C. Willett Cunnington (1878–1961)
Autor von The History of Under-Clothes
Über den Autor
Bildnachweis: C.Willett Cunnington, in 1935 (1878–1961)
Reihen
Werke von C. Willett Cunnington
Women 2 Exemplare
Feminine fig-leaves 1 Exemplar
Looking Over My Shoulder 1 Exemplar
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Wissenswertes
- Gebräuchlichste Namensform
- Cunnington, C. Willett
- Rechtmäßiger Name
- Cunnington, Cecil Willett
- Geburtstag
- 1878
- Todestag
- 1961-01-21
- Geschlecht
- male
- Nationalität
- UK (birth)
- Geburtsort
- Devizes, Wiltshire, England, UK
- Sterbeort
- West Mersea, Essex, England, UK
- Wohnorte
- North London, England, UK
- Ausbildung
- University of Cambridge
- Berufe
- physician
costume historian - Beziehungen
- Cunnington, Phillis (wife)
- Organisationen
- Royal Army Medical Corps (Captain / WWI)
- Kurzbiographie
- In addition to their published books, the Cunningtons made a major contribution to the study of fashion history through amassing their dress collection. Put together at a time when almost no one was collecting old garments, let alone late nineteenth- and early twentieth-century middle-class clothing, the Cunningtons’ collection has since become one of the most renowned in Britain. They sold it to Manchester City Council in 1947 to form the basis of the Museum of Costume at Platt Hall.
Mitglieder
Rezensionen
The History of Underclothes (Dover Fashion and… von C. Willett Cunnington
nice little book with good background info
A meticulously researched, well-illustrated and...very boring book. I think this would be good for people who enjoy costume histories, but it wasn't my cup of tea. Note: this book covers only British underwear.
1 
meggyweg | 2 weitere Rezensionen | Mar 6, 2009 |
meggyweg | 2 weitere Rezensionen | Mar 6, 2009 | 
The author's smug and superior style irritated me no end, and his analysis of fashion is uninformed and dated. (Remember that this work is over 70 years old.) For example:
"We can recognise, now, that the Fashions of the 19th century were far from being mere accidents, but were, each in their way, singularly appropriate to the attitude of mind expected of a woman by the man of her world. By her appearance, manner and mode of life, she expressed his ideal: romantic or doll-like or dignified, as the case may be. . . . In our own post-war years, for example, when owing to economic difficulties, the young man of that day, shrinking from the idea of marriage and a family, preferred the un-maternal type of girl, immediately there was produced a supply amounting to a glut; hair was cropped schoolboy fashion, breasts were obliterated by compressors, slimming practised to remove the last traces of feminine curves--a process demanding extraordinary self-denial--and masculine clothing and habits borrowed in the effort to obliterate the 'Eternal Feminine'."
Actually, the era of the flapper was one of prosperity, and I never read anything about a drop in the marriage rate after WWI.
Illustrations are few; only eight in a book of 350 pages, so it's of little value as fashion history. The value here is from the quotes from the publications of the day, especially the women's magazines, and other stray bits, such as the state of governesses around the time Jane Eyre was published. Alas, there is no index.… (mehr)
"We can recognise, now, that the Fashions of the 19th century were far from being mere accidents, but were, each in their way, singularly appropriate to the attitude of mind expected of a woman by the man of her world. By her appearance, manner and mode of life, she expressed his ideal: romantic or doll-like or dignified, as the case may be. . . . In our own post-war years, for example, when owing to economic difficulties, the young man of that day, shrinking from the idea of marriage and a family, preferred the un-maternal type of girl, immediately there was produced a supply amounting to a glut; hair was cropped schoolboy fashion, breasts were obliterated by compressors, slimming practised to remove the last traces of feminine curves--a process demanding extraordinary self-denial--and masculine clothing and habits borrowed in the effort to obliterate the 'Eternal Feminine'."
Actually, the era of the flapper was one of prosperity, and I never read anything about a drop in the marriage rate after WWI.
Illustrations are few; only eight in a book of 350 pages, so it's of little value as fashion history. The value here is from the quotes from the publications of the day, especially the women's magazines, and other stray bits, such as the state of governesses around the time Jane Eyre was published. Alas, there is no index.… (mehr)
Some good information. I only read the medieval section, since that's where my interests lie.
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- 3.9
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