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Lädt ... | 153 | 2 | 178,414 | 
(3.79) | 6 | These superbly crafted stories reveal an astonishing range, with settings that vary from a farm on the Canadian prairies to Bloomsbury in London, from a high-rise apartment to a mine-shaft. Vanderhaeghe has the uncanny ability to show us the world through the eyes of an eleven-year-old boy as convincingly as he reveals it through the eyes of an old man approaching senility. Moving from the hilarious farce of teenage romance all the way to the numbing tragedy of life in a ward for incurables, these twelve stories inspire belief, admiration, and enjoyment, and come together to form a vibrant chronicle of human experience from a gifted observer of life’s joys and tribulations. This is Guy Vanderhaeghe’s brilliant first book of fiction.… (mehr) |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. The watcher: I suppose it was having a bad chest that turned me into an observer, a watcher, at an early age.  Reunion: It was a vivid countryside they drove through, green with new wheat, yellow with random spatters of wild mustard, blue with flax. How the story ends: Carl Tollefson was what people, only a short time ago, commonly used to refer to as a nice, clean old bachelor. What I learned from Caesar: The oldest story is the story of flight, the search for greener pastures. Drummer: You'd think my old man was the Pope's nephew or something if you'd seen how wild he went when he learned I'd been sneaking off Sundays to Faith Baptist Church. Cages: Here it is, 1967, the Big Birthday. Going to Russia: "Another of your letters arrived at my house yesterday," the doctor announces. A taste for perfection: "A new face," said Albert the orderly in a dispirited way. The expatriates' party: Joe was dreaming, and in his dream his wife and he were having an argument. Dancing bear: The old man lay sleeping on the taut red rubber sheet as if he were some specimen mounted and pinned there to dry. Man descending: It is six-thirty; my wife returns home from work. Sam, Soren, and Ed: A public park on a weekday is a sobering place. | |
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▾Literaturhinweise Literaturhinweise zu diesem Werk aus externen Quellen.  Wikipedia auf Englisch (1)
▾Buchbeschreibungen These superbly crafted stories reveal an astonishing range, with settings that vary from a farm on the Canadian prairies to Bloomsbury in London, from a high-rise apartment to a mine-shaft. Vanderhaeghe has the uncanny ability to show us the world through the eyes of an eleven-year-old boy as convincingly as he reveals it through the eyes of an old man approaching senility. Moving from the hilarious farce of teenage romance all the way to the numbing tragedy of life in a ward for incurables, these twelve stories inspire belief, admiration, and enjoyment, and come together to form a vibrant chronicle of human experience from a gifted observer of life’s joys and tribulations. This is Guy Vanderhaeghe’s brilliant first book of fiction. ▾Bibliotheksbeschreibungen Keine Bibliotheksbeschreibungen gefunden. ▾Beschreibung von LibraryThing-Mitgliedern
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Aktuelle DiskussionenKeine Google Books — Lädt ... Tausch (2 vorhanden, 1 gewünscht) |
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The last two stories are the best in terms of bringing up the main overriding theme of the collection, with the second-last providing the quote that titles the collection:
"His life, like every other life, could be graphed: an ascent that rises to a peak, pauses at a particular node, and then descends. Only the gradient changes in any particular case....We all ripen. We are all bound by the same ineluctable law; the same mathematical certainty.
"...I have begun the inevitable descent, the leisurely glissade which will finally topple me at the bottom of my own graph. A man descending is propelled by inertia; the only initiative left him is whether or not he decides to enjoy the passing scene." (192-193)
This collection explores a variety of descents, and Vanderhaeghe's diversity of settings and characters is excellent. The only suggestion I would make is not to read them all in one shot -- read them one at a time, puzzle them over, enjoy some of the great lines they offer. And when you're done, why not try the album of the same name by Justin Rutledge, a Canadian singer-songwriter? It was inspired by this collection and is similarly well crafted. (