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Giuseppe Giacosa (1847–1906)

Autor von Puccini : Tosca [sound recording]

80+ Werke 1,212 Mitglieder 10 Rezensionen

Über den Autor

Beinhaltet die Namen: G. Giacosa, Josep Giacosa, Guiseppe Giacosa

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Werke von Giuseppe Giacosa

Puccini : Tosca [sound recording] (1900) — libretto — 241 Exemplare
Black Dog Opera Library : Puccini : La bohème (1996) — Librettist — 101 Exemplare
La bohème [vocal score] (1705) — Librettist — 79 Exemplare
Madame Butterfly: Japanische Tragödie in drei Akten (1904) — Librettist — 51 Exemplare
Tosca [Libretto] (1900) — Librettist — 50 Exemplare
Puccini : Madama Butterfly [score: vocal] (1605) — Librettist — 50 Exemplare
La bohème (1897) — Librettist — 49 Exemplare
Puccini : Tosca [score : full] (1992) — Librettist — 41 Exemplare
English National Opera Guide : Puccini : Madama Butterfly (1984) — libretto — 40 Exemplare
English National Opera Guide : Puccini : La bohème (1982) — libretto — 36 Exemplare
Black Dog Opera Library : Puccini : Tosca (1998) — Librettist — 32 Exemplare
Tosca (program) (1982) — libretto — 29 Exemplare
Puccini : Madama Butterfly [score : full] (1990) — Librettist — 29 Exemplare
Puccini : La bohème [libretto] (2011) — Autor — 26 Exemplare
Puccini : La Bohème [libretto : Italian/English] (1954) — Librettist — 24 Exemplare
Dover Opera Guide and Libretto Series : La bohème (1962) — Librettist — 21 Exemplare
Tosca [vocal score] (1986) — Librettist — 19 Exemplare
Puccini : Madama Butterfly [libretto : Italian/English] (1986) — Librettist — 17 Exemplare
Come le foglie (2010) 12 Exemplare
Novelle e paesi valdostani (2019) 9 Exemplare
Puccini : Tosca [libretto : Italian/English] (1986) — Librettist — 9 Exemplare
Tristi amori (1920) 8 Exemplare
Scritti scelti (1960) 8 Exemplare
Masterworks of Opera : Madam Butterfly (1813) — Librettist — 8 Exemplare
Madama Butterfly [libretto] (1983) — Librettist — 8 Exemplare
Teatro (2009) 6 Exemplare
El Mundo de la Ópera : Giacomo Puccini : Madame Butterfly (1988) — Librettist — 4 Exemplare
Overture Opera Guides : Puccini : La bohème (2010) — Librettist — 2 Exemplare
Madama Butterfly [programme, libretto] — Librettist — 2 Exemplare
El més fort 2 Exemplare
Puccini : La Bohème [libretto] — Librettist — 1 Exemplar
Acquazzoni In Montagna (2010) 1 Exemplar
Puccini : Tosca [libretto] (1956) — Librettist — 1 Exemplar
Puccini : Madama Butterfly [libretto and program] (2014) — Librettist — 1 Exemplar
COMMEDIE 1 Exemplar
New York 1 Exemplar

Zugehörige Werke

Madama Butterfly: Tragedia Giapponese (1904) — Librettist — 204 Exemplare
The Penguin Book of Italian Short Stories (1969) — Mitwirkender — 21 Exemplare
Madama Butterfly [video recording : 1995] (1997) — Librettist — 14 Exemplare
Madama Butterfly [video recording : 1975] (2005) — Librettist — 13 Exemplare
Madama Butterfly [video recording : 1986] (1986) — Librettist — 6 Exemplare
Italian Short Stories from the 13th to the 20th Centuries (1932) — Mitwirkender — 5 Exemplare
Madama Butterfly [video recording : 2003] (2005) — Librettist — 2 Exemplare
Puccini : Tosca {6 excerpts} [sound recording] — Librettist — 1 Exemplar
Madama Butterfly : Un bel dì, vedremo [score] [IMC] (1960) — Librettist — 1 Exemplar

