Jonathan Durham
Autor von Winterset Hollow
Über den Autor
Werke von Jonathan Durham
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Wissenswertes
- Gebräuchlichste Namensform
- Durham, Jonathan
- Rechtmäßiger Name
- Durham, Jonathan Edward
- Geschlecht
- male
- Nationalität
- American
- Land (für Karte)
- California
- Geburtsort
- Philadelphia, USA
- Kurzbiographie
- JONATHAN EDWARD DURHAM was born near Philadelphia in one of many satellite rust-belt communities where he read voraciously throughout his youth and beyond. After attending William and Mary, where he received a degree in neuroscience while also studying literature, Jonathan waded into the professional world before deciding he was better suited for more artistic pursuits.
He now lives in California with his husband where he writes to bridge the timeless wonder of his favorite childhood stories, and the pop sensibilities of his adolescent literary indulgences. His debut novel, Winterset Hollow, a dark yet elevated contemporary fantasy, is mined from that same vein and is currently available everywhere.
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Non sono riuscita a finirlo, mi spiace, ma non è il mio tipo di libro evidentemente. Speravo dopo essere arrivata a un terzo dalla fine di tener duro, di farcela e invece no. Preferisco smettere e dedicare il tempo di lettura a qualcosa di più piacevole per me ^^
Forse è più adatto a lettori più giovani di me. Comunque non lo definirei un horror, è più un dark fantasy thriller.
Forse è più adatto a lettori più giovani di me. Comunque non lo definirei un horror, è più un dark fantasy thriller.
I definitely did not enjoy reading “Winterset Hollow”. Jonathan Edward Durham tells the story of a group of admirer’s of a children’s novel about anthropomorphised animals with a dark horror twist…
The protagonists “damaged” Eamon, “dumb but kind” Mark and “smart and comforting” Caroline visit their idol’s lonely island - and that is where the cookie already starts crumbling: Lots of people visit said island every single year, lots of people vanish without a trace - and there are no investigations, no tabloids reporting on it; nothing…
Ok, so let’s suspend some disbelief - and meet an anthropomorphised rabbit, frog, fox, and bear. Who all speak English (apart from the bear). And throw parties and a lot more…
Disbelief is wearing thinner…
When those animals start murdering the “guests” and a hunt for our three heroes embarks, things get rough: There’s lots of violence, brutality and a casual cruelty to it all that made me feel deeply uncomfortable.
From outright gore (unquotable…) to pure horror which the author seems to subscribe to enthusiastically:
»His death was nothing like it was supposed to be … nothing like anything they’d ever watched on the silver screen or seen scratched out in big, bright colors in a comic book. It was anything but immediate and [he] fought it the whole way, his limbs flailing and his throat pumping out the most horrid, confused moans that any of them had ever heard. It was all so ghastly that [unquotable] proved to be the most palatable part of his last moments. Even the scent of him soiling himself as his life wriggled from his clutch was far more bitter. It was all so incorrect … and each of them knew they would never be able to wash away its stain.«
Describing the death of a human being like that - to me - is exceptionally disgusting and only justifiable in very few cases. A fictional novel is not one of them.
Dennis Scheck, a German literary critic, has coined a very fitting word for large parts of what this book consists of: “Gewaltpornographie” (violence porn).
Even if all of this was an allegory on colonisation (which does make some sense) it would only make limited sense because those suffering under the yoke of their oppressors are by no means better than them. I felt no sympathy for any of the characters; I just despised them to different degrees.
Sadly, the writing is very heavy-handed, flowery and stilted as well. The author seems to be trying to emulate older (outdated) literary styles (the Brothers Grimm come to mind) in a modern setting which simply doesn’t work very well.
Durham also takes generous helpings from cheap thrillers: The murderer always comes back at least once, sometimes even twice or thrice! At this point, my disbelief was entirely gone and my eyes started hurting from all the rolling they did…
Towards the end the madness at least grows some method and while still completely icky, the book comes to a somewhat satisfying conclusion.
Three stars out of five because there are some redeeming aspects for this book.
