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A New Kind of Bleak: Journeys Through Urban Britain (2012)

von Owen Hatherley

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This is what austerity looks like: a nation surviving on the results of what conservatives privately call "the progressive nonsense" of the Big Society agenda. In a journey that begins and ends in the capital, but takes in Belfast, Aberdeen, Plymouth and Brighton, Hatherley explores modern Britain's urban landscape and finds a short-sighted disarray of empty buildings, malls and glass towers. Yet while A New Kind of Bleak anatomizes "broken Britain," Hatherley also looks to a hopeful future and discovers fragments of what it might look like. Illustrated by Laura Oldfield Ford, author and artist of Savage Messiah.… (mehr)
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I don't often give 5 stars. This one gets it for a number of reasons. First it was written recently and I love the raw feel that comes because the writer is living in the same world and same 'interesting' times as I do. Secondly I hear a lifetime's passion for the built environment - way beyond me of course - he reads buildings with an insider's vocabulary and a feeling for the way it all happened that surely must come from living and working in the business for decades and not from learning about it second hand. Thirdly the anger. Very entertaining in the sense that you have to laugh or you would be crying forever, especially with our own town about to be gutted by the greedy developers. And lastly leaving me itching to get out there into the towns and cities with my eyes wide open to try and see for myself. I will never have the knowledge and experience to see places with the author's eyes but I am inspired to look around me in a new and richer way and even if I have to be angry at a lot of what I see it's not worth missing the experience. ( )
  Ma_Washigeri | Jan 23, 2021 |
I don't often give 5 stars. This one gets it for a number of reasons. First it was written recently and I love the raw feel that comes because the writer is living in the same world and same 'interesting' times as I do. Secondly I hear a lifetime's passion for the built environment - way beyond me of course - he reads buildings with an insider's vocabulary and a feeling for the way it all happened that surely must come from living and working in the business for decades and not from learning about it second hand. Thirdly the anger. Very entertaining in the sense that you have to laugh or you would be crying forever, especially with our own town about to be gutted by the greedy developers. And lastly leaving me itching to get out there into the towns and cities with my eyes wide open to try and see for myself. I will never have the knowledge and experience to see places with the author's eyes but I am inspired to look around me in a new and richer way and even if I have to be angry at a lot of what I see it's not worth missing the experience. ( )
  Ma_Washigeri | Jun 17, 2014 |
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... We wanted something new, and we
Would sacrifice most anything
(Well, decorum definitely)
To get our gawky, sky-jostling
Ruck with nature set in knifey
Portland stone. Of course, I know
Time hasn't widened out the way
We reckoned all those years ago.
You plan for that, allow for that.
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The odd careerist democrat
Or two, and yes, we missed
Our chance to make a truly ideal
Hive, a fair organic whole.
That too was calculable.
Facts played their usual role.
What niggles like a buzzing clock
Are certain Belgian sightseers,
How they so leisurely mock
Our bid to level with the stars,
How smiling artisans can stare
Me dead in the eye, ecstatically
Perplexed when I say future.
We wanted something new, you see.

                   - Alex Niven
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It is always difficult to return to Britain. One of the most painful places to arrive is via Luton Airport; or, to give it its full title, 'London Luton Airport', demoting a town of over 100,000 people to a mere adjunct of the Great Wen.
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This is what austerity looks like: a nation surviving on the results of what conservatives privately call "the progressive nonsense" of the Big Society agenda. In a journey that begins and ends in the capital, but takes in Belfast, Aberdeen, Plymouth and Brighton, Hatherley explores modern Britain's urban landscape and finds a short-sighted disarray of empty buildings, malls and glass towers. Yet while A New Kind of Bleak anatomizes "broken Britain," Hatherley also looks to a hopeful future and discovers fragments of what it might look like. Illustrated by Laura Oldfield Ford, author and artist of Savage Messiah.

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