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John Fletcher (1) (1579–1625)

Autor von König Heinrich VIII.

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87+ Werke 3,090 Mitglieder 49 Rezensionen Lieblingsautor von 1 Lesern

Über den Autor

The team of Francis Beaumont (1584-1616) and John Fletcher (1579-1625) wrote some of the most popular dramas of Elizabethan England. Beaumont and Fletcher began to work together in about 1606 and continued their partnership until Beaumont's retirement in 1613. Beaumont apparently was the primary mehr anzeigen plotter of their plays, while Fletcher had a strong flair for language. Their comedies and tragedies include The Woman Hater, The Coxcomb, A Maid's Tragedy, The Knight of the Burning Pestle, Wit Without Money, and Philaster, Or Love Lies A Bleeding. Fletcher wrote several plays alone as well, such as the comedy The Wild Goose Chase (1621) and the tragedy Bonduca (1614). Cardenio, or the Second Maiden's Tragedy, and Two Noble Kinsmen are attributed to Fletcher, although there has been some speculation he collaborated on these with Shakespeare. Beaumont and Fletcher's work is energetic, full of stage thrills, declamatory speeches and bizarre plots. Though it is not as rich and unified as that of some of their contemporaries including Shakespeare and Webster, it influenced the development of Restoration comedy and tragedy, and thus played an important role in the history of drama. (Bowker Author Biography) weniger anzeigen
Bildnachweis: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Werke von John Fletcher

König Heinrich VIII. (1612) 1,397 Exemplare
The Knight of the Burning Pestle (1613) — traditionally (but probably falsely) listed as co-author — 252 Exemplare
Double Falsehood: Third Series (1970) — Original author — 101 Exemplare
The maid's tragedy (1932) 83 Exemplare
Philaster (1969) — Autor — 82 Exemplare
The Tamer Tamed (RSC Classics) (2003) 80 Exemplare
Select Plays (1910) — Autor — 50 Exemplare
A king and no king (1963) — Autor — 45 Exemplare
The Island Princess (2003) 40 Exemplare
Beaumont and Fletcher (1949) 28 Exemplare
Cardenio (1613) 20 Exemplare
The works of Beaumont and Fletcher (2006) — Autor — 19 Exemplare
The Faithful Shepherdess (1980) 16 Exemplare
The Wild-Goose Chase (1980) 7 Exemplare
Bonduca (1951) 7 Exemplare
The Scornful Lady (1972) 6 Exemplare
Beggars Bush (2015) 5 Exemplare
The False One A Tragedy (2008) 4 Exemplare
The faithful friends — attributed author — 4 Exemplare
A Wife for a Moneth (1983) 3 Exemplare
A very woman, or The prince of Tarent — Autor — 1 Exemplar
The Spanish Curate 1 Exemplar

Zugehörige Werke

One Hundred and One Famous Poems (1916) — Mitwirkender, einige Ausgaben1,957 Exemplare
English Poetry, Volume I: From Chaucer to Gray (1910) — Mitwirkender — 544 Exemplare
English Renaissance Drama (2002) — Mitwirkender — 225 Exemplare
The Standard Book of British and American Verse (1932) — Mitwirkender — 116 Exemplare
Six plays by contemporaries of Shakespeare (1915) — Mitwirkender — 69 Exemplare
The chief Elizabethan dramatists, excluding Shakespeare (1911) — Mitwirkender — 48 Exemplare
William Shakespeare and Others: Collaborative Plays (2013) — Mitwirkender — 44 Exemplare
Five Stuart tragedies (1959) — Mitwirkender — 18 Exemplare
The best Elizabethan plays (1890)einige Ausgaben11 Exemplare
Routledge Anthology Early Modern Drama (2020) — Mitwirkender — 7 Exemplare
Restoration promptbooks (1981) — Mitwirkender — 6 Exemplare
Covent Garden drollery; a miscellany of 1672 — Mitwirkender — 5 Exemplare

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Wissenswertes

Geburtstag
1579
Todestag
1625-08
Begräbnisort
Southwark Cathedral, London, England
Geschlecht
male
Nationalität
England
Land (für Karte)
UK
Geburtsort
Rye, Sussex, England
Sterbeort
London, England
Wohnorte
London, England
Ausbildung
Cambridge University (Corpus Christi College)
Berufe
playwright
Beziehungen
Fletcher, Giles (uncle)
Fletcher, Giles (cousin)
Fletcher, Phineas (cousin)
Kurzbiographie
The cataloguing in many places (even in reputable libraries) of works by the Jacobean playwrights Francis Beaumont (1584–1616) and John Fletcher (1579–1625) and their various collaborators tends to be confusing. Works by Fletcher alone can be found catalogued under Beaumont or under Beaumont & Fletcher; works by Beaumont alone can be found catalogued under Fletcher or under Beaumont & Fletcher; collaborations by Beaumont & Fletcher can be found catalogued under Fletcher alone or under Beaumont alone; collaborations by Fletcher and Massinger can be found catalogued under Fletcher alone or under Beaumont & Fletcher; and some works are catalogued correctly! Collected and selected editions usually include a mix. (These confusions occurred even in the 17th century.) Here’s a breakdown: it’s a lot, but all of these are present in single play volumes or in Beaumont & Fletcher collections listed on LT.

Works by Beaumont alone: The Knight of the Burning Pestle; Salmacis & Hermaphroditus; Masque of the Inner Temple.

