James S. Shapiro
Autor von 1599 - A Year in the Life of William Shakespeare
Über den Autor
James Shapiro was born in Brooklyn, New York on September 11, 1955. He earned a B.A. and Master's degrees at Columbia University, and his Ph.D. at the University of Chicago. His work in teaching includes Dartmouth College, Goucher College, Colombia University, and Fulbright lecturer at Bar-llan mehr anzeigen University and Tel-Aviv University. He served as the Samuel Wanamaker Fellow at the Globe Theatre in London. He has received awards from the National Endowment for the Humanities, The Huntington Library, and the Memorial Foundation for Jewish Culture. He has written for numerous periodicals such as the Chronicle of Higher Education and the New York Times Book Review. His more recent books include 1599: A Year in the Life of William Shakespeare, for which he won the 2006 Samuel Johnson Prize and the 2006 Theatre Book Prize. His book, Contested Will: Who Wrote Shakespeare?, won the 2011 George Freedley Memorial Award. In 2016, his book entitled 1606: Shakespeare and the Year of Lear won the James Tait Black Prizes for biography. (Bowker Author Biography) weniger anzeigen
Bildnachweis: Courtesy of James S. Shapiro
Werke von James S. Shapiro
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Shakespeare in America: An Anthology from the Revolution to Now (1953) — Herausgeber — 124 Exemplare
The Year of Lear 1 Exemplar
Zugehörige Werke
"A Poet and a filthy play-maker" : new essays on Christopher Marlowe (1988) — Mitwirkender — 3 Exemplare
William Shakespeare: Henry V [theatre programme] — Mitwirkender — 1 Exemplar
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Despite the book's title, "1599" spreads its time equally between Elizabeth and her citizens, and the Bard himself. As Shapiro openly states, we know so little about what exactly led Shakespeare to write his plays, and about specific events in his life, that anything is by necessity conjecture - but he'd still rather stick to what is probable, not just possible. As such, he covers the complex political and social landscape brought about by Elizabeth and Essex, the Irish and the Spaniards, the changes in theatregoers and theatre laws, and other concerns that hit London and Stratford. He posits areas and concerns that may have affected Shakespeare as he wrote four such monumental works, while also seeking to explain the mindset of an Elizabethan during this shifting era.
What Shapiro has written is a book that first of all, educates about the living, breathing public mass of Londoners (people who, after all, were far more complex than any film stereotype); second, negates many of the needless conjectures determined to give every event in Shakespeare's plays some needlessly grandiose or tragic origin (all of which seek to undermine the fact that he was writing for a specific theatre and crowd, and working as a creative, not just working through some Freudian issues); and third, most importantly, sees Shakespeare as a human. We can never know what it was like to be such a genius during an era when history, linguistics, and politics rose up like never before. But we can ask questions about Shakespeare's personal stake in the theatre, about his reactions to other literary and political movements, about his reasons for taking age-old stories, myths, and plays, and reworking them into feats of ever-growing depth. A very enjoyable read, although I couldn't help wishing Shapiro could write a volume for every year of Shakespeare's professional life.… (mehr)