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Früchte des Zorns (1939)

von John Steinbeck

Weitere Autoren: Siehe Abschnitt Weitere Autoren.

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen / Diskussionen
29,11840372 (4.13)1 / 1370
Sozialkritischer Roman vom Elendszug verarmter amerikanischer Farmer nach Kalifornien Sozialkritischer Roman vom Elendszug verarmter amerikanischer Farmer nach Kalifornien.
  1. 90
    Die gute Erde von Pearl S. Buck (John_Vaughan)
  2. 90
    Obscene in the Extreme: The Burning and Banning of John Steinbeck's the Grapes of Wrath von Rick Wartzman (RidgewayGirl)
    RidgewayGirl: Centers around the controversy that exploded in California's central valleys when The Grapes of wrath was published.
  3. 101
    Jenseits von Eden von John Steinbeck (Booksloth)
  4. 60
    Erledigt in Paris und London von George Orwell (tcarter)
  5. 50
    Die Elenden von Victor Hugo (CGlanovsky)
    CGlanovsky: As much a story about the trials of individuals as a sweeping portrait and critique of an era.
  6. 73
    Das Herz ist ein einsamer Jäger von Carson McCullers (chrisharpe)
  7. 30
    Die Menschenfreunde in zerlumpten Hosen von Robert Tressell (tcarter)
  8. 41
    Die Stories von Ernest Hemingway (artturnerjr)
    artturnerjr: The only 20th century American writer who rivals Steinbeck in economy and forcefulness of language.
  9. 30
    Farming the Dust Bowl: A First-Hand Account from Kansas von Lawrence Svobida (nandadevi)
    nandadevi: Svobida´s book movingly describes the conditions in the Dust Bowl (he clung on for six years of crop failures) that the Joad´s left behind in their trek to California.
  10. 30
    Das Gleichgewicht der Welt von Rohinton Mistry (JudeyN)
    JudeyN: Set in a different time and place, but similar themes. Examines the different ways in which people respond to hardship and upheaval.
  11. 20
    Der 42. Breitengrad. 1. Auflage. von John Dos Passos (aulsmith)
    aulsmith: Two stories of migrations of the working class in the US.
  12. 20
    Whose Names Are Unknown von Sanora Babb (TomWaitsTables)
  13. 20
    Harpsong von Rilla Askew (GCPLreader)
  14. 20
    Die Asche meiner Mutter von Frank McCourt (caflores)
  15. 10
    America's Great Depression von Murray Rothbard (sirparsifal)
  16. 10
    Hoffnung im Alentejo von José Saramago (razorsoccam)
  17. 21
    Amerika von T. Coraghessan Boyle (mcenroeucsb)
    mcenroeucsb: Theme of workers' rights
  18. 10
    The Bottom of the Sky von William C Pack (LoriMe)
    LoriMe: Mr. Steinbeck wrote a gritty family saga embedded in the early to mid part of the 20th Century. Mr. Pack wrote a gritty family saga embedded in the end of the 20th Century. The characters and stories moved me equally. Both are written beautifully.
  19. 10
    Missing Soluch von Mahmoud Dowlatabadi (Stbalbach)
    Stbalbach: Called the Iranian Grapes of Wrath.
  20. 65
    Blumen für Algernon von Daniel Keyes (Patangel)

(Alle 27 Empfehlungen anschauen)

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Furore, diciannovesima edizione 1956, pp. 491, formato 12 x 20,5.
Copertina morbida di colore arancione con titoli in nero al piatto anteriore e sul dorso. Titolo originale: The grapes of wrath. Traduzione dall'americano di Carlo Coardi.
Strappi ai piatti e ai tagli.
  Luciani | Apr 4, 2021 |
4.5* ( )
  courty4189 | Mar 24, 2021 |
As a self-proclaimed Steinbeck fan, I feel comfortable saying this is one of his best books. The setting is great, the dialogue always moves the story forward and is well written in my opinion, and the chapters detailing the other families in the U.S. is a great refresher from the long chapters about the Joads. Sometimes it can be difficult to read the dialogue because the accent is "thick" and sometimes I had to reread a quote but other than that it was fine. There are a lot of characters in this book, and so I don't blame Steinbeck for not fleshing all of them out, but it really only feels like Mama, Tom, and Casy were real people. Everybody else seems kind of one dimensional, but it's not that big of a problem.
This is practically a must-have for any Steinbeck readers. I also recommend it to anyone who wants to read a semi-historical story about what it was like being a migrant worker during the Depression. ( )
  taishang | Mar 14, 2021 |
Os bancos, as grandes corporações, o capitalismo americano, expulsam uma família das suas terras, obrigando-os a atravessar o país (route 66) numa fuga ao desemprego, à fome e à miséria.

Um retrato tão real e tão cru das dificuldades passadas por toda uma geração, do papel do Estado como defensor dos grandes proprietários e da corrupção policial (1939? 2020?), do anti-sindicalismo, da xenofobia e de uma pobreza inimaginável, deixa inevitavelmente marcas no leitor.