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Private Passions in BBC Radio 3 Listeners (März 2015)

Rezensionen

Libretto Opera in 3 atti di V. Sardou, L. Illica e G. Giacosa
 
Gekennzeichnet
vittorioveneto21 | Jan 30, 2018 |
I read this G. Schirmer’s opera librettos booklet in preparation for the opera itself. It turned out to have been a very good move. Act II has crazy fun busy staging and a huge cast. Knowing the opera freed me somewhat from reading the teleprompter during the show and absorbed more of the opera itself. Without plans to watch the opera though, this booklet is unlikely to be a riveting read, with a story well known to most. BUT, I will say there are some great lines that are simply charming and poetic to describe otherwise dull or even sad events.

A very brief plot summary: Four dear friends, a poet (Rodolfo), a painter (Marcello), a philosopher (Colline), a musician (Schaunard), share their lives and often pool their money to help each other while they all struggle with their ‘careers’ in the Latin Quarters of Paris in 1830. Enter Mimi, who falls in love with the Rodolfo. But it was also revealed early that Mimi is sick – but how sick? (dum, dum, dummm). Also enter Musetta, a singer, who is the sometimes girlfriend/lover, of Marcello; the two provided the comic relief as they fight with each other constantly but is utterly in love with each other as well. As Mimi’s illness revealed itself to be much more that a cough (officially, consumption), Rodolfo breaks up with Mimi as he is too poor to provide for her, not even to keep her warm. As Mimi’s life approaches the end, she goes to find Rodolfo and to die beside him; everyone gathered to do what they can for her in her last moments.

Side note #1: La Boheme = The Bohemians. Back then in Paris, many of these so called Bohemians are in fact born bourgeois, but chose to live the life of the arts.

Side note #2: I won’t acknowledge that Rent, the Musical, is loosely based off La Boheme. La Boheme is charmingly, humorously endearing while Rent (though good) is drug filled grunge. Let’s keep them separated. :P

Some quotes:
The irony in Roldolfo’s burning of his own drama/manuscript to keep him and Marcello warm:
“Rodolfo: My genius is burning, aflame with inspiration!
Marcello: To burn my new painting?
Rodolfo: No, who could endure the aroma!
But my drama,
Its passionate ardor will warm us both!
Marcello (with comic terror): You don’t mean to read it? How awful!
Rodolfo: No, the paper will crumble to ashes,
The Muse will return to Olympus,
A masterpiece goes to perdition!
The loss is prodigious!
…..
What words of wisdom!
Right to the point!
Amid these bluish flickering flames
A passionate love-scene goes up in smoke!
It pops and crackles!
There! Those were kisses!”

The landlord, Benoit, describes the kind of ladies that he likes, catching up on some side action, away from the Missus:
“I was a timid boy,
Now I am getting even! You know
I’ve a certain weakness.
For certain ladies…
You see…
Not that I like them portly
Or downright tubby,
Or even chubby,
A blooming full-moon. ----- (Reviewer’s note: This made me laugh.)
But skinny, lean and skinny,
No, sir, no!
When they are skinny,
They are malicious,
And sometimes even vicious.
I don’t care for their kisses,
Least of all for – my Misses!...”

Rodolfo and Mimi declare their love for the first time (actually the first night they met!):
Rodolfo:
“O adorable angel,
O gentle vision,
Surrounded by the moonlight’s silver glow,
In your sweet person
I realize my fondest dreams of long ago!
Never have I know before
So divine a rapture!
Radiant with Happiness
My heart is glowing,
Now at last I have found you,
My one and only love!”
Mimi:
“Ah! I’ve never known before,
A love so tender and glowing!
Oh, how its soothing power
Overcomes my heart with gladness,
How sweet to be in love!”

