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Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror

von Jason Zinoman

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Based on unprecedented access to the genre's major players, "New York Times" film critic Zinoman delivers the first definitive account of horror's golden age--the 1970s, when such directors as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma redefined the genre.
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A good interesting look at horror movies, mostly from the 70’s. I was honestly hoping to read more about some of my favorite stuff from the 80’s and on, but that wasn’t the focus of this book, and something I didn’t realize when I picked it up. All in all though, it was good, and interesting, well written and researched. ( )
  MrMet | Apr 28, 2023 |
Disappointing. Zinoman collected some interesting anecdotes, but the book is not well organized, and he doesn't do a compelling job of stating his arguments. If you're moderately well-versed in '70s horror, there's not much here that will be a revelation.

The most interesting part of the book, actually, is the end, when he talks about how films like Last House on the Left and Alien influenced the horror films that came later -- but that's all stuck into the last 40 pages or so.

Zinoman's related series on Slate ("How to fix horror," as I recall) is a faster, more interesting read. ( )
  scarequotes | Jan 23, 2016 |
I'm a huge fan of horror movies and I love seeing behind the scenes of how movies are made, so it's no surprise that I would totally dig Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror, by Jason Zinoman. The book presents a history of how filmmakers, such as Wes Craven, Roman Polanski, George Romero and others, took the old schlocky stories (Frankenstein, Dracula, etc.) to the next level, with stories that push the boundaries of politics and social commentary, as well as gore.

Zinoman didn't go into deep analysis of the film (I'm sure there are plenty of other books that do), but explored the lives of the directors and writers that became known as auteurs in the industry (whether or not it was truth), revealing how they came to develop the movie that are now classics of horror. Keeping in mind that I did not live in the era and have not seen several of these movies (though I have heard and know about all of them), I can't judge whether the author's point of view accurately reflects the movies or the time in which they were made, but I can say that it worked for me. I was thoroughly fascinated and entertained, so much so that I plowed through the book in under two days. It was a great, fun read, and I now need to do a marathon and see all the movies that I have not seen.

The one flaw, for me at least as I have a deep love (read: obsession) of lists, is that the author did note compile of filmography of movies mentioned in the book. How else am I supposed to easily quantify which movies I have and have not seen?

So lacking a proper filmography, I skimmed through the book and made my own list of all the movies discussed or mentioned, and posted it on my blog. ( )
  andreablythe | May 21, 2012 |
Overall an excellent look into the development of modern horror, what influenced it and how it's influenced current entertainment. Some of the stories I've heard before but most were, if not fully new, had enough new details to them that I felt I learned something new about these movies and their creators.

I mostly read this book hoping to gain some insight into the popularity of movies such as Last House On The Left or Texas Chainsaw Massacre and while that didn't happen I do have a better appreciation for what went into making them and the impact they have had. I think I will just have to accept that fact that hyper violent movies will never make sense to me. ( )
  Kellswitch | Aug 24, 2011 |
In impassioned, articulate prose, Zinoman makes his case, charting the rise of Romero, John Carpenter, Tobe Hooper, and the creative teams that helped them thrive.
 

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Based on unprecedented access to the genre's major players, "New York Times" film critic Zinoman delivers the first definitive account of horror's golden age--the 1970s, when such directors as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma redefined the genre.

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