Lawrence GrobelRezensionen

This biography was written through tidbits of interviews. Interesting for fans of Pacino, yet nothing too indepth or personal. Would love to read an autobiography someday but doubt that would happen.

Always fascinated by Capote - ever since I first saw him on the Dick Cavett Show telling that story about the dog jumping off of the balcony from several stories up. He's talking.

Complete yawn... zzzzzz... I liked the first half of the book but the rest of the book was like reading the first half just so much longer and dragging. I skimmed the last 10-20 pages when all it was about was The Local Stigmatic and Looking for Richard. There were very very very short talks about his other films such as A Scent of a Woman, etc. I mean come on the guy won an Oscar for the movie and you do one question for it?

For the rest of the review, visit my blog at: http://angelofmine1974.livejournal.com/84610.html½

In Endangered Species Lawrence Grobel has compiled interviews with twelve iconic American writers. Each interview is fascinating. Each interviewee has either made history or written it. Grobel asks penetrating questions and his subjects respond. Ray Bradbury comes across with broad ideas and an ego to match. Joyce Carol Oates surprises with her insight into boxing. Elmore Leonard impresses as honest and personable. Alex Haley recalls interviewing the racist head of the American Nazi Party.

All of the writers are highly intelligent. Some provide memorable quotes. Saul Bellow on monogamy: “Love has become a consumerist phenomenon because we judge people as we judge commodities – we can do better, or we can get another one.” On the Unabomber: “As a mathematician you can be very brilliant without really qualifying on the elementary level for membership in the species.”

Norman Mailer on violence and his relationship with other writers: “It’s always fair for one writer to butt another in the head. Writers have hard heads.” James Ellroy on America supposedly losing its innocence: “America never had innocence, that’s bullshit.”

These interviews document the highly articulate thoughts of some of our best writers, many no longer alive.½

Relentless in Pursuit of a Character

Friday, December 21, 2012

Anyone who watched his brilliant performances in The Godfather, Heat, Sea of Love, Scarface, The Devil’s Advocate will be all too aware of the immense talent Al Pacino brings to his trade and with which he has wooed movie aficionados for decades.

In February, while their mother was in the US, I sat down with the children to watch Heat. Each time I see this film it brings home to me just how outstanding an actor Al Pacino is. I can view it in the same way my youngest can Scooby Doo, never tiring of it. I was glad to share it with my kids. Some will think that not PC but that’s okay. Thinking is fine so long as we don’t stop others thinking. I grew up more or less watching what I wanted and I would like it to be the same for them. It broadens the outlook.

Pacino has a string of films notched up. I derived immense joy from all the Godfather movies, in particular the first. Yet I never warmed to the character Michael Corleone, even though the acting by Pacino was broodingly superb. The atmospheric Heat tops the lot in terms of the personal enjoyment I took from it. The power of his performance as the lead cop, Vincent Hanna, pitted against Neil McCauley, played by Robert De Niro, is nuclear. The self-critical voice rendered from the top of the building when he realised what fellow cops didn’t, how the hunter had become the hunted, still echoes. The dialogue between Hanna and McCauley over coffee after Hanna had been dropped by chopper near a spot where he could get in his own car, pursue McCauley’s and ask him to pull over, carries force in a way that the insane gun battle at the bank finds it hard to match. Pacino fired the warning shot in the coffee shop then the real one at the bank, which saw McCauley’s crew begin to fall apart.

So good is Pacino at his craft that he even managed to varnish what would certainly have been a dull wooden performance from the immensely irritating Robin Williams in Insomnia: the only film I have ever enjoyed Williams in, while still holding to the view that it would have been so much better without him. I am one of those film buffs who firmly believe Robin Williams is a cure for anybody’s insomnia.

Lawrence Grobel conducted interviews with Pacino over the course of a quarter of a century. In this authorised biography he pulls them together. These constitute the book but are complemented by a very worthwhile introduction penned by Grobel. While the two became friends it didn’t prevent Grobel asking the probing question nor Pacino dismissing it if he didn’t want to answer or thought it sailed too close to his relationships which he wanted to keep off limits. The two were wholly at ease in each others company.