Works by Fletcher alone: The Faithful Shepherdess; Bonduca; Valentinian; The Woman’s Prize, or, The Tamer Tamed; Monsieur Thomas; The Island Princess; The Loyal Subject; The Mad Lover; The Pilgrim; A Wife for a Month; Rule a Wife & Have a Wife; The Chances; The Wild-Goose Chase; Women Pleased; Wit without Money; The Humourous Lieutenant, or, Demetrius & Enanthe.

Works by Beaumont & Fletcher together: The Maid’s Tragedy; Philaster, or, Love Lies A-Bleeding; A King & No King; Cupid’s Revenge; The Scornful Lady; The Coxcomb; The Woman Hater; The Captain; Love’s Pilgrimage; The Noble Gentleman

Works by Beaumont & Fletcher and Philip Massinger: Thierry & Theodoret; Beggars Bush; Love’s Cure.

Works by Fletcher and Massinger: Barnavelt; The Custom of the Country; The Double Marriage; The Elder Brother; The False One; The Little French Lawyer; The Lovers’ Progress; The Prophetess; The Sea Voyage; The Spanish Curate; A Very Woman.

Works by Fletcher and various collaborators: The Fair Maid of the Inn (with Massinger, John Webster & John Ford); Henry VIII (with Shakespeare); The Two Noble Kinsmen (with Shakespeare); Four Plays in One (with Nathan Field); The Queen of Corinth (with Massinger & Field); The Knight of Malta (with Massinger & Field); The Honest Man’s Fortune (with Massinger & Field & Cyril Tourneur); The Maid in the Mill (with William Rowley); The Night Walker (revised by James Shirley); Rollo Duke of Normandy, or, The Bloody Brother (with Massinger & ?Jonson, ?Chapman, ?Field)

Works printed with the Beaumont & Fletcher canon but which are by other authors altogether: The Nice Valour by Thomas Middleton; Wit at Several Weapons by Middleton & Rowley; The Laws of Candy by John Ford.

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Rezensionen

A lovely edition of a play with a checkered past. Hammond's Arden edition is as solid as any of the wonderful Ardens, discussing in depth the history of the play. Hammond is clearly on the pro-Shakespeare side, and the argument convinces me too. Not an amazing play by any standards (although the various background information explains a lot of why this may be), but a fascinating entry into the complicated 400 year legacy of William Shakespeare.
 
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therebelprince | 4 weitere Rezensionen | Apr 21, 2024 |
William Shakespeare's last English history play reads depressingly as if the magnificent Henriad had not existed. Thematically and stylistically it is a companion piece to Shakespeare's Wars of the Roses plays from the dawn of his career as a playwright. Like H VI 1-3 this is written in collaboration. If this is a sequel to RIII then it is a very mediocre one. The characters of Katherine and Wolsey are the main - in fact the only - highlights of the play. In sum the drama appears a weak pretext for depicting a Grand Pageant for the Tudor succession which backfired (literally when the Globe was set on fire by a stage cannon).… (mehr)
 
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merlin1234 | 20 weitere Rezensionen | Apr 11, 2023 |
Around 1607, about the time he began his famous collaboration with John Fletcher, Francis Beaumont penned this play, perhaps his most celebrated solo work, for a company of boy actors. Within a decade he would be dead, but the fruits of the relatively brief collaboration would eclipse even Shakespeare's popularity in decades to come.

KBP is most admired as a metatheatrical satire of middle-class London merchants, filled with snatches of song by the lighthearted Master Merrythought. The main plot is the familiar romantic conflict of runaway lovers being kept apart by a father, a London merchant who wishes his daughter Luce to wed his old friend Humphrey, not his apprentice Jasper. But though the boy actors try valiantly to keep the story on track, their play is repeatedly and hilariously interrupted by auditors who become actors. A grocer and his wife climb from the audience to take up stools on the stage and demand that Rafe their apprentice be given a knightly costume and made the star of the performance. Soon he is acting out his own adventure, taken from popular prose romances of the time, featuring knights errant pricking across desert plains on their palfreys to rescue distressed damsels.

The adventurer Rafe, the titular "Knight of the Burning Pestle," undertakes quests worthy of Don Quixote though patriotically English - vanquishing the giant Barbaroso and releasing his syphilitic clients, charming the Princess of Moldavia, performing as Lord of May Day, mustering all of London's apprentices in a skirmish, and ending the comedy with a mournful death-speech. Though Rafe the knight momentarily loses in his duel with Jasper the lover, the story of the grocer's apprentice quite eclipses the plotted drama of the love-contest for the hand of Luce -- in part because of the deep pockets of the grocer, who is called upon in medias res to pay the bills incurred by Rafe's adventures. Throughout the performance the two chatty spectators argue with the players and each other, but by the end both stories are knitted up - and like Rosalind in As You Like It, the grocer's wife gets the last word in an epilogue.

This Regents Renaissance Drama edition offers a brief introduction to the play and two extensive, helpful appendices: the music for the nearly 20 songs that fill the play, and a century's chronology of crucial dates relevant to early modern drama.
… (mehr)
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gwalton | Apr 4, 2023 |
Shakespeare's farewell to the stage - and his most artistically successful collaboration with John Fletcher - is a pared down drama with an excellent subplot that doesn't deserve its relative neglect.
 
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merlin1234 | 12 weitere Rezensionen | Apr 2, 2023 |

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