El tío de América que no faltaba en las familias españolas le encarga a Carvalho que vaya a Buenos Aires a buscar a un primo que ha querido desaparecer después de haberse salvado de la dictadura militar. Un clásico imprescindible de Carvalho.

review of
Manuel Vázquez Montalbán's The Buenos Aires Quintet
by tENTATIVELY, a cONVENIENCE - November 25-28, 2014

I think this is one of my best bk reviews. To some, it might seem excessively rambling, to me, it's scholarly. It's also "too long" for here by a long shot so interested readers must read it here: https://www.goodreads.com/story/show/382361-don-t-let-them-get-away?chapter=1

I acquired this bk b/c the back cover's description of it begins w/ this paragraph:

"The Argentine army's "Dirty War" disappeared 30,000 people, and the last thing Pepe Carvalho wants is to investigate one of the vanished, even if that missing person is his cousin, But blood proves thicker than a fine Mondoza Cabernet Sauvignon, even for a jaded gourmand like Pepe, and so at his family's request he leaves Barcelona for Buenos Aires."

I subscribed to a magazine called "CounterSpy" in 1980 & to another magazine called "CovertAction Information Bulletin" from 1980 to 1982. Both magazines published exposés of CIA connections to oppressive regimes the world over. I remember seeing an/the editor of CounterSpy on a TV talk show defending himself for the magazine's disclosure of CIAgents info. Wikipedia states that "the 1975 murder of Richard S. Welch, the CIA Station Chief in Greece, by Revolutionary Organization 17 November was blamed by some on disclosures in magazines such as CounterSpy." ( http://en.wikipedia.org/wiki/CounterSpy_Magazine ) CounterSpy's position was that the info they disclosed was already public knowledge & that, of course, such disclosures served positive political purposes by providing resistance to CIA covert operations.

However, it was CovertAction that really impressed me. Around 1981, I was reading its investigations into the military junta's death & torture squads in Argentina. Datings vary substantially, but for simplicity's sake, the main era of state-sponsored terrorism took place from 1976 to 1983 w/ estimates of victims varying. For the purposes of this review, 30,000 leftists were disappeared by the military during this time. CovertAction Information Bulletin (later called CovertAction Quarterly from 1992 'til its unfortunate demise in 2005) gave extremely detailed info about the tortures & murders committed by the military during this time. I found the explicitness of the terror almost unbearable to even read about.

According to Wikipedia, in 1985 "The government of Raúl Alfonsín began to develop cases against offenders. It organised a tribunal to conduct prosecution of offenders, and in 1985 the Trial of the Juntas was held. The top military officers of all the juntas were among the nearly 300 people prosecuted, and the top men were all convicted and sentenced for their crimes. This is the only Latin American example of the government conducting such trials. Threatening another coup, the military opposed subjecting more of its personnel to such trials and forced through passage of Ley de Punto Final in 1986, which "put a line" under previous actions and ended prosecutions for crimes under the dictatorship. Fearing military uprisings against them, Argentina’s first two presidents inflicted punishment only to top Dirty War ex-commanders, and even then, very conservatively. Despite President Raúl Alfonsín’s 1983 establishment of CONADEP, a commission to investigate the atrocities of the Dirty War, in 1986 the Ley de Punto Final (Full Stop Law) provided amnesty to Dirty War acts, stating that torturers were doing their “jobs"." ( http://en.wikipedia.org/wiki/Dirty_War )

One of the torturers outed in CovertAction was nicknamed the "Blond Angel". Even the usually more mainstream People magazine, in their June 17, 1982, issue stated that: "After recapturing South Georgia Island, in the first step toward regaining the Falklands, British naval officers invited the defeated Argentine commander to dine aboard their warship. The prisoner, a charming, cultivated officer who spoke perfect English, identified himself as Captain Alfredo Astiz, 32. Sharing their wardroom aboard the warship while it steamed north to Ascension Island to drop off the captives, Astiz seemed to share the genteel values of his hosts. But when stories and photographs appeared in European newspapers of the stubble-bearded captain signing surrender documents, he was recognized as a man with an evil past. According to onetime political prisoners who have fled Argentina, the well-mannered captain was once the leader of an Argentine security squad which specialized in kidnapping, torture and murder. Says exiled Argentine dissident Jacobo Timerman bitterly: "Astiz was one of the worst."" ( http://www.people.com/people/archive/article/0,,20082337,00.html )

Despite this capture, it wasn't until 1998, 16 yrs later that he was ousted from the military:

"He was discharged from the military in 1998 after defending his actions in a press interview.

"He was a member of GT 3.3.2 (Task Force 3.3.2) based in the Naval Mechanics School (ESMA) in Buenos Aires during the Dirty War of 1976-1983. The school was adapted as a secret detention and torture center for political prisoners. As many as 5,000 political prisoners were interrogated, tortured and murdered in the ESMA during those years. GT3.3.2 was involved in some of the 8,961 deaths and other crimes documented by a national commission after the restoration of democratic government in Argentina in 1983." ( http://en.wikipedia.org/wiki/Alfredo_Astiz )

The "Captain" of The Buenos Aires Quintet conducted his tortures at a Naval School: "[']We used to live in anonymous military installations that could not be identified from outside.[']" [..] "[']I never asked him about anything that I sensed was happening in the Navy Engineering School and all those other places. He told me that within twenty-four hours we had to move to an address that we could not give out even to our closest family.[']" (p 349)

I've heard from a skinhead ARA (Anti-Racist Action) friend of mine who's lived in Argentina that Astiz was recognized in an Argentina disco, probably in the early 2000s, & severely beaten. But is that enuf?! He's still alive.

