Samuel Putnam (1892–1950)
Autor von Paris Was Our Mistress
Über den Autor
Werke von Samuel Putnam
The introduction to the analytical reader 1 Exemplar
Rebellion In the Backlands 1 Exemplar
Rabelais 1 Exemplar
Zugehörige Werke
Herrenhaus und Sklavenhütte. Ein Bild der brasilianischen Gesellschaft. (1956) — Übersetzer, einige Ausgaben — 373 Exemplare
Don Quixote, Exemplary Novels, and Farewell to Life (1961) — Übersetzer; Herausgeber; Einführung, einige Ausgaben — 6 Exemplare
Rabelais: Gargantua & Pantagruel, Book I (The Great Books Foundation, Volume 4) — Übersetzer, einige Ausgaben — 1 Exemplar
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Wissenswertes
- Rechtmäßiger Name
- Putnam, Samuel Whitehall
- Geburtstag
- 1892-10-10
- Todestag
- 1950-01-15
- Geschlecht
- male
- Nationalität
- USA
- Geburtsort
- Rossville, Illinois, USA
- Sterbeort
- Lambertville, New Jersey, USA
- Todesursache
- heart attack
- Wohnorte
- Rossville, Illinois, USA (birth)
Lambertville, New Jersey, USA (death)
Paris, France - Ausbildung
- University of Chicago
Sorbonne - Berufe
- editor
publisher
translator
critic - Beziehungen
- Putnam, Hilary (son)
Mitglieder
Rezensionen
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- Beliebtheit
- #259,059
- Bewertung
- 4.0
- Rezensionen
- 2
- ISBNs
- 6
The professed goal is a volume which, "while making use of all the aids and props of scholarship, should yet transcend erudition and attain a creative view" of the life of Rabelais (15). Putnam's prose is assertive and sometimes droll. He was writing at the same time as Mencken and Cabell, and he chides the latter for misreading eroticism into the Theleme of Rabelais, when Cabell was actually addressing the Thelema of Crowley (390-1).
While he declines the "freethinker" Rabelais of Professor Lefranc, Putnam is hardly aligned with conventional religion. He (all too correctly) calls the Reformation "that revolt which was to produce the ugliest form of civilization that the world has known" (60). His discussion of the tensions between Humanism and Protestantism is threaded through the book, and really helps to clarify Rabelais' situation.
The book doesn't describe the writing life of Rabelais until its final third, and at that point the chapters become progressively shorter, and the pace quickens. The Fifth Book is barely mentioned; his later legacy is a matter of two closing pages. Man of the Renaissance is trained on Rabelais' "first life" as a writer, not the "second life" that he has been given posthumously by readers. Putnam's treatment is the fullest and best biographical approach to Rabelais I have read so far.… (mehr)