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Lädt ... Hard Light (2016)von Elizabeth Hand
![]() Keine aktuelle Diskussion zu diesem Buch. ![]() ![]() Something weird happened with this book. Some of it might have just been the narrator mispronouncing things, but some of it was the writing. I have listened to the first two Cass Neary books more than once and didn’t notice these issues at all so I’m baffled as to what fell apart with this one. Plot-wise it’s good though. I liked how Cass went from the frying pan to the fire. She’s a complete fuck up and won’t ever change. Half the shit she gets into is her own fault and you can’t help but wonder how she stays alive. Also, the end sets up the next book quite well and I will read it and hope the problems I had with this one don’t follow to that one. Here we go - Cass is a washed-up photographer who clings to Tri-X and her ancient Konika which at one point is described as a 13mm and a DSLR. What? The first could have been the narrator’s fault (the first of many dingers that should have been caught by the director or producer or someone!), but the DSLR part is on Hand. Later Cass gets it right by telling someone it is an SLR - single lens reflex. Weird. But it gets weirder, Cass then goes on to explain how you have to load a 35mm SLR in total darkness or the film is ruined. In what universe? I shot 35mm film cameras for 20 years and never had a problem loading my camera on the beach at noon. Well, not exactly but come on, you don’t have to load a 35mm camera in the dark. Neither do you have to unload it there. The only time total darkness comes into play is when there’s a problem rewinding - either because the camera is jammed or the film tore. Then you need a black bag/box to salvage the film. Ugh. Usually Hand is adept with language and imagery, but I caught one related to photography that was pretty dumb - Cass spent more time staring into a shot glass than into a camera lens. Um, yeah. A photographer spends time staring into viewfinders, not lenses. Models stare into lenses. Then at the end of the book everyone kept grimacing every five minutes. It was crazy. Someone should have caught that. Now onto Carol Monda’s mispronunciations - Photographing - she meant the verb and the way that gets pronounced, but instead she said it like Photography. Huh? That’s is so not easy to do. Try it. Tapas - I can’t remember how she killed it, but it wasn’t right. Bespectacled became bespeckled Sisal became seesal Banal rhymed with anal Billiards became billards Clerestory was cleer story once and cler-ra-story another Desultorily got mangled somehow, I forget way Mollusks became molluks And then a tire swung hung from a tree Zeige 3 von 3 keine Rezensionen | Rezension hinzufügen
Gehört zur ReiheCass Neary (3) Auszeichnungen
"As her passionately devoted fans know, Elizabeth Hand is a uniquely gifted storyteller. Her iconoclastic series of crime novels which features offbeat photographer Cass Neary, began with the underground classic Generation Loss, and that was followed by the brilliant Available Dark. Katherine Dunne, author of Geek Love, describes Cass as "one of literature's great noir antiheroes," and comparisons to Stieg Larsson's Liz Salander abound. As the story opens, Cass arrives in London where she meets and is reunited with her long-lost lover, Quinn O'Boyle, who is wanted by both Interpol and the Russian mob. When Quinn then fails to show at their rendezvous point, Cass is fearful she'll be the next to disappear, and she goes on the run"-- Keine Bibliotheksbeschreibungen gefunden. |
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![]() GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:![]()
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