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Esther Stories

von Peter Orner

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1283215,928 (3.86)1
The discovery of a murdered man in a bathrobe by the side of a road, the destruction of a town's historic City Hall building, and the recollection of a cruel wartime decision are equally affecting in Orner's vivid and intimate gaze. The first half of the book concerns the lives of unrelated strangers across the American landscape, and the second introduces two very different Jewish families, one on the East Coast, the other in the Midwest. Yet Orner's real territory is memory, and this book of wide-ranging and innovative stories remains an important and unique contribution to the art of the American short story.… (mehr)
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I met Peter Orner through "Am I Alone Here?", his beguiling mix of autobiography and literary musings. If that book made anything clear, it was that the author takes the short story form very seriously. "Esther Stories" bears that out. As one might expect, not every story here hits its mark, but at its best, the stories here more or less provide supporting evidence the author's claim that the short story provides authors more freedom to tell a story -- any kind of story -- than any other literary medium. The best stories here -- "County Road G", "The Two Poes", "At the Rainbow Motel", "Pile of Clothes", and the cycle of stories that focus on Esther Burman, the collection's namesake -- are small masterpieces, arguments in favor of the short story itself. It helps, I think, that many characters in these stories are committed storytellers themselves. "Esther Stories" overflows with rumors, family legends, fish stories, and second-hand accounts. In "Am I Alone Here?" Orner came off as a compulsive reader fairly obsessed by literature. In these stories, he seems to want to show that we are all, in our own way, obsessed by narratives of some sort.

Having said that, I liked the stories about the Burman family of Chicago much more than the ones about the Kaplan family of Fall River, Massachusetts. That can probably be chalked up to nothing more than personal preference, but that also counts for something. Some of this collection's other stories, while well-crafted, didn't really hit me the way the author might have intended them to. Others seemed, well, too short to really grab my attention. But novels have their strong and weak points as well: nobody makes every shot they take. I expect that I'll revisit some of these stories more than once and am happy to say I've got a one or two of Orner's other short story collections on my Kindle. Recommended. ( )
  TheAmpersand | Oct 23, 2020 |
Stunning writing. Probably one of the best story collections I’ve read in a long time. ( )
  kvschnitzer | Jun 23, 2020 |
This book of short stories was a challenge. They were well written about interesting people i cared about, but i feel i frequently missed some of what orner was trying to say. ( )
  suesbooks | Sep 21, 2014 |
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The discovery of a murdered man in a bathrobe by the side of a road, the destruction of a town's historic City Hall building, and the recollection of a cruel wartime decision are equally affecting in Orner's vivid and intimate gaze. The first half of the book concerns the lives of unrelated strangers across the American landscape, and the second introduces two very different Jewish families, one on the East Coast, the other in the Midwest. Yet Orner's real territory is memory, and this book of wide-ranging and innovative stories remains an important and unique contribution to the art of the American short story.

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