earth. As keeper of the gates, Lawrence Wilder is responsible for opening them up every seven years so that the earthly faeries can return home. Instead, he has closed them off due to a great and terrible threat from within. Cut off from the magic of their home the Aetherials begin to slowly go mad while Auberon Fox tries to keep the piece. and his family together. Tensions build among the Aetherial community over the gates and eventually everything must come to a head regardless of the outcome.

It’s taken me a while to actually write this blog post even though I finished the book some time ago because I really wasn’t sure how I felt about the book. And frankly, I’m still not sure whether or not I liked it or if I would recommend it to others.

First we’ll look at the positives. Freda Warrington has an amazing talent for imagery. From the first page I was in her world and could see it clearly. You don’t have to wonder how things look or how the characters are feeling because you’re right there along with them. There aren’t any passages that are so beautiful they stopped my breath, but the scenes are vivid and rich. Her characters are also distinct and real. If you’ve been reading my blog for any length of time you know I love great characterization, and this book is full of it. There are no issues of characters blending together, or being archetypes for any one ideal. It’s lovely seeing them interact together.

Now the negatives. Everything drags on for far too long. The plot, at its heart, is an interesting one, but it gets mired down in the soap opera that is the lives of the Wilder and Fox clans. Some of this was instrumental in developing the world for what would ultimately happen. I get that. But it just drug on and on. Instead of making me love the main character, Rosie, it made me want to smack her. Once the plot actually started rolling I couldn’t put the book down, but for the first two thirds of the book I kept wondering when things would start to happen rather than tuning into the next episode of “As the Fairies Fight”. This may be a little too critical. It wasn’t a waste of time exactly; I just wish it would have moved faster.

I won’t be rereading Elfland again, and I’m still not sure if I would recommend it. If a supernatural melodrama is up your alley than by all means, but if not you might want to pass. Creativity: 4 out of 5, readability 3 out of 5, originality 2 out of 5 for a total score of 9 out of 15.
  taimoirai | Jun 25, 2021 |
Rosie is typical girl. Wondering about love, trying to figure out her place in life, cavorting with brothers and friends, and oh yeah, trying to figure out how to be Aetherian in this mortal word. But the gates between their world and "Elfland" has been closed permanently because of a great danger - or so says the Gatekeeper. As Rosie and her friends grow up, exploring into their lost heritage, they will find themselves in the midst of breaking this mystery.

This is the first book with decent grammar and writing that I've had the displeasure of finishing. The characters are complete imbeciles. All of them. All of them!! How is this possible? It's as if they're stuck at a hormonal age of 16, making idiotic decisions and irrational statements. Ummm marriage for 4 months and then realizing you can't stand the dude because you didn't face up to your real emotions? Ridiculous. It's like they're playing with life, and when a wave of lust comes across them, they treat it like real love and change their entire life. Argh, love - this pisses me off! As if any of them show real emotional attachment. All they have connecting them (Rosie and Jon; Faith and Matt; Jessica and Lawrence, and Sam and Rosie, especially) is just pure lust. And ugh, gratutious sex scenes. I'd rather have a scene that shows me that there's a true connection besides longing for their hot bod. And the worst part is that all of these characters grow up into their late twenties and they are still incapable of making rational decisions. Sure, emotions can make someone a little wonky, but their dumb decisions happen over and over again. Please. Excuse me as I roll my eyes.

The characters have utterly no depth except for what we are spoon-fed from the narrator. For example, Jon is supposed to be someone with whom everyone falls in love. But from his characteristics and actual dialogue, he's a bit of a stupid idiot. Rosie is supposed to be generous and kind and forgiving with a bit of spunk. But her actions and words just make her seem like a selfish, love-sick fool who can't do anything. Honestly, does she do anything at all in this story? Sam is supposed to be a violent, rude person that later is revealed to be actually a good guy who helps out his brother - but his words say that he's just a creepy, obsessed dude who has issues. The author wants us to believe these characters are a certain type of person by telling us exactly who they are, but all the dialogue and actions point to the contrary. That is poor writing.

There is absolutely no plot. My summary in the first paragraph sucks because I feel like it's a little impossible to summarize this convoluted, no-directional story. It's basically about Rosie and Sam hooking up and getting together and opening the gates. With a ton of teenage drama. Oh there's an affair. Here's a marriage. There's a hookup. There's a stepmom. There's unrequited love. Etc. That's the bulk of this book. It's more like a television high school soap drama with the amount of dumb relationship problems hidden between two families. And the closed gate is more like a subplot thrown in to make this drama possible. Shakes head.

