Giovanni Anselmo (1934–2023)

Emerging out of the Arte Povera movement of the late 1960s and 1970s, the work of Giovanni Anselmo has stood the test of time, and his sculptures have pushed the boundaries of art for more than three decades. Anselmo creates sculpture using a diverse array of materials: stone, wood, earth, cotton and even lettuce, as well as installations using slide projections. His work attempts to resolve the tensions between concepts such as the particular and the infinite, or nature and art, and does so with a remarkable combination of force and delicacy.
Published on the occasion of the exhibitions at the Galleria Civica Modena and the Musée d'Art Contemporain, Lyon, 1989… (mehr)

Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.… (mehr)