Jeremy McCarter
Autor von Hamilton: The Revolution
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Lin-Manuel Miranda and Jeremy McCarter worked on documenting the creation of Hamilton from its initial beginning as a mixtape idea in 2008 through the Broadway debut in 2015. The story of behind the scenes is interspersed between the libretto: all text of the musical (including the one scene not in the cast recording because it is spoken dialogue) plus a couple deleted numbers, with footnotes on particular lines for inspiration/samples/etc. What strikes me is that while they acknowledge Hamilton is something special, they also recognize this is still in its early years (ha) for a musical- who knows how it will be recontextualized as high school/college performances, or in what the book doesn't predict, a Trump administration. The notes on Reynolds Pamphlet say there's some joy in seeing the line "Never gonna be president now," quoted during the then-election cycle of 2015-2016 but hooboy does that feel like a simpler time. Likewise, ending on Obama's chat with the cast and crew about the belief in stories and how they can change the world with the hope of America's future feels hollow after the horrors that came in the following years. This was also published before the Tony Awards and the wins the show took home, so that isn't covered either (though I can't think of where it'd fit in between songs).
The release of the filmed version in July 2020 on Disney adds another contextual layer- I wonder if someone of these close ups in the book are from the days they filmed close-ups for that original cast recording. The libretto does not describe everything in a scene (a footnote mentions King George III's dance during The Reynolds Pamphlet but it's not a line so barely mentioned in text, and it would be hard to describe all the minute gestures the cast brings to their performances). I don't know what a post-pandemic theater experience looks like, but I'm guessing it will be a while before live performances in person are a thing. Film and books scratch the itch but it's not quite the same as the performers and audience feeding off of each other's energy.… (mehr)