Autorenbild.
5+ Werke 71 Mitglieder 5 Rezensionen

Über den Autor

Jayme Lynn Blaschke is a public information specialist at Texas State University-San Marcos and the fiction editor of RevolutionSF.com.
Bildnachweis: Jayme Lynn Blaschke, author of INSIDE THE TEXAS CHICKEN RANCH: THE DEFINITIVE ACCOUNT OF THE BEST LITTLE WHOREHOUSE, at the ruins of the titular defunct brothel.

Werke von Jayme Lynn Blaschke

Zugehörige Werke

Fast Ships, Black Sails (2008) — Mitwirkender — 312 Exemplare
L. Ron Hubbard Presents Writers of the Future, Volume XIV (1998) — Mitwirkender — 43 Exemplare
Postscripts Magazine, Issue 2 (2004) — Mitwirkender — 9 Exemplare
Black Gate: Adventures in Fantasy Literature, Issue 2 (2001) (2001) — Interviewer — 8 Exemplare
Postscripts Magazine, Issue 3 (2006) — Mitwirkender — 7 Exemplare

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Wissenswertes

Geburtstag
1969
Geschlecht
male
Nationalität
USA
Organisationen
Science Fiction and Fantasy Writers of America

Mitglieder

Rezensionen

This is a story about the Chicken Ranch outside of LaGrange, Texas made famous the song "LaGrange" by ZZ Top and the movie "Best Little Whorehouse in Texas" Blaschke does a good job of telling the story of the Chicken Ranch, despite the limited information and error in other books previously written. He also interviewed many of the principle people involved with the ranch and town for quite a few years.
½
 
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foof2you | 3 weitere Rezensionen | Jan 20, 2024 |
The truth and the lies and everything that stands inbetween is accounted for in this brilliant text. A brilliant piece of history.
 
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caseybp | 3 weitere Rezensionen | Dec 8, 2020 |
It went on quite a bit. But an interesting read.
 
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cjordan916 | 3 weitere Rezensionen | Aug 27, 2020 |
Bison Books, an imprint of the University of Nebraska Press, is best known for reprinting lost or obscure science fiction and fantasy classics in their Frontiers of Imagination series. Their catalog includes long out of print works such as Gulliver of Mars by Edwin L. Arnold, Beyond Thirty by Edgar Rice Burroughs, Gladiator by Philip Wylie, The War in the Air by H. G. Wells and more. The books all feature introductions and/or afterwards by contemporary fantastical writers often with poor design and amateurish cover art.

Jayme Lynn Blaschke's Voices of Vision is an unusual addition to this line. Not only is this collection of Blaschke's interviews with contemporary science fiction and comic book professionals produced and marketed in of a line of fiction titles, but the design is above Bison's usual standards and while the cover image is disturbing and possibly inappropriate, it is well executed.

The book is divided into four sections: Vaster Than Empires, And More Slow: The Editors; A Source of Innocent Merriment: The Unique Voices in Speculative Fiction; World's Finest Comics: The Comic Book Creators; and I Am Legend: Masters of Fantasy and Science Fiction. Subjects include Gardner Dozois, Stanley Schmidt, Gordon Van Gelder, Robin Hobb (Megan Lindholm), Charles de Lint, Elizabeth Moon, Neil Gaiman, Samuel R. Delany, Gene Wolfe, Harlan Ellison, Jack Williamson, and others. The interviews run from seven to ten pages and originally appeared in a variety of publications including Interzone, The Science Fiction Chronicle, Black Gate, Sf Site, and Green Man Review.

Each interview is preceded by a brief introduction from Blaschke. The interviews often have unique quirks and associated stories associated. In these pieces Blaschke, laments the inherent problems with email interviews, mentions his love of the comic book character Green Arrow, and chronicles Harlan Ellison's generosity. His forewords offer a glimpse into the role of an interviewer in relation to the subject and eventual publication.

The single biggest flaw in Voices of Vision is the lack of a general introduction that would create a cohesiveness to the individual segments of the book. Who is Jayme Lynn Blaschke and why does he get access to all these cool people? The answers become apparent in his brief introductions before each piece, but an overall essay discussing these points would have been nice. Also, if Blaschke knows all these famous/talented people, why couldn't the publisher or writer find someone else to pen an introductory essay?

The other problem is with the interviews themselves. The quality of the interviews is uniformally excellent. Blaschke asks intelligent questions and receives interesting answers, which are edited nicely for maximum impact while keeping the distinct personality of the speaker. The flaw is in the timing of the interview. Some of these were conducted over a decade ago, so elements of the information discussed has changed. For example, Gardner Dozois said in his 1997 interview: “I'll stay [at Isaac Asimov's Magazine] as long as they want me.” He resigned as editor In 2004. There are little things like that throughout. The original interviews should stand unchanged as historical artifacts, but a brief essay after each interview or perhaps updating some facts would have been appreciated.
… (mehr)
 
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rickklaw | Oct 13, 2017 |

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Werke
5
Auch von
7
Mitglieder
71
Beliebtheit
#245,552
Bewertung
½ 3.7
Rezensionen
5
ISBNs
4

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