Autorenbild.

Barbara Leonie Picard (1917–2011)

Autor von Tales of the Norse Gods

30+ Werke 1,014 Mitglieder 11 Rezensionen Lieblingsautor von 2 Lesern

Über den Autor

Werke von Barbara Leonie Picard

Tales of the Norse Gods (1953) 120 Exemplare
The Iliad of Homer (1960) 93 Exemplare
One is One (1827) 75 Exemplare
Ransom for a Knight (1956) 64 Exemplare
The lady of the linden tree (1954) 34 Exemplare
The Young Pretenders (1966) 32 Exemplare
The Mermaid and the Simpleton (1949) 17 Exemplare
Der Wald der Geächteten (1657) 16 Exemplare

Zugehörige Werke

All Color Book of Greek Mythology (1972) — Einführung, einige Ausgaben146 Exemplare
Federn aus meinem Flügel. Märchen aus aller Welt (1971) — Mitwirkender — 106 Exemplare
Princess Tales (1971) — Mitwirkender — 89 Exemplare
Stories of Ghosts, Witches, and Demons (1971) — Mitwirkender — 54 Exemplare
A Golden Land (1958) — Mitwirkender — 42 Exemplare
Encyclopedia of Myths and Legends of All Nations (1962) — Herausgeber — 22 Exemplare
Vampire and Werewolf Stories (1998) — Mitwirkender — 21 Exemplare
Castles and Dragons (1958) — Mitwirkender — 11 Exemplare
Strange Tales from Many Lands (1975) — Mitwirkender — 9 Exemplare
Tales of Magic and Enchantment (1966) — Mitwirkender — 8 Exemplare

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Wissenswertes

Gebräuchlichste Namensform
Picard, Barbara Leonie
Geburtstag
1917-12-17
Todestag
2011-12-15
Geschlecht
female
Nationalität
England
UK
Geburtsort
London, England, UK
Wohnorte
France
Seaford, Sussex, England, UK
Berufe
librarian
fairy tale writer
historical novelist
children's book author
young adult writer
Preise und Auszeichnungen
Carnegie Medal commendation (1954, for Lady of the Linden Tree, 1956, for Ransom for a Knight, and 1965, for One Is One)
Kurzbiographie
Born of a French father and Venezuelan-German mother; her parents separated when she was young, and she lived a rather reclusive life as a child. After graduating high school, she became a librarian. During WWII, she began to write, and her first book of fairy tales, The Mermaid and the Simpleton, was published in 1949. She subsequently wrote The Faun and the Woodcutter's Daughter (1951). These tales were modeled on those of Oscar Wilde and Andersen, whose works she much admired. At Oxford University Press' request, she began writing retellings of epics, myths, and legends, in which she had always been interested. She also wrote historical novels for children, her best-received being One is One (1965), of which one reviewer said "it has the cleansing power of a great literary experience." Aside from folk culture, mythology & comparative religion, archaeology, primitive and Oriental music, she likes: "clocks, the climate of the British Isles, trees, animals of every kind," theatre, opera, embroidery, and Japanese prints. Sources: Something About the Author 2 (1971); Gale Literature Resource Center (accessed May 8, 2009)

Mitglieder

Rezensionen

At first glance this book seems like it would be a quintessential book of it's genre. It's a historical fiction with teenage protagonists written in the mid 20th century which will mean the historical detail will be thorough and correct and the writing style will be more dense than YA books written more recently.
But look further and you will see that there are many moral questions in this book as well, such as; is the arrogant distance between gentry and the lower classes ever a good thing? Is thievery bad when the situation is desperate? Does honour require you keep your promise even when the promise was made on a lie? Can a villain ever be truly reformed? and what do you do when the main characters who you are supposed to like, casually and positively talk about the slave trade?
This book leaves many of these questions open for each reader's interpretation.
… (mehr)
 
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ChariseH | May 25, 2024 |
I found this retelling a bit dry, but nonetheless good. The illustrations by Kiddell-Monroe are rather odd, clearly they are influenced by Greek vase paintings; the legs of men and horses are strange: the men's legs have odd curlicues in them, and the horse's legs are attenuated, like that of the Uffington White Horse.
 
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themulhern | Jan 1, 2024 |
I enjoyed this book, but
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I always want any protagonist whom I like (such as this on) to be left in a position where it looks as if the person will have a happy future that includes that person's children. This protagonist in this book seems to have a happy future, but one in which it does not seem as if children would be likely. Just personal preference.
 
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lidaskoteina | 1 weitere Rezension | Jun 12, 2023 |

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Statistikseite

Werke
30
Auch von
12
Mitglieder
1,014
Beliebtheit
#25,405
Bewertung
4.0
Rezensionen
11
ISBNs
55
Sprachen
1
Favoriten
2

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