"Astiz was arrested by Argentine police in July 2001. The Pardon Laws did not cover baby theft. Italy was seeking extradition of Astiz for the kidnapping and torture of three Italian nationals in 1976 and 1977, and for the theft of a baby daughter born to one of them: Angela Maria Aieta in 1976, and the kidnapping of Giovanni Pegoraro and his pregnant daughter Susana Pegoraro in 1977. It is believed that Susana gave birth in prison before her death, and Astiz arranged for her baby to be given for illegal adoption to an Argentine military family. Argentine newspapers reported at the time of Astiz's arrest that the alleged daughter was living in the port city of Mar del Plata. Astiz was not extradited." - http://en.wikipedia.org/wiki/Alfredo_Astiz#Legal_actions

"In 2005, Astiz was detained on charges of kidnapping and torture, centered on the 12 victims of December 1977." - http://en.wikipedia.org/wiki/Alfredo_Astiz

As of December 20, 2008:

"Argentinean legal authorities cancelled the controversial release of Alfredo Astiz, known as the "Blond Angel of Death," only hours after the government appealed against the court decision to free him.

"AFP - Argentine legal authorities suspended a decision to release Alfredo Astiz, known as the "Blond Angel of Death" for a series of murders during the 1976-1983 military dictatorship, a day after a court ordered him freed, the official news agency Telam reported Friday.

"The announcement came barely two hours after the government said it would appeal the controversial decision to release Astiz -- accused of involvement in the disappearance of two French nuns, a Swedish adolescent and scores of political dissidents during the dictatorship's fight against leftist insurgents.

"Astiz and other former military officers are scheduled for a hearing, but a court on Thursday ordered him released, along with another accused jailer and torturer, Jorge Acosta alias "The Tiger," on the grounds they had been detained for two years without being formally charged." - http://www.france24.com/en/20081219-release-blond-angel-death-suspended-/

Finally, "Astiz and 17 other defendants associated with the operations at ESMA were "charged with various cases of kidnapping, torture, and murder relating to 86 victims." Following a 22-month trial, on October 27, 2011, Alfredo Astiz was convicted by an Argentinian court and sentenced to life imprisonment for crimes against humanity committed during the Dirty War." - ( http://en.wikipedia.org/wiki/Alfredo_Astiz#Legal_actions )

For me, Astiz & the too-many-others-like-him represent the ultimate nightmare of what legal society can actually endorse. While someone like Charlie Manson is in jail for life for murders he didn't even commit, people such as Lieutenant Calley (infamous mass murderer at Mai Lai) & the Blond Angel can commit crimes far, far more heinous entirely with government blessing & live relatively unmolested lives afterwards even though their crimes are public! Keep in mind that Reinhard Heydrich was the head of Interpol (the International Police) at the same time that he was responsible for the so-called ( )

If you like Latin American fiction, then you will love this. The book is labeled a mystery, but it wanders through the plot with characters who would fit as well in comic books. The plot jumps and lurches; Argentina does too. A political satire. A political horror. Ride with it. ( )

André Malraux called Buenos Aires the capital of an empire that never existed. Manuel Vásquez Montalbán has a character describe the city as ‘the ruin of an imagined world.’ Who knew that Catalan crime fiction could be the medium for a convincing portrayal of Buenos Aires at the end of the 20th c.?

The Argentine cousin of Barcelona private detective Pepe Carvalho has vanished. Webs of intrigue and ambiguous affiliations confound the search. Anyone alive in 1997 on the Río de la Plata is a survivor somehow of the Dirty War. Militants turned academics are sipping rich red Mendoza and quibbling over the minutiae of theory. The sons and daughters and friends of military families have become captains of industry or shadow ministers without portfolio. There is a Borges impersonator, and an old folks’ home named for the reactionary poet Leopoldo Lugones. There’s still tango (‘the shortest distance between poetry and life’), or the idea of tango, as kitschy melancholia, and as a symbol of squandered chances. Montalbán’s description of a club of gourmand oligarchs raising a toast ‘to culture!’ just before devouring an extravagant heap of charred dead meat the chef calls potpourri Pantaguel is the kind of lacerating satire that only a foreigner would submit.

My own recollections from 1996-98 played in the background while I read: medialunas at La Juventus, the train to Chivilcoy, evening light in the Tigre. The steampunk Waterworks Palace, anarchist okupas in the skeletons of unfinished buildings. The sound of existential exhaustion in Las Pelotas’ “¿Para qué?”

Incidentally, Montalbán’s characters play out themes described by Mempo Giardinelli in El País de Las Maravillas, written in the same period: the desperate self-importance combined with a diminishing faith in justice. The seduction of psychotherapy and plastic surgery. A fatalism at once cynical and arrogant. El desgaste política and the opacity of elite machinations. The seeming impossibility of reconciliation with the past. Carvalho the private detective takes his existential frustration out on culture and history by throwing books from his own eclectic library into the fireplace when he needs to blow off steam. (No! Not Piglia’s Artificial Respiration! Why not Martín Fierro?!)

The Buenos Aires Quintet can be enjoyed as detective fiction―with plenty of suspense, action, and sharp sardonic talk―but Montalbán also succeeds in capturing the feel of the place at that moment between a past no one really wants to think too deeply about and a future that counts too heavily on remembering what has happened. ( )

On aime Vasquez Montalban pour ses défauts... bon, là on a beaucoup de raison de l'aimer (phrase Carvalhiene, non?) ( )