O papel da família, do companheirismo e da generosidade mostram ser os principais aliados do povo em êxodo, e a esperança nunca morre:

"Estarei em toda a parte, em qualquer sítio para onde a senhora se puser a olhar. Onde quer que se lute para que a gente com fome possa comer... eu estarei presente. Onde quer que a polícia esteja a bater num tipo, eu estarei presente. (...) Estarei onde quer que vejam criaturas a gritar de raiva... e estarei onde as crianças sorriam porque têm fome, mas saibam que a ceia não tarda. E quando a nossa gente comer aquilo que plantar e morar nas casas que construir... então também estarei presente." ( )
  XavierPinho | Mar 10, 2021 |
This was the cover of the book I read and owned. It did not have a school & library binding, but was a normal trade paperback. ( )
  fmc712 | Feb 18, 2021 |
Seventy years after The Grapes of Wrath was published, its themes – corporate greed, joblessness – are back with a vengeance. ... The peaks of one's adolescent reading can prove troughs in late middle age. Life moves on; not all books do. But 50 years later, The Grapes of Wrath seems as savage as ever, and richer for my greater awareness of what Steinbeck did with the Oklahoma dialect and with his characters.
hinzugefügt von tim.taylor | bearbeitenThe Guardian, Melvyn Bragg (Nov 21, 2011)
 
It is Steinbeck's best novel, i.e., his toughest and tenderest, his roughest written and most mellifluous, his most realistic and, in its ending, his most melodramatic, his angriest and most idyllic. It is "great" in the way that Uncle Tom's Cabin was great—because it is inspired propaganda, half tract, half human-interest story, emotionalizing a great theme.
hinzugefügt von Shortride | bearbeitenTime (Apr 17, 1939)
 
Steinbeck has written a novel from the depths of his heart with a sincerity seldom equaled. It may be an exaggeration, but it is the exaggeration of an honest and splendid writer.
 
Mr. Steinbeck's triumph is that he has created, out of a remarkable sympathy and understanding, characters whose full and complete actuality will withstand any scrutiny.
hinzugefügt von Shortride | bearbeitenThe New York Times, Charles Poore (bezahlte Seite) (Apr 14, 1939)
 

» Andere Autoren hinzufügen (26 möglich)

AutorennameRolleArt des AutorsWerk?Status
John SteinbeckHauptautoralle Ausgabenberechnet
Baker, DylanErzählerCo-Autoreinige Ausgabenbestätigt
Benton, Thomas HartIllustratorCo-Autoreinige Ausgabenbestätigt
Christensen, BonnieIllustratorCo-Autoreinige Ausgabenbestätigt
Coardi, CarloÜbersetzerCo-Autoreinige Ausgabenbestätigt
Coindreau, Maurice-EdgarTraductionCo-Autoreinige Ausgabenbestätigt
Crofut, BobIllustratorCo-Autoreinige Ausgabenbestätigt
DeMott, RobertEinführungCo-Autoreinige Ausgabenbestätigt
Giron, de Maria CoyÜbersetzerCo-Autoreinige Ausgabenbestätigt
Hewgill, JodyUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Perroni, Sergio ClaudioÜbersetzerCo-Autoreinige Ausgabenbestätigt
Sampietro, LuigiEinführungCo-Autoreinige Ausgabenbestätigt
Schrijver, AliceÜbersetzerCo-Autoreinige Ausgabenbestätigt
Terkel, StudsEinführungCo-Autoreinige Ausgabenbestätigt

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To CAROL who willed it.
To TOM who lived it.
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To the red country and part of the gray country of Oklahoma, the last rains came gently, and they did not cut the scarred earth.
Zitate
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Now the going was easy, and all the legs worked, and the shell boosted along, waggling from side to side. A sedan driven by a forty-year-old woman approached. She saw the turtle and swung to the right, off the highway, the wheels screamed and a cloud of dust boiled up. Two wheels lifted for a moment and then settled. The car skidded back onto the road, and went on, but more slowly. The turtle had jerked into its shell, but now it hurried on, for the highway was burning hot.

And now a light truck approached, and as it came near, the driver saw the turtle and swerved to hit it. His front wheel struck the edge of the shell, flipped the turtle like a tiddly-wink, spun it like a coin, and rolled it off the highway. The truck went back to its course along the right side. Lying on its back, the turtle was tight in its shell for a long time. But at last its legs waved in the air, reaching for something to pull it over. Its front foot caught a piece of quartz and little by little the shell pulled over and flopped upright. The wild oat head fell out and three of the spearhead seeds stuck in the ground. And as the turtle crawled on down the embankment, its shell dragged dirt over the seeds. The turtle entered a dust road and jerked itself along, drawing a wavy shallow trench in the dust with its shell. The old humorous eyes looked ahead, and the horny beak opened a little. His yellow toe nails slipped a fraction in the dust.

[Penguin ed., pp. 15-16; Chapter 3]
"The cars of the migrant people crawled out of the side roads onto the great cross-country highway, and they took the migrant way to the West. … And because they were lonely and perplexed, because they had all come from a place of sadness and worry and defeat, and because they were all going to a mysterious new place … a strange thing happened: the twenty families became one family, the children were the children of all. The loss of home became one loss, and the golden time in the West was one dream."

A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of it's going.
"They breathe profits; they eat the interest on money. If they don't get it, they die the way you die without air, without side-meat."
"The bank is something more than men, I tell you. It's the monster. Men made it, but they can't control it."
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(Zum Anzeigen anklicken. Warnung: Enthält möglicherweise Spoiler.)
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Please do not combine John Steinbeck's original 1939 novel, The Grapes of Wrath, with any film treatment, critical edition, notes (Monarch, Barron's, Sparks, Cliff, etc.), screenplay, or other adaptations of the same title. Thank you.
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Sozialkritischer Roman vom Elendszug verarmter amerikanischer Farmer nach Kalifornien Sozialkritischer Roman vom Elendszug verarmter amerikanischer Farmer nach Kalifornien.

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Durchschnitt: (4.13)
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