Iris YamashitaRezensionen

I enjoyed this book far more than I expected to. The premise of everyone in the high rise and the tunnel seemed a bit far fetched, but they were well executed, the characters were likable enough and the atmosphere was tight.
I was a bit uncomfortable with the depiction of the gang

When a couple body parts are found near Point Mettier, Alaska, Cara Kennedy is hopeful that there might be some connection to the disappearance and death of her husband and young son. She arrives at the town just before a terrible snowstorm cuts it off from everything - although, truth be told, it's a fairly isolated place even at the best of times. You can only get there via a tunnel so narrow it only allows one-way access (the direction changes on a schedule, when the weather permits it), and everyone lives in one enormous building. It's the kind of environment where everyone knows everyone's business, and outsiders are kept at an arm's length.

You don't willingly live in a place like this without good reason, and most of the residents have big secrets in their pasts. Did one of them commit murder in order to keep their secrets hidden? And, if so, what's the connection to the murder of Cara's husband and son?

This had a great premise. Point Mettier's claustrophia and isolation instantly hooked me. Unfortunately, all of the book's best reveals happened way too soon. The actual final reveals were easy to predict and not particularly thrilling.

I don't know that the alternating POVs really added anything to this, either. We got to see things from three perspectives - Cara, Lonnie, and Amy. Amy was one of Point Mettier's few teens, and also one of its longest-term residents. Lonnie was a former patient at a mental institution - even at Point Mettier, the only ones she truly trusted were the sheriff and Denny, her moose. Amy's POV was fine and gave readers a view into what it was like being a Point Mettier resident (largely very boring), but Lonnie's had enough repetitive elements that I wish she'd had fewer chapters.

The supposed "connection" between the body parts and the deaths of Cara's husband and son felt like a pretty big reach. In general, Cara read like somebody who really needed some caring friends or family around to keep her grounded and help her heal. It looks like this book is going to be the first in a series, and I'm not sure I'm interested enough in Cara and her story to continue on.

(Original review posted on A Library Girl's Familiar Diversions.)

Village in the Dark is the second book in Iris Yamashita's Detective Cara Kennedy series. (Yes, this can be read as a stand alone.)

Yamashita takes us back up to Alaska and the fictional village of Point Mettier. The entire village lives in a high rise building. This setting is based on an actual village that does indeed live in one building. I enjoyed the descriptions of life inside and the many idiosyncrasies of the inhabitants.

Cara suffered a loss in the last book. She thought she had put that loss to bed, so to say, but the past is still knocking on the door.

Yamashita gives us some great opening chapters - from the point of three women. Cara, Ellie and Mia. Ellie is a feisty landlady at the building. And Mia is a young woman who was raised in the bush, but has decamped to the city of Anchorage. Three very different backgrounds, skills and ages give the reader a different take on what's going on. Each is engaging, but I think I enjoyed Ellie the most. The narrative changes every chapter - which had me staying up to read 'just one more chapter.'

The crime in the book is not new, but Yamashita has put her own twist on the final how why. There's lots of tension and action throughout the novel. I can see this book being made into a movie. Yamashita is an award winning screenwriter with four Oscar nominations.

There are a few plot devices that need to be taken with a pinch of salt - just go with it. Overall, a great addictive read. I would happily pick the next book.

Alaskan noir!

Cara Kennedy is a hardened detective in a remote Alaskan village. She’s grieving. Bones had been found, presumed to be her missing husband and son. She buried them. Only now that question is moot. Was it an accident or murder. Cara has their bodies resumed. That is the beginning.
Three POV’s to the tale merge, Cara’s, Mia Updash from the remote village of Unity, and Ellie Wright, owner of the Cozy Condo Inn at Point Mettier.
I found the plot strung out. I lost interest but kept plodding on. The latter half picked up, chillingly so. Damage done however, and Village in the Dark just didn’t recover from my first impressions. I was left with too many uh’s!
Despite the fabulous setting and gritty overtones I just wasn’t won over.