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Ceterum censeo Putin esse delendam… (mehr)
The protagonists “damaged” Eamon, “dumb but kind” Mark and “smart and comforting” Caroline visit their idol’s lonely island - and that is where the cookie already starts crumbling: Lots of people visit said island every single year, lots of people vanish without a trace - and there are no investigations, no tabloids reporting on it; nothing…
Ok, so let’s suspend some disbelief - and meet an anthropomorphised rabbit, frog, fox, and bear. Who all speak English (apart from the bear). And throw parties and a lot more…
Disbelief is wearing thinner…
When those animals start murdering the “guests” and a hunt for our three heroes embarks, things get rough: There’s lots of violence, brutality and a casual cruelty to it all that made me feel deeply uncomfortable.
From outright gore (unquotable…) to pure horror which the author seems to subscribe to enthusiastically:
»His death was nothing like it was supposed to be … nothing like anything they’d ever watched on the silver screen or seen scratched out in big, bright colors in a comic book. It was anything but immediate and [he] fought it the whole way, his limbs flailing and his throat pumping out the most horrid, confused moans that any of them had ever heard. It was all so ghastly that [unquotable] proved to be the most palatable part of his last moments. Even the scent of him soiling himself as his life wriggled from his clutch was far more bitter. It was all so incorrect … and each of them knew they would never be able to wash away its stain.«
Describing the death of a human being like that - to me - is exceptionally disgusting and only justifiable in very few cases. A fictional novel is not one of them.
Dennis Scheck, a German literary critic, has coined a very fitting word for large parts of what this book consists of: “Gewaltpornographie” (violence porn).
Even if all of this was an allegory on colonisation (which does make some sense) it would only make limited sense because those suffering under the yoke of their oppressors are by no means better than them. I felt no sympathy for any of the characters; I just despised them to different degrees.
Sadly, the writing is very heavy-handed, flowery and stilted as well. The author seems to be trying to emulate older (outdated) literary styles (the Brothers Grimm come to mind) in a modern setting which simply doesn’t work very well.
Durham also takes generous helpings from cheap thrillers: The murderer always comes back at least once, sometimes even twice or thrice! At this point, my disbelief was entirely gone and my eyes started hurting from all the rolling they did…
Towards the end the madness at least grows some method and while still completely icky, the book comes to a somewhat satisfying conclusion.
Three stars out of five because there are some redeeming aspects for this book.
Blog | Facebook | Twitter | Instagram | Pinterest | Medium | Matrix | Tumblr
Ceterum censeo Putin esse delendam… (mehr)
2 
philantrop | 9 weitere Rezensionen | Jul 7, 2022 |
philantrop | 9 weitere Rezensionen | Jul 7, 2022 | This book had been on my TBR for a long while. And I am so glad I finally got to it. It was amazingly unique, I loved how magical it was. It was like a beautiful hug from someone you totally love, and then that someone slices your gut open. There was some deep emotional trauma represented here. I'm very used to seeing trauma in humans, but this book did a deep dive into trauma experienced by human-like animals and it was so deliciously fucked up.
I absolutely adored the poetry from the fictional book Winterset Hollow, it was spectacular. I legit would pay good money to own that fictional piece of literary art. The characters, both human and animal, were magnificent. I was attached to all of them in different ways. My only critique is the fact that the POV switched on a dime sometimes causing my brain some slight confusion. I also feel like it could have been a bit shorter, I wouldn't say I was ever bored, but there were definitely some parts that were kind of draggy.
Recommend completely, solidly entertaining.… (mehr)
I absolutely adored the poetry from the fictional book Winterset Hollow, it was spectacular. I legit would pay good money to own that fictional piece of literary art. The characters, both human and animal, were magnificent. I was attached to all of them in different ways. My only critique is the fact that the POV switched on a dime sometimes causing my brain some slight confusion. I also feel like it could have been a bit shorter, I wouldn't say I was ever bored, but there were definitely some parts that were kind of draggy.
Recommend completely, solidly entertaining.… (mehr)
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Anyway, a group of people win some coupons to go visit the residence of their favourite childhood author, who wrote a book about farm and wild animals during their celebration day called Barley Day.
Everyone is in awe at the reception they get and the feast prepared for them by the actual animals in the book. It’s all fun until it’s not, and it’s time to run for their lives.
Loved the concept of it, but wish it had been executed differently. Worth reading, though.… (mehr)