Thus, the resolution of the "main" (in quotes because obviously the real emphasis is on the dysfunctional relationships. "Main" can probably be replaced by "fake") plot, is incredibly weak. The ending was a cop-out and the villain was too easily defeated.

You would think that having faeries in the real world would be a little bit interesting. I love learning about new magic systems and delving into new worlds. But this book.... manages to make faeries mundane. How is this possible? They're basically like humans with shiny skin and one more dimension. Rosie manages to reveal her status as a faerie to every single human she meets - and they're supposed to keep it quiet. What the heck? There is no magic in this world. There is no discovery. It's completely boring. Instead of new lore and a beautiful world where senses are incapable of describing the new dimension, Warrington just dumps the entire history of these Aetherians in long, unreadable, completely boring paragraphs. Information dumps. Horrible way to reveal a potentially beautiful world.

And one thing that I noticed and that I can't believe with a bit of outrage is that there are no humans in this story who are remotely portrayed in a positive light. In contrast, the main characters (all Aetherians) can do no wrong. Even Rosie when she commits adultery to her poor husband seems to be in the right at the end of the day when Alastair turns out to be a complete scumbag despite the initial courtship. Arghhh! Stupid girl!! Lawrence, for all his horrible, almost inexcusable mistakes, is still portrayed as a swell guy with courage to face his fears by the end of the book. Jon gets a free pass for his bastardly actions when he's all redeemed at the end as well. What the heck? How can these main characters (all Aetherian) do no wrong? And Sapphire, someone who could potentially defeat the stereotypical wicked step-mother turns into a caricature of that exact stereotype. The only humans in this book (besides maybe Mel, who isn't really a character), are all horribly in the wrong. Is it just me, or is that kind of weird? Especially since they're living in the mortal world and choose to stay here. Even besides that, it also points to the fact that this is a pretty empty world. Despite them going to college and getting married and whatever goes on in their drama-filled daily lives, they only interact with other Aetherians. It's poor world-building and poor characterization.

I hate how Warrington portrays the women in this book. These women all have stupid affairs and romantic relations and do absolutely nothing. They flip their waterfall of hair and let their hair swish around. They just get married and plant gardens. Do they have no ambition or any purpose in life besides swooning over boys??? Rahhh!!! Feeling angry. I am disappointed in Warrington for creating a female protagonist that can't do anything at all.

So. After all these rants, why did I finish the book? All 500 pages. Ha.. I'm not sure. Because I wanted to know how it ended, even though I hated so many parts of it, I guess. Maybe because it's a fairly easy read as well. But ugh. I don't think it was worth my time at all.

One star. This is incredibly low, even for me. But it's because even though sentence structure, grammar, and perhaps even basic story construction is okay, I really did not like it. At all. It's basically a teen angst romance story with multiple love plots. That is not what it sells itself as, though, and therefore extremely disappointing.
Would not recommend to anyone at all. Unless you like stupid girl stories about romance with a hint of magic.
I won't judge if you actually do like those stories. Okay. Maybe a little. Read at your own caution. ( )
  NineLarks | Sep 15, 2014 |
Rosie is typical girl. Wondering about love, trying to figure out her place in life, cavorting with brothers and friends, and oh yeah, trying to figure out how to be Aetherian in this mortal word. But the gates between their world and "Elfland" has been closed permanently because of a great danger - or so says the Gatekeeper. As Rosie and her friends grow up, exploring into their lost heritage, they will find themselves in the midst of breaking this mystery.

This is the first book with decent grammar and writing that I've had the displeasure of finishing. The characters are complete imbeciles. All of them. All of them!! How is this possible? It's as if they're stuck at a hormonal age of 16, making idiotic decisions and irrational statements. Ummm marriage for 4 months and then realizing you can't stand the dude because you didn't face up to your real emotions? Ridiculous. It's like they're playing with life, and when a wave of lust comes across them, they treat it like real love and change their entire life. Argh, love - this pisses me off! As if any of them show real emotional attachment. All they have connecting them (Rosie and Jon; Faith and Matt; Jessica and Lawrence, and Sam and Rosie, especially) is just pure lust. And ugh, gratutious sex scenes. I'd rather have a scene that shows me that there's a true connection besides longing for their hot bod. And the worst part is that all of these characters grow up into their late twenties and they are still incapable of making rational decisions. Sure, emotions can make someone a little wonky, but their dumb decisions happen over and over again. Please. Excuse me as I roll my eyes.

