Ernest Dowson (1867–1900)
Autor von The Poems And Prose Of Ernest Dowson
Über den Autor
Bildnachweis: Image from The Poems of Ernest Dowson (London: John Lane, 1905)
Werke von Ernest Dowson
Verses 5 Exemplare
Decorations: In Verse and Prose 4 Exemplare
Adrian Rome 3 Exemplare
Cynara: A Little Book of Verse 3 Exemplare
Poems 3 Exemplare
The Pierrot of the Minute 1 Exemplar
White Stains and The Love's Cyclopaedia 1 Exemplar
Short Story Collection 052 1 Exemplar
The Dying of Francis Donne and others 1 Exemplar
Reminiscences 1 Exemplar
Diario de un hombre de éxito, seguido del poema Non sum qualis eram bonae sub regno cynarae (2012) 1 Exemplar
After Paul Verlaine 1 Exemplar
"What Is Love?" 1 Exemplar
Zugehörige Werke
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Mitwirkender — 1,055 Exemplare
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Mitwirkender — 250 Exemplare
Aesthetes and Decadents of the 1890s: An Anthology of British Poetry and Prose (1981) — Mitwirkender — 172 Exemplare
The Dedalus Book Of English Decadence: Vile Emperors And Elegant Degenerates (Decadence from Dedalus) (2004) — Mitwirkender — 51 Exemplare
The Bibelot, Volume XVIII: A Reprint of Poetry and Prose for Book Lovers, Chosen in Part from Scarce Editions and… (1912) — Mitwirkender — 4 Exemplare
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Wissenswertes
- Rechtmäßiger Name
- Dowson, Ernest Christopher
- Geburtstag
- 1867-08-02
- Todestag
- 1900-02-23
- Begräbnisort
- Brockley and Ladywell Cemeteries, Lewisham, London, England, UK (Roman Catholic section)
- Geschlecht
- male
- Nationalität
- UK
- Geburtsort
- Lee, London, England, UK
- Sterbeort
- Lewisham, London, England, UK
- Wohnorte
- London, England, UK
France - Ausbildung
- Oxford University (Queen's College)
- Berufe
- poet
translator - Organisationen
- Rhymers' Club
Sierra Club
Mitglieder
Rezensionen
The Complete Poems of Ernest Dowson von Ernest Dowson
The Pierrot of the Minute is one of the most charming things I've ever read.
A situational drama; the story's suspense is driven by Victorian era mores of the time. Prose is typical of the time - long sentences with lots of commas. I read lost stories like this for their historical value; that is, to catch a glimpse of a place and a time. For comparison, imagine reading "Bright Lights, Big City" in the year 2208.
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