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Lädt ... Christopher Woolvon John Corbett
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Best known for patterned, stamped and stenciled paintings that follow an austere aesthetic, Christopher Wool (born 1955) has expanded his vocabulary during the years since 2000, using his own images, silkscreened or digitally treated, as source material for subsequent works. This handsomely designed volume, published in conjunction with a major exhibition at the Musée d’Art Moderne de la Ville de Paris, offers three renowned authors approaching Wool’s recent paintings from different angles. John Corbett analyzes Wool’s navigation between jazz-like improvisation and deliberate composition; Fabrice Hergott focuses on the artist’s dialogue with the surface as a subject of the paintings; and John Kelsey digs into the artist’s media-savvy black-and-white painted images: “Gestures go viral, escaping one painting and contaminating another. A work recurs outside of itself, sometimes in a partial or fragmented way, always coming back remotely as another image--thicker, faster, sharper.” keine Rezensionen | Rezension hinzufügen
Best known for patterned, stamped and stenciled paintings that follow an austere aesthetic, Christopher Wool (born 1955) has expanded his vocabulary during the years since 2000, using his own images, silkscreened or digitally treated, as source material for subsequent works. This handsomely designed volume, published in conjunction with a major exhibition at the Mus e d'Art Moderne de la Ville de Paris, offers three renowned authors approaching Wool's recent paintings from different angles. John Corbett analyzes Wool's navigation between jazz-like improvisation and deliberate composition; Fabrice Hergott focuses on the artist's dialogue with the surface as a subject of the paintings; and John Kelsey digs into the artist's media-savvy black-and-white painted images: "Gestures go viral, escaping one painting and contaminating another. A work recurs outside of itself, sometimes in a partial or fragmented way, always coming back remotely as another image--thicker, faster, sharper." Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)759.13The arts Painting History, geographic treatment, biography United States and Canada United StatesKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt: Keine Bewertungen.Bist das du?Werde ein LibraryThing-Autor. |