The characters have utterly no depth except for what we are spoon-fed from the narrator. For example, Jon is supposed to be someone with whom everyone falls in love. But from his characteristics and actual dialogue, he's a bit of a stupid idiot. Rosie is supposed to be generous and kind and forgiving with a bit of spunk. But her actions and words just make her seem like a selfish, love-sick fool who can't do anything. Honestly, does she do anything at all in this story? Sam is supposed to be a violent, rude person that later is revealed to be actually a good guy who helps out his brother - but his words say that he's just a creepy, obsessed dude who has issues. The author wants us to believe these characters are a certain type of person by telling us exactly who they are, but all the dialogue and actions point to the contrary. That is poor writing.

There is absolutely no plot. My summary in the first paragraph sucks because I feel like it's a little impossible to summarize this convoluted, no-directional story. It's basically about Rosie and Sam hooking up and getting together and opening the gates. With a ton of teenage drama. Oh there's an affair. Here's a marriage. There's a hookup. There's a stepmom. There's unrequited love. Etc. That's the bulk of this book. It's more like a television high school soap drama with the amount of dumb relationship problems hidden between two families. And the closed gate is more like a subplot thrown in to make this drama possible. Shakes head.

Thus, the resolution of the "main" (in quotes because obviously the real emphasis is on the dysfunctional relationships. "Main" can probably be replaced by "fake") plot, is incredibly weak. The ending was a cop-out and the villain was too easily defeated.

You would think that having faeries in the real world would be a little bit interesting. I love learning about new magic systems and delving into new worlds. But this book.... manages to make faeries mundane. How is this possible? They're basically like humans with shiny skin and one more dimension. Rosie manages to reveal her status as a faerie to every single human she meets - and they're supposed to keep it quiet. What the heck? There is no magic in this world. There is no discovery. It's completely boring. Instead of new lore and a beautiful world where senses are incapable of describing the new dimension, Warrington just dumps the entire history of these Aetherians in long, unreadable, completely boring paragraphs. Information dumps. Horrible way to reveal a potentially beautiful world.

And one thing that I noticed and that I can't believe with a bit of outrage is that there are no humans in this story who are remotely portrayed in a positive light. In contrast, the main characters (all Aetherians) can do no wrong. Even Rosie when she commits adultery to her poor husband seems to be in the right at the end of the day when Alastair turns out to be a complete scumbag despite the initial courtship. Arghhh! Stupid girl!! Lawrence, for all his horrible, almost inexcusable mistakes, is still portrayed as a swell guy with courage to face his fears by the end of the book. Jon gets a free pass for his bastardly actions when he's all redeemed at the end as well. What the heck? How can these main characters (all Aetherian) do no wrong? And Sapphire, someone who could potentially defeat the stereotypical wicked step-mother turns into a caricature of that exact stereotype. The only humans in this book (besides maybe Mel, who isn't really a character), are all horribly in the wrong. Is it just me, or is that kind of weird? Especially since they're living in the mortal world and choose to stay here. Even besides that, it also points to the fact that this is a pretty empty world. Despite them going to college and getting married and whatever goes on in their drama-filled daily lives, they only interact with other Aetherians. It's poor world-building and poor characterization.

I hate how Warrington portrays the women in this book. These women all have stupid affairs and romantic relations and do absolutely nothing. They flip their waterfall of hair and let their hair swish around. They just get married and plant gardens. Do they have no ambition or any purpose in life besides swooning over boys??? Rahhh!!! Feeling angry. I am disappointed in Warrington for creating a female protagonist that can't do anything at all.

So. After all these rants, why did I finish the book? All 500 pages. Ha.. I'm not sure. Because I wanted to know how it ended, even though I hated so many parts of it, I guess. Maybe because it's a fairly easy read as well. But ugh. I don't think it was worth my time at all.

One star. This is incredibly low, even for me. But it's because even though sentence structure, grammar, and perhaps even basic story construction is okay, I really did not like it. At all. It's basically a teen angst romance story with multiple love plots. That is not what it sells itself as, though, and therefore extremely disappointing.
Would not recommend to anyone at all. Unless you like stupid girl stories about romance with a hint of magic.
I won't judge if you actually do like those stories. Okay. Maybe a little. Read at your own caution. ( )
  NineLarks | Sep 15, 2014 |
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The feylike Vaethyr regularly travel between the Spiral and our world until the gates are summarily and permanently closed by Lawrence Wilder, the Gatekeeper. He warns of danger, but the Vaethyr on Earth need to return to the Spiral to survive. Rose Fox, a woman born to magic but tormented by her place in her adopted world, and her lover Sam Wilder must breach the dreaded gates and face the danger, to save themselves and the Aetherial community.

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2 6
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3 8
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4 19
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