Rodolfo laments his own inadequacies in helping Mimi heal from her sickness and fears she is getting worse:
“I love Mimi, my love for her is stronger
Than ever!
But I will lose her,
But I will lose her,
Mimi is dreadfully ailing.
Day by day she is failing.
I fear the spark of life has lost its power!”
“And my room is a den of poverty,
No fire is going,
Fiercely the wind is blowing,
Ice-cold, relentless!
She is always so cheerful,
Bu remorse overcomes me.
I have aided the fearful ill
Which destroys her!”
“Mimi is like a flower,
Lacking water and sunshine,
But you can’t revive a blossom
By love alone, by love alone.”
… (mehr)
1 abstimmen
Gekennzeichnet
varwenea | 1 weitere Rezension | Mar 4, 2013 |
 
Gekennzeichnet
zinf | Nov 30, 2010 |
 
Gekennzeichnet
zinf | Sep 10, 2010 |

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Nahestehende Autoren

Luigi Illica Librettist, libretto
Nicholas John Contributor, Series Editor
Victorien Sardou original play
David Foil Author, Text
Marco Praga Librettist
Domenico Oliva Librettist
Guelfo Civinini Librettist
Giuseppe Adami Librettist
Carlo Bergonzi Tenor vocals [Lieutenant B.F.Pinkerton], Contributor
Rosette H. Elkin Translator
David Nice Discography
Edward Greenfield Contributor
Joanna Richardson Contributor
William Ashbrook Contributor
Silvana Padoan Soprano vocals [Kate Pinkerton]
Piero De Palma Tenor vocals [Goro]
Rolando Panerai Baritone vocals [Sharpless]
Mario Rinaudo Bass vocals [Il Commissario Imperiale]
Renata Scotto Soprano vocals [Cio-Cio-San (Madame Butterfly )]
Paolo Montarsolo Bass vocals [Il Bonzo]
Anna Di Stasio Mezzo-soprano vocals [Suzuki]
Giuseppe Morresi Bass vocals [Yamadori]
Gianni Lazzari Chorus Master
John Barbirolli Conductor
Julian Smith Contributor
Martin Hoyle Contributor
John Luther Long Author of short story
Percy Pinkerton Translator
Henri Murger original novel
William Grist Translator
Stuart Woolfe Contributor
Bernard Williams Contributor
Edmund Tracey Translator
Bernard Keeffe Contributor
Rosmarie König Contributor
Thomas Beecham Conductor
William Weaver Translator
Daniel Kramer Foreword
Philip Reed Editorial consultant
Ruth Martin Translator
Thomas Martin Translator
John Gutman Translator
Jan Kiepura Performer
Nicola Rescigno conductor
Mario Del Monaco Cavaradossi
Alberto Erede conductor
Riccardo Martin Performer
Franco Bonisolli Cavaradossi
Renato Cioni Cavaradossi
Leo Nucci Scarpia
Georges Prêtre Conductor
Antonio Scotti Performer
Tito Gobbi Scarpia
Samuel Ramey Scarpia
Beniamino Gigli Cavaradossi
Plácido Domingo Cavaradossi
Enrico Caruso Performer
Luciano Pavarotti Cavaradossi
Roberto Alagna Cavaradossi
Erich Leinsdorf conductor
Pasquale Amato Performer
Jussi Björling Cavaradossi
Emma Eames Performer
Maria Jeritza Performer
Lorin Maazel conductor
George Solti conductor
Franco Corelli Cavaradossi
Lotte Lehman Performer
H. Mehnert Translator and editor
Gwyneth Jones Introduction
Ellen H. Bleiler Translator
Mariko Mori Contributor
Alex Rigola Contributor
Narcís Oller Translator

Statistikseite

Werke
80
Auch von
9
Mitglieder
1,212
Beliebtheit
#21,186
Bewertung
3.9
Rezensionen
10
ISBNs
153
Sprachen
7

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