I have to say this is definitely horror genre, and when I say horror I do not mean explicit one but subtle one. Kyrii and Cibo finally found the way into the Toha Heavy Industry but here they are encountering multiple caves (for lack of better word). While being chased by Silicon Life they will soon encounter the unexpected allies (of....sorts) in form of Mensab, THI AI that managed to develop independently and working hard on saving the human population and its champion - Sau, what you might call Errant Knight.

Author manages to depict the epicness of Sau/Mensab conflict against the Silicon Life and it truly proves the old saying that what seems like magic today tomorrow is just applied technology. What completely messed up with me was the forwarding, teleport like action executed by Mensab that - in case of physical space mismatch - ends up in some weird space time movements, it is just mind boggling how big this city is.

Art is standard as in previous books - lanky characters, deadly cyborgs and just wonderful panoramas of this [monstrously big] city. And pages and pages of travel, exploration and mind wrecking solitude.

Highly recommended to SF fans, and by the looks of it fans of Lovecraftian type of horror.

( )

Prosseguindo suas andanças em busca do gene perdido, Cibo, agora possuindo acessos diversos à internet mas também abrindo espaço para que a terrível Sanakan se manifeste nela e Kyrii, que adquiriu capacidades preditivas melhores, estão dentro das indústrias pesadas Toha, em suas cavernas. Os humanos, onde estarão. E mesmo na ausência dos guardas de segurança, há as vidas de silicone, cenobitas da hiperópole pesadelo. Cidade dentro da cidade, a Toha continua com uma arquitetura confusa e fascinante, onde o senso de localização é continuamente desafiado e confundido. De novo, as lutas mais atrapalham que ajudam, mas o resto é tão impactante que continuo recomendando fortemente. Aliás, aqui a história começa a tomar um pouco mais de importância, mas sinceramente, é apenas o fio condutor para podemos imergir no climão. ( )

In a move to change things up from the nonstop video game violence, the creator introduces some time travel, a doppelganger, some gobbledygook exposition and a crapload of nonsensical dreamlike sequences. Now back to the violence. ( )