A good, thorough "biographical" account of Victor Hugo's masterpiece, with a huge amount of detail about the publication process and background. A few tangents were perhaps omittable, but they detract only slightly from this fascinating work. ( )

This was an absolutely fascinating read; it’s basically the biography of a book (Les Miserables), and I loved it and didn’t realize that this type of book is so my jam. There’s so much cool info about Victor Hugo and the history of France during the 19th century; I loved hearing about the editing, copying, and printing process all while Hugo was self-exiled in the Channel Islands. I might also be interested in rereading the novel which is a beast to tackle, but I loved that Bellos notes it’s literally broken into 365 chapters so could be done in a year (I’ll probably check out the sixty plus hour audiobook). ( )

A good book for those who are Les Miserables aficionados or interested in the creative process of Victor Hugo as a writer, but also of his life's story. ( )

Almost as gripping as the novel itself. It explains a lot - and very clearly too. Bellos covers everything: how the book was written, how it was published, how it was received and what it's about. ( )

The short answer is that if you love the novel or the musical Les Misérables, then yes, you should run right out and buy a copy of The Novel of the Century: The Extraordinary Adventure of Les Misérables by David Bellos. If you are what Cameron Mackintosh calls a "Les Mis freak," then this book is definitely for you. But it is also for those who love literature in general, who love a good "behind-the-scenes" documentary, who are fascinated by literary history, or who love reading about how authors work.

I couldn't have been more pleased with Bellos' account of how Les Misérables came to be, and how it came to be so famous. Though Bellos is a scholar, this was not written for scholars, which is just fine with me. It is in fact, perfect for me. And here is who I am, when it comes to Les Misérables:

I have read the unabridged edition of Les Misérables three times, and an abridged edition at least fifteen times with eighth grade students. It is one of my five or six all-time favorite novels, though I never studied it formally in school. It was my sister who first recommended it to me after she read it in high school, some twenty years ago. I began with the same edition she did, a 350-page bare-bones abridgment by James K. Robinson. It was edited so much that it was almost incomprehensible, but I loved what I could understand, so I found an unabridged copy and it filled in all the gaps--and then some.

About that time the eighth grade literature teacher at our school moved to another state, and I moved up from seventh grade to take her position. She had taught A Tale of Two Cities by Dickens, and while I love Dickens, I wasn't particularly passionate about that title, so I began searching for another book that might fit that slot: a nineteenth century historical novel a bit on the longer side. I dismissed Les Misérables at first because of its length, but when I found the Paul Bénichou abridgment (now known as the Enriched Classics edition), I knew I had found the right novel for me to teach. At just under 600 pages, it had enough of the story to make sense. It has proven to be one of the most beloved books taught at our school.

And while I have taught myself quite a bit about the novel over the years, I have still never had a course in French literature or Victor Hugo's works. So for me, Bellos' work is perfect: scholarly enough to help me go even deeper into the meaning and background of a novel I love, yet accessible enough to read and enjoy on a casual level.

But Bellos does much more than explain how the novel came to be written. He describes the laborious process of handwriting the entire manuscript, he discusses the technical challenges of printing such a large work, and he details how the plot was kept secret from the public until the last possible moment.

You'll also gain insight into how nineteenth century readers understood color, and how vital that is to understanding character. And how one bookshop owner in Paris put his entire stock in storage so that he could display a mountain of copies of Les Misérables--and how he worried that his floor would collapse from the weight of all the books. But this is perhaps my favorite bit of trivia from Bellos:

Hugo was born on 26 February 1802, but because he was a slightly premature baby, he always believed he had been conceived on 24 June 1801. Valjean’s prison number on his first incarceration at Toulon is 24601.

As you can see, I loved The Novel of the Century. Perhaps the biggest compliment I can give Bellos is that it makes me want to read Les Misérables again. ( )