A Berkley Group ARC via NetGalley.
Many thanks to the author and publisher.

An Alaska detective unlocks menacing secrets in a frigid, sinister small town while struggling to recover from a personal tragedy. The discovery of dismembered body parts in remote Point Mettier, brings police detective Cara Kennedy from Anchorage to investigate. The find was made by a teenager, Amy Lin, who spotted the remains while smoking marijuana with some friends in a hidden cove, close to the Salty Pub, the local bar that serves as the main place for town gossip. The town itself takes on a life of its own, becoming a forbidding character in this dark story. The small town is composed of only 205 full-time residents, all of whom live in the Davidson Condos, an industrial complex that can only be accessed by an underground tunnel. The perspective shifts from Cara to Amy and then to paranoid Lonnie, who hears voices and wanders the town in fear that she’ll be locked up again in the Institute. It's the story of these three women, who are all outsiders. It's nicely balanced with the criminal investigation, which proceeds steadily in tantalizing small tidbits. A winter storm furthers the isolation by cutting off all access to the town. Cara is getting herself under control having recently experienced a family tragedy that occasionally undermines her and fills her with self-doubt. It's not a great place to live especially if you are a woman and if you are unwilling to conform to the ideas of the town. The dislike, contempt, and prejudice against women is ingrained so deep in the town’s culture that all three women at times question their perceptions of reality. Several more or less disreputable residents emerge as suspects as riddles large and small add fuel to the mystery on the way to the final solution. I found it to be an offbeat thriller that was hard to follow at times or to understand the ideas of the town itself. The story is at times like that of a locked room mystery. I thought it was interesting when I read that the setting is based on a real town in Alaska. I bet their Chamber of Commerce, if they even have one, loved this story:)

Debut author Iris Yamashita says City Under One Roof was inspired by a documentary she viewed more than twenty years ago about the city of Whittier, Alaska where all of the residents lived in a single building. She knew there had to be a story to be told in such an intriguing setting.

Whittier, Alaska is about sixty miles southeast of Anchorage, at the head of Passage Canal. It is situated between the spectacular mountains and an ice-free port, surrounded by three glaciers. It serves as the gateway to the Prince William Sound wilderness. Snowfall in Whittier averages twenty-two feet per year, but every summer tourists visit the city, many arriving aboard cruise ships. The city is also accessible via the Anton Anderson Memorial Tunnel through Maynard Mountain. At two-and-a-half miles long, it is the longest highway tunnel in North America, built to withstand temperatures up to -40 degrees Fahrenheit temperatures and winds of one hundred fifty miles per hour. In 2000, the one-lane tunnel was made passable by cars in addition to trains, each navigating the tunnel in both directions. The tunnel is aired out between trips with jet turbine ventilation. The single lane of vehicle traffic travels directly over the slightly sunken railroad track, and there are safe-houses within the tunnel -- small buildings that can be used in the event of a severe earthquake, vehicle fire, or other emergency.

Whittier was once known as Camp Sullivan. During World War II, the U.S. Army built the port and railroad to transport soldiers there. Following the war, two high-rise buildings were erected and the Army continued operating the port until 1960. In 1964, the 9.2 magnitude "Good Friday Earthquake," still the largest on record in the U.S., caused over ten million dollars in damage, triggered tsunamis, and claimed forty-three lives. It also rendered one of the city's two large buildings uninhabitable. Incorporated in 1969, the city still boasts a three-person year-round police force and volunteer fire and rescue squad. The city's two hundred and seventy-two or so citizens all reside in a fourteen-story condominimum known as Beghic Towers Incorporated which also houses the hospital, school, and city government offices.

