Auf ein Miniaturbild klicken, um zu Google Books zu gelangen.
Lädt ... Die Steine der Macht: König der Geister (1988)von David Gemmell
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. (see copy 2; read 2018-011-01) ( ) I like Gemmell's combination of practical cynicism and realistic idealism, although this is not the best example of his writing. The Arthurian connection was an interesting "hook" but was such a mish-mash of traditions and original material I think it is best approached as off-earth fantasy, or alternate history. Gemmel is usually quite savvy about weapons and warriors, but he falls into the common trap of the genre in transforming his wimpy hero into a master swordsman in only a couple of months. Anyone who actually fences knows that can't be done; there is too much muscle-memory and technique that has to be started at an early age and practiced continually. Swords are not guns. NOTE: 2 episodes of mild but still graphic sex. Gemmell est un bon conteur, ce livre n’échappe pas à la règle mais ce n’est néanmoins pas son meilleur opus. L’action se situe dans la Bretagne romaine, à la frontière de l’antiquité et du moyen âge, là où la magie est encore très présente. L’intrigue nous ramène finalement dans le mythe arthurien, même si il est plutôt intégré de manière originale, à grand coup de mélanges parfois un peu beaucoup capillotractés! Ghost King - David Gemmell ***** I was first introduced to Gemmell by way of the Jon Shannow novels, but at the time I didn't realise they were part of a larger series of books that deal with Sipstrassi stomes. Ghost King is the first in this series and is set in a version of Britain at the time of the Roman invasion. The story has been repeated many times over the years, a weak Prince is suddenly made King and must face his own fears in order to rule his people against a coming war. What really makes this book stand out from the rest is the unique way in which Gemmell has woven real history, well known myth and his own creations. Sipstrassi enables it's user to create anything, he is only bound by his own imagination but the stones themselves have a limited power and change colour each time they are used. Once a stone is empty it can be repowered using blood, however these stones are no longer able to be used for a number of things (including the making of food) and are therefore more likely to be used for wrongdoing. Tied in closely with Arthurian legend this book really does have a bit of everything and although I can't say it was as good as the Shannow novels, it would still be a perfect introduction to the author. The only point that slightly disappointed me was that whenever a character would mention something that they had seen or were warned about you could pretty much guarantee it would appear within a few pages (I hope we don't meet a vampire.... oh look here comes one now), this did take away a little bit of the surprise. A brilliant book and I can't wait to read the next one 'Last Sword of Power'. keine Rezensionen | Rezension hinzufügen
Ist enthalten in
The first volume of the Stones of Power sequence. Beyond WOLF IN SHADOW to an earlier layer in David Gemmell's fantasy of the Sipstrassi Stones: rebellion and invasion plunge Britannia into the Dark Ages. Keine Bibliotheksbeschreibungen gefunden. |
Aktuelle DiskussionenKeineBeliebte Umschlagbilder
Google Books — Lädt ... GenresMelvil Decimal System (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
Bist das du?Werde ein LibraryThing-Autor. |