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Lädt ... Brick Lane. (2003)von Monica Ali
Booker Prize (77) » 10 mehr Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Here's what I wrote in 2008 about this read: "People from Bangladesh in London. The assimilation & segregation pressures build, and the homeland still beckons. Nice quotation from amazon.com: "If Dickens or Trollope were loosed upon contemporary London, this is exactly the sort of novel they would cook up. --Claire Dederer"" ( ) I liked this novel about the life of a Bangla-Deshi girl sent to London for an arranged marriage to an older man. A lot of interesting characters, all a little bit clichèd but all with some individuality and even charm. I've read a few novels by south Asians but never from the point of view of a Muslim woman so that was interesting also. Remarkably good. Just when you thought that writers had wrung the last material out complicated-yet-somehow-tedious intercontinental, post-imperial emigration stories, you pick up something like "Brick Lane" and get reminded how vast and rich the space between cultures really is, and the near-heroic things that humans are capable of doing in order to reach across it. "Brick Lane" to its unending credit, seems to have been briefed on this sort of narrative's own clichés and doesn't hesitate to challenge them. Chamu, the educated-stupid patriarch of the family described here, can recite the traps and complexities of the emigrant's dilemma, but it doesn't help him one bit. In fact, many of this novel's characters, including the young, idealistic Karim, aren't shy about articulating the cultural pathologies that make their lives difficult, but, in the final analysis, "Brick Lane" is superbly written novel about doing, not speaking or writing. It's no coincidence, I think, that it's an English-language novel whose main character doesn't learn English until its last hundred pages or so. The author seems much more interested in the nuts-and-bolts of Nazneen's survival than any commentaries that might be made about it. Being set, variously, in the slums and sweatshops of Dhaka a rough-and-tumble London council estate, the novel presents a picture of cultural assimilation and at-all-costs survival at ground zero. Which isn't to say that it's not a joy to read. Nazneen's memories of her Bangladeshi village are as cool and soothing as a wet cloth, and her descriptions of her new British neighbors are insightful and funny. In Chamu, insufferable, unseeing, hypocritical, and too proud, Ali's got something of a world-class villain, if she didn't take her time to make it clear to the reader that he's much more lost, confused and -- at times -- sympathetic than he would like to seem. The ill-fitting love that grows between Chamu and Nazneen toward the end of the novel might rank as one of the twenty-first centuries most realistic, and most painful, romances. Ali's writing is both spry and marvelously complex throughout, and, while its action takes place in settings that are tightly constrained by poverty and stifling tradition, it also feels wonderfully open and ambitious. The book addresses money and class and religion and contemporary politics fearlessly, and the author never seems to miss a step. Most importantly, perhaps, its characters are utterly indelible. Ali's descriptions of Chamu's pretensions at being open-minded, Nazneen's courage and her self-doubt, and both her daughters' willingness to please and their anger are as expertly described as the family's sociological predicaments, and, to be honest, much more difficult for a writer to portray effectively. Yet Ali doesn't seem to break a sweat. This one is absolutely marvelous, a novel that whose grand thematic arcs are executed flawlessly and whose tiny interactions rings true. In the author's hands, these unremarkable, if hard-fought lives, take on an epic significance, and their stories take on tremendous emotional resonance. Even if you think that you're done with this sort of book, this one is well worth your time. Just terrific. AuszeichnungenPrestigeträchtige AuswahlenBemerkenswerte Listen
Dieses historische Buch kann zahlreiche Tippfehler und fehlende Textpassagen aufweisen. Kaufer konnen in der Regel eine kostenlose eingescannte Kopie des originalen Buches vom Verleger herunterladen (ohne Tippfehler). Ohne Indizes. Nicht dargestellt. 1848 edition. Auszug: ...recht schlechteS Leben fuhren; aber eS ist nicht moglich, dass ein Baum, der gute Fruchte bringt, keine Blatter hatte, d. h. ein Mensch, der recht lebt, redet auch recht. Wort und That mussen miteinander ubereinstimmen. Ein Mensch, der recht salbungSvoll reden, schone Worte machen, aber dabei recht liederlich leben wollte, ware ein vollendeter Heuchler, ein Wols im Schafpelze, von denen im heutigen Evangelium die Rede ist; ein Mensch jedoch, der wie ein rechtschaffener Christ lebt, aber dessungeachtet unrechte Reden suhren, oder von nichtS Gutem und Erbaulichem reden wollte, ist nicht denkbar. Jeder Baum, der gute Fruchte hat, hat auch Blatterschmuck; aber nicht jeder Baum, der Blatter hat, hat desswegen schon Fruchte. Ein guter Baum bringt serner seine eigenen Fruchte und prangt mit diesen, aber nicht mit sremden. Aber gibt eS denn auch Baume, die sich mit fremden Fruchten schmucken? DaS sollte freilich nicht moglich sein, sollte man denken, aber eS ist dennoch so. ES ist z. B. gebrauchlich, dass am heiligen WeihnachtSabend in jedem Hause ein sogenannter Christbaum aufgestellt wird. An diese Baume nun werden Apsel, Birnen, Nusse, Bilder, Geldstucke und verschiedene andere Sachen gehangt, gleichsam alS Fruchte deS BaumeS; allein der Baum kann sich nicht ruhmen, dass diess seine eigenen Fruchte sind, sondern cS sind sremde. WaS ein guter Baum ist, Geliebte, der tragt seine eigenen Fruchte. Da kenne ich einen adeligen Herrn, der einen katholischen Tausschein hat, aber sonst nicht viel mehr von einem katholisc Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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