Yamashita set City Under One Roof in fictional Point Mettier, Alaska, modeled after Whittier but with some distinct differences, including additional pedestrian tunnels such as the one used by the town's children to get to their schoolroom. In the story, the shell of one building, destroyed by the 1964 earthquake, remains standing and the diverse group of two hundred and five residents all live in the Davidson Condos, known as the Dave-Co where the post office, a church, an infirmary, and a general store that sells "touristy tchotchkes" are situated. There is also an inn within the structure. Winter lasts for about eight months with temperatures as low as minus thirty-five degrees, and Alaska is thrust into darkness for nearly the entire day for several months of the year. Life in a place like Point Mettier does not appeal to everyone, and the permanent, long-time residents are there for very speciic reasons. Some love the scenic setting, the isolation, or living within such a closeknit community. But most are running away from something or someone, including her protagonist.

In fact, when Yamashita visited Whittier while researching the book, she discovered that when the tunnel only accommodated train travel, one of the female residents was protected by the train conductor who prevented her abusive ex-husband from boarding and traveling to Whittier. A disproportionately high number of women in Alaska have endured domestic violence, in part because of the scant police enforcement of laws and restraining orders designed to protect them in remote regions. She explores the theme of fictional Point Mettier functioning as a safe haven for victims by incorporating that history into the story. Even now that vehicle traffic flows into Point Mettier, the toll booth operator tells Cara that he maintains a list of "no-gooders" to watch out for, but acknowledges that other than checking identification and attempting to dissuade them with stories about the tunnel shutting down there is little he can do to prevent them from entering the city.

Yamashita relates the story from three perspectives. People who travle through the tunnel have the sensation of falling down a rabbit hole and ending up in a strange and crazy wonderland full of quirky characters. Cara Kennedy is an "otter," which is what the townspeople call outsiders. She is a detective with the Anchorage police who arrives in Point Mettier because she is investigating what might be a murder case. Yamashita likens her to Alice in Wonderland, chasing clues as to why body parts have been washing up on the area's shores. As the book opens, in fact, Amy Lin, a local teenager, has stumbled upon a hand and foot. More than a year ago, Cara and her husband, Aaron, decided to take a much-needed vacation with their young son, Dylan. They rented a cabin in Talkeetna near Denali National Park and on the third day, Aaron took Dylan, along with his camera gear, on a morning hike to see snowshoe hares. They never returned. Cara wants to investigate whether their disappearance could be linked in any way to the body parts. When an avalanche closes the tunnel, she is forced to remain in Point Mettier. She teams up with Chief Sipley and the town's only police officer, Joe Barkowski, but does not reveal significant details about what prompted her to travel to Point Mettier. Cara is a highly skilled police professional who has sustained a horrible tragedy. She is determined to get answers, and willing to take whatever risks are required in order to do so. She is also likable and empathetic, particularly as Yamashita gradually reveals more details about the events that compelled her to visit Point Mettier.

Seventeen-year-old Amy Lin has lived in Point Mettier for fourteen years with her mother, who operates a business serving "barely passable" Chinese food that Amy Lin is tasked with delivering. She has recently learned that the details about her family's history and origins that she always accepted as true were actually manufactured by her mother. That knowledge has stirred up perplexing feelings and emotions for her, even though the revelations have given her a new understanding of her mother and her motivations. Day-to-day life in Point Mettier is challenging for Amy Lin due to a lack of activities, even though there are occasional school field trips. She is certain that were it not for Internet access connecting the little town to the rest of the world, she would not survive. There is nothing perplexing, however, about her feelings for her boyfriend, Even Spence Blackmon, who moved to Point Mettier about seven years ago with his younger brother, Troy, and their mother, Debra, who is one of the schoolteachers. Amy and Spence sneak off, along with the other local kids, to the remains of the next-door Walcott Building which used to house a bowling alley, auditorium, movie theater, and indoor pool. When Even and his family go missing, Amy is determined to find them. She is intuitive, observant, and resilient -- the white rabbit to Cara's Alice, according to Yamashita.

