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Die Filme meines Lebens. Ein Roman

von Alberto Fuguet

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Beltrán Soler is from Chile, a land in constant movement. A seismologist who knows more about the science of tectonic plate movement than about life, he is cocooned in a world of seismic data, scientific articles, and natural disasters. Beltrán believes he can protect himself from the world around him by losing himself to theoretical pursuits, but thousands of feet above the ground he so meticulously analyzes, on a flight to L.A. -- the capital of film and the city in which he was raised -- he has a conversation that sparks in him a firestorm of nostalgia. Suddenly, Beltrán finds himself recalling the fifty most important movies of his life -- films both precious and absurd that affected him during his childhood and adolescence in the 1960s and '70s. From Willy Wonka and the Chocolate Factory to Close Encounters of the Third Kind to kitschy disaster films such as Earthquake!, as well as cult classics of '70s sci-fi such as Logan's Run, Beltrán connects with his past by remembering the films he saw, the people with whom he saw them, and even the theaters in which they were shown. Recalling one movie after another, he reconstructs the unusual history of his eccentric and dysfunctional family, coming to terms with his obsession with the movies that helped define him -- often whether he wanted them to or not. Set in the oddly parallel worlds of Nixon's suburban California and Pinochet's Santiago de Chile, this ingenious novel throws us into the claustrophobic world of an adolescent who tries to escape from a tumultuous and fragmented existence, one caught between two languages, two cultures, and two families that watch the same movies. Written in the eloquent, compelling, and often hilarious style that has brought Alberto Fuguet world renown, The Movies of My Life is a book about film and about how movies embed themselves in our souls, helping us all share a blinding fondness for the magic of make-believe.… (mehr)
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I read The Movies of My Life by Alberto Fuguet yesterday. Fuguet is one of the leading representitives of McOndo ( a pun on the mythic region of Garcia Marquez's Cien Anos) which is known for being hyperviolent, bilingual and self-referential. The book started strong, noting the mindest of the seismologist protagonist. It has an unconvincing turn and then the subsequent narrative appeared under-developed. That said, I remainc urious about this contemporary movement. I am unsure where to proceed next ( )
  jonfaith | Feb 22, 2019 |
Harper Collins Publishers Inc
  Biblioteca_Casa_Ecua | May 31, 2014 |
I was intrigued by the structural conceit of this novel (a narrator looking back at his childhood and adolescence through the lens, as it were, of movies seen at critical junctures), but have ultimately been disappointed by the execution. The various movies are submitted more or less by title and not really integrated into the story, and while I understand that Fuguet rejects magic realism as a literary style, I feel the flat tone of this novel borders on the merely boring.
1 minute ago · delete
  booksinthebelfry | Oct 5, 2011 |
This book felt autobiographical; the narrator is so very like the author. He uses a catalog of movies seen as a child and teenager to frame vignettes of his life. Sometimes the movie has a direct influence on his life and sometimes it is just an event coincident with some critical event. The narrator recalls his initial childhood in California as a child of Chilean parents who return to Chile in his early adolescence. His grandparents are an important part of his life; his entire extended family makes frequent interesting appearances in the book and in his life. His parents have an unhappy marriage and his father leaves them, something that the boy doesn't really absorb until he is an adult. The narrator and his grandfather are both seismologists and the instability of the earth in Chile and California are an important thread, being perhaps a metaphor for the cataclysms of family life.
It was an interesting book, if for no other reason than because the author is writing Latin fiction that is international in tone and escews the magic realism that is nearly formulaic in so much other work written after Borges/Amado/Garcia Marquez. ( )
1 abstimmen owenre | Jul 11, 2008 |
This novel has chapters as different movie titles that relate to the character's life. Brilliant right?! That is where the brilliance ends. Not good. ( )
  Djupstrom | Apr 21, 2008 |
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» Andere Autoren hinzufügen (2 möglich)

AutorennameRolleArt des AutorsWerk?Status
Alberto FuguetHauptautoralle Ausgabenberechnet
Kleemann, SilkeÜbersetzerCo-Autoreinige Ausgabenbestätigt
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Wikipedia auf Englisch (2)

Beltrán Soler is from Chile, a land in constant movement. A seismologist who knows more about the science of tectonic plate movement than about life, he is cocooned in a world of seismic data, scientific articles, and natural disasters. Beltrán believes he can protect himself from the world around him by losing himself to theoretical pursuits, but thousands of feet above the ground he so meticulously analyzes, on a flight to L.A. -- the capital of film and the city in which he was raised -- he has a conversation that sparks in him a firestorm of nostalgia. Suddenly, Beltrán finds himself recalling the fifty most important movies of his life -- films both precious and absurd that affected him during his childhood and adolescence in the 1960s and '70s. From Willy Wonka and the Chocolate Factory to Close Encounters of the Third Kind to kitschy disaster films such as Earthquake!, as well as cult classics of '70s sci-fi such as Logan's Run, Beltrán connects with his past by remembering the films he saw, the people with whom he saw them, and even the theaters in which they were shown. Recalling one movie after another, he reconstructs the unusual history of his eccentric and dysfunctional family, coming to terms with his obsession with the movies that helped define him -- often whether he wanted them to or not. Set in the oddly parallel worlds of Nixon's suburban California and Pinochet's Santiago de Chile, this ingenious novel throws us into the claustrophobic world of an adolescent who tries to escape from a tumultuous and fragmented existence, one caught between two languages, two cultures, and two families that watch the same movies. Written in the eloquent, compelling, and often hilarious style that has brought Alberto Fuguet world renown, The Movies of My Life is a book about film and about how movies embed themselves in our souls, helping us all share a blinding fondness for the magic of make-believe.

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