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Bertie, May and Mrs Fish: Country Memories of Wartime

von Xandra Bingley

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452566,034 (3.5)1
A lyrical, evocative and wonderfully original wartime memoir about life on a farm in the Cotswolds, seen through the eyes of a child. 'Bertie, May and Mrs Fish' is Xandra Bingley's account of her childhood on a Cotswold farm, set against the backdrop of World War II and its aftermath. Bingley's mother is left to farm the land, isolated in the landscape, whilst her husband is away at war. With its eccentric cast of characters, this book captures both the essence of a country childhood and the remarkable courage and resilience displayed by ordinary people during the war. The beauty and sensitivity of Bingley's observation is artfully balanced by the harshness and grit of her reality. 'In the cowshed my mother ties her hair in a topknot scarf that lies on the feedbin lid. At five-thirty each morning and four o'clock in the afternoons she chases rats off the mangers. She measures cowcake and rolled oats and opens the bottom cowshed door. Thirty-one brown and white Ayrshires and one brindle Jersey tramp into their stalls...' 'Two thousand acres. A mile of valley. Horses cattle sheep pigs poultry. Snow above the lintels of the downstairs windows. Her fingers swelling. Chilblains. Her long white kid gloves wrapped around a leaky pipe in her bedroom. Knotted at the fingers. She has a lot to learn and no one to teach her. Accidents happen.' Bingley tells her tale in a startling voice which captures the universe of a child, the unforgiving landscape and the complicated adult world surrounding her. Her acute observation, and her gift for place, people, sound and touch make this a brilliantly authentic and evocative portrait.… (mehr)
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Don't be put off, as I was, by the slightly fey title. This is a charming autobiography of the childhood years of Xandra Bingley. She was privileged by birth, certainly, but it didn't prevent her early childhood, during the war, from being tough. Her mother, though scarcely raised to such a life, gave herself up to running a large farm since her husband was away at the war. She milked, cared for animals, from cattle to her always beloved horses, did all the practical jobs of which there's never any shortage on a farm, and managed the landgirls and the accounts. Xandra, a fairly isolated child, was simply expected to muck in, and muck in she did.

Her father appears part way through the book as a jovial and somewhat eccentric product of his rather blinkered upbringing. It's fair to say he'd never have voted a Labour government in.

Xandra Bingley's observations, her feeling for people and places and animals and acute memory of telling moments make this a delightful and interesting memoir. ( )
  Margaret09 | Apr 15, 2024 |
Touching ( )
  chicjohn | Dec 3, 2009 |
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A lyrical, evocative and wonderfully original wartime memoir about life on a farm in the Cotswolds, seen through the eyes of a child. 'Bertie, May and Mrs Fish' is Xandra Bingley's account of her childhood on a Cotswold farm, set against the backdrop of World War II and its aftermath. Bingley's mother is left to farm the land, isolated in the landscape, whilst her husband is away at war. With its eccentric cast of characters, this book captures both the essence of a country childhood and the remarkable courage and resilience displayed by ordinary people during the war. The beauty and sensitivity of Bingley's observation is artfully balanced by the harshness and grit of her reality. 'In the cowshed my mother ties her hair in a topknot scarf that lies on the feedbin lid. At five-thirty each morning and four o'clock in the afternoons she chases rats off the mangers. She measures cowcake and rolled oats and opens the bottom cowshed door. Thirty-one brown and white Ayrshires and one brindle Jersey tramp into their stalls...' 'Two thousand acres. A mile of valley. Horses cattle sheep pigs poultry. Snow above the lintels of the downstairs windows. Her fingers swelling. Chilblains. Her long white kid gloves wrapped around a leaky pipe in her bedroom. Knotted at the fingers. She has a lot to learn and no one to teach her. Accidents happen.' Bingley tells her tale in a startling voice which captures the universe of a child, the unforgiving landscape and the complicated adult world surrounding her. Her acute observation, and her gift for place, people, sound and touch make this a brilliantly authentic and evocative portrait.

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