Lonnie Mercer is Yamashita's Mad Hatter. She wears a different colored beret every day, speaks in what Yamashita describes as "word salad" (strings of free-flowing, internal word associations) and has an undisclosed mental disability. She lives in fear of being sent back to the Institute where she was forced to live for a time after her mother was killed by an abusive boyfriend. She orders the same thing from Amy Lin's mother every day -- fried rice -- and is devoted to her pet moose, Denny. Chief Sipley looks after Lonnie and instructs her not to speak to Cara, ask her any questions or answer any questions Cara might pose, reminding her, "You don't want to end up back at the Institute, do you?"

Yamashita surrounds her three main characters with an eclectic group of supporting players, including the innkeeper, the manager of the general store, a gang of criminals whose headquarters are located in a nearby village, and a lonely lounge singer who was once a successful recording artist in Japan. Point Mettier is, of course, a central character in the tale, as well -- brooding, claustrophobic, and holding the secrets of its inhabitants. Yamashita's prowess as a screenwriter translates well to a lushly descriptive narrative that brings to life not just her compelling characters, but also the fascinating little town of Point Mettier and the surrounding area. She convincingly details how a place as naturally beautiful as the region can also be eerily menacing and frightening. She effectively melds her characters' emotional struggles with the procedural aspects of Cara's investigation, keeping the action moving forward at a fast pace and accelerating the tension as Cara and Officer Barkowski grow closer to each other and to identifying the individual whose partial remains were discovered by Amy Lin.

In City Under One Roof, some of the mysteries explored are wrapped up in a cohesive, satisfying manner. However, as the story proceeds, Yamashita introduces intriguing additional details pertaining to others and refrains from providing a tidy ending to those plots. Indeed, City Under One Roof is just the first entertaining installment in what promises to be a riveting and atmospheric series featuring Yamashita's colorful and eccentric cast of characters.

Thanks to NetGalley for an Advance Reader's Copy of the book.

When body parts wash up on shore in a small, isolated Alaskan town, Anchorage detective Cara Kennedy travels there to look into the situation. When the tunnel that is the only entrance/exit to the town is closed due to bad weather, she teams up with the local sheriff and his assistant to investigate. Along the way, she encounters the idiosyncratic residents of the town who all live in the same building “under one roof.” Many of them have reasons they chose to live in such a secluded and harsh place. Aside from what they may be hiding, are they all in danger?

Told from three points of view, this atmospheric tale reflects the claustrophobic feeling from living so close together and traversing the underground tunnels to get any place…not to mention the bitter cold and blizzard conditions. You just might want to wrap up in a cozy blanket when you read this book.

I learned a bit about Alaska, although I didn’t check the accuracy of some of the facts. It took a while to get to the climax and then I thought the denouement left some things not fully resolved. Still it was a solid debut novel by the screen writer Iris Yamashita who wrote Letters from Iwo Jima.

Thanks to #netgalley and #berkeleypublishinggroup for the ARC

3.5 stars

Amy, a teenager in a small Alaska town, finds a couple of body parts that have washed up on shore. Cara, a police officer from Anchorage, comes to help figure out what happened. Cara comes with secrets of her own. Unfortunately after she arrives, so does a blizzard, trapping everyone with no way out. A third POV in the book is Lonnie, someone with mental disabilities, who takes care of a resident moose.

I liked the story, but I didn’t like Lonnie’s chapters; I found them quite confusing (I guess since her mind is confused, this “fit”, but I didn’t find it good reading. The thriller part of the book didn’t grab me like many do, but again, I did still like the story. I liked Cara and her background and storyline. Amy’s story and background was pretty interesting, too. There were definitely some odd characters and stories (in addition to Lonnie). I wonder if there was some setup for a second book, though?½

Durante la Seconda Guerra Mondiale sull'isola di Iwo Hima, alcuni soldati giapponesi combattono contro gli americani ma con poche speranze di uscire vivi dal conflitto. (fonte: Wikipedia)

Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase, Shidou Nakamura

141 minutos