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FRAUD

von Peter Davey

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It starts with a mishap, then a cover-up. Before he knows it, Dominic Seeley, an editor in a London publishing house, is caught in an ever-widening spiral of deception -- and falling for a girl way out of his league. Actress Nicola Carson is falling too -- down the slippery slope from Hollywood to hell via rehab -- while Edward Haymer has reached rock bottom already. A reclusive writer, his dreams of recognition are fading fast and when yet another rejection letter strikes a nerve, it triggers a chain reaction that could crush them all. In this wry yet compassionate portrait of the Age of the Unique Selling Point, Peter Davey explores the dark road that leads to deceit and betrayal -- but also, perhaps, to being more alive for love.… (mehr)
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“Fraud” is a complex story in which all the main characters practise deceit. And yet from the beginning the reader is charmed by the protagonists and intrigued by their motivation.

The story is centred on Nicola Carson, a stunning actress and celebrity who has been admitted into a psychiatric rehabilitation clinic because she is bipolar and suicidal. Visiting her is Dominic Sealy, an unpublished novelist and unemployed editor. Why is he so interested in Nicola and what are his motives? Despite his obvious subterfuge, Nicola latches on to him, persuading him to take her from the psychiatric hospital to live at his London flat.

Nicola’s fame is based on a best-selling novel called “Loss” which she published at the age of 22 and yet as soon as she had been offered a starring role in a film, she had abandoned her writing career and became an Oscar winner and the face of Chanel. Dominic reveals that he wishes to write her biography but his interest in her is his conviction that she had never actually written “Loss.” Despite his opinion, they are drawn into a relationship with each other and we are anxious to discover who is really the deceiver.

Travelling back 6 years we meet Ted Hamer, another unpublished novelist, on his 55th birthday. Supported by his wife Anne, a solicitor, he is able to concentrate on his writing but he has received a rejection letter for the novel of which he was most proud. With Anne away, he goes to the local pub for a meal where his mood is not improved by the rude waitress who serves him. At the end of the evening he talks to the waitress about her equally depressing day and offers to walk her home. Circumstances enable Ted to see more of the waitress and budding actress, whose name is Nicola Pearson.

As the “tangled web” of deceit is created we find ourselves warming to Dominic and Nicola and we want to know more about Ted’s life. Tragedy seems inevitable, since no-one seems worthy of trust and yet each character shows essential humanity, which might be the redeeming grace of the novel.

From beginning to end I was compelled to read on, anxious to discover who was responsible for each plot machination and whether there was the possibility of good coming from their mutual fraud. This is a surprising and inventive novel, well worth reading.
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  Somerville66 | May 29, 2017 |
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It starts with a mishap, then a cover-up. Before he knows it, Dominic Seeley, an editor in a London publishing house, is caught in an ever-widening spiral of deception -- and falling for a girl way out of his league. Actress Nicola Carson is falling too -- down the slippery slope from Hollywood to hell via rehab -- while Edward Haymer has reached rock bottom already. A reclusive writer, his dreams of recognition are fading fast and when yet another rejection letter strikes a nerve, it triggers a chain reaction that could crush them all. In this wry yet compassionate portrait of the Age of the Unique Selling Point, Peter Davey explores the dark road that leads to deceit and betrayal -- but also, perhaps, to being more alive for love.

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