It was a light read, picked up almost at random from a section in one of the book shelves which houses biographies of actors, singers, sportspeople. I had purchased it a few years back in Dundalk knowing that at some point I would get my head into it. Preparing to catch a North bound train about a year back I stuck it in my bag. I have forgotten the journey or its purpose but not the book.

Thinking it would be one of those books that would require no thinking and that it would hardly matter if by the time page 3 was reached the contents of page 2 would respond to an automatic delete command and vanish from memory, this had a few pleasant surprises. Celebrity books are frequently trashy, like a Premiership footballer making hay while the sun is still shining on his career. Just churn it out as if it is a penalty kick and no keeper. Not with this. There is so much thinking at play in these pages. Over 25 years in the making it evolves naturally. This book opens many doors but the biggest insight it gives is into the powerful intellect of Pacino, alongside his immersion in the role: what Meryl Streep described as ‘relentless in pursuit of a character.’

How an actor thinks about what he does or how it should be done differently is a feature of this compilation book. The dimensions of a character, Pacino layers on with painstaking dedication. A man who does theatre, reads Dostoyevsky and Balzac, whose favourite role is in Godfather II, is not somebody given to the emission of unintelligible grunts.

Al Pacino: The Authorized Biography. by Lawrence Grobel, 2006. ISBN 1416912118. Simon & Schuster: London.

I really enjoyed reading this book. Admittedly, I am a Michener fan and collector of books by him and about him. This is one of my favorites of the latter variety. The "question and answer" style of presentation is easy to read, as is the language used. I suppose that should have been expected because almost all of Michener's writing has been presented in simple language using simple syntax so that unsophisticated readers like me can enjoy it and learn from it. His beliefs are well presented in this book. He appears out of the pages as a thoughtful, caring human being and a "citizen of the world". I don't think that he would have accepted an invitation to dinner at my house (he seems like a private person), and I don't know that I would have liked him if he had (no vulnerability), but I sure like the way he thinks and I really like the way he writes. Perhaps I would like Lawrence Grobel though; I like his face in the photograph on the back flap of the book's dust jacket.
Anyone who has liked any one of Michener's books would probably enjoy this book as it shows us pretty much who he is as a writer and a citizen. Be prepared, though, for a left-of-center view of the human condition.

A collection of interviews taking place over a long span of time. For an Al Pacino fan, it's sure to provide some insight; as a general biography it is weak and does not reveal the depth of character that a proper biography could achieve.

This book was really inspirational. Even though Montel has gone through so much hardship in his life, he still continues to fight for himself as well as others. He really seems to be a great guy.

Interesting, but repetitious. Questions/conversations seem to be repeated over the years with little change from Pacino. Still an interesting view of a private man.

Al Pacino, an actor who is notorious for avoiding interviews opens up with his friend Lawrence Grobel, interview extraordinaire!

As you read, you see Al Pacino settle into himself as an actor and not-too-willing interviewee as the years go by.

He seems to come to accept that the role of legend is something that he is capable of fulfilling!

He is an actor first and foremost and movie star only as an aftermath of honing his creative talents on film.

He readily admits that some of his films are hits and others misses, but he wouldn't have changed a thing if that were a possibility in this life.

Pulled this one out of the TBR stack after watching Capote on DVD. I don't know why I'm fascinated by Capote. He could be such a mean, bitchy little gossip, but I can't help myself. I still think he was brilliant. This book has a great introduction written by James Michener where he thanks Capote for being so flamboyant and outrageous. He said people needed to be reminded that artists weren't like other people, and since most writers are, like Michener, plodding, boring people, Capote was sort of taking up their slack.

So, the conversations in this book were about growing up, being famous, writing both In Cold Blood and Answered Prayers, celebrities, other writers, homosexuality, and drug/alcohol abuse. Interesting stuff, even if there are a few rather sharp barbs interspersed throughout.

I'll probably read Gerald Clarke's biography of Capote soon.