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Ink, Iron, and Glass

von Gwendolyn Clare

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291791,285 (3.18)Keine
Young Adult Fiction. Science Fiction. Science Fiction & Fantasy. HTML:

Can she write a world gone wrong?
A certain pen, a certain book, and a certain person can craft entirely new worlds through a branch of science called scriptology. Elsa comes from one such world that was written into creation, where her mothera noted scriptologistconstantly alters and expands their reality.
But when her home is attacked and her mother kidnapped, Elsa is forced to cross into the real world and use her own scriptology gifts to find her. In an alternative Victorian Italy, Elsa finds a secret society of young scientists with a gift for mechanics, alchemy, or scriptologyand meets Leo, a gorgeous mechanist with a smart mouth and tragic past. She recruits the help of these fellow geniuses just as an assassin arrives on their doorstep.
In debut author Gwendolyn Clare's thrilling Ink, Iron, and Glass, worlds collide as Elsa unveils a deep political conspiracy seeking to unlock the most dangerous weapon ever createdand only she can stop it.
An Imprint Book
"This debut novel is fully realized steampunk-fantasy, offering an alternate history that deftly and creatively adopts the politics of 19th-century Italy to create a compellingly unique world.... Exciting and original." Kirkus (starred review)
"Clare's debut is built upon an intriguing premise... A solid series starter featuring a competent, flawed heroine that's built for sf fans." Booklist

. Young Adult Literature.… (mehr)
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I so wanted to love this book. The premise was intriguing and I had heard good things. Unfortunately, this book is not for me.

1) The omniscient point of view doesn’t work here. I typically love it, but the characters didn’t seem fully developed because the POV kept bouncing around. I think a first person POV would allow the author to more thoroughly explore one character to create depth.

2) The writing itself seemed mechanical. All the plot points were there, but there wasn’t enough description between the main points.

3) The relationships were forced. Her friendships seemed stilted even after she had apparently learned to have friends. Her “feelings” for Leo came out of left field. There was no build-up, no subtlety.

4) I know this is set in another time period, but the teenage characters spoke like they had college degrees. Even their banter was too academic most of the time.

TL;DR: The writing and characters were not believable. ( )
  HillaryFredrick | Nov 4, 2020 |
This is a very different story from the string of "I am a princess and must save the world" books I've been reading recently. It has a touch of "chosen one" but I enjoyed it anyway. It's a totally different world that I will happily read more of ( )
  mitsuzanna | Sep 26, 2019 |
It feels like Clare had a general idea of what she wanted to write in Ink, Iron and Glass. Perhaps even a set of rough character sketches, since the characters are fairly well fleshed out. It just didn't feel like it was ever hammered into anything solid. There were a lot of fabulous concepts in this story but, truth be told, they didn't follow a cohesive path. For instance, worldbooks were a really cool concept to me. The ability to create an entire functioning world, simply by scribing it into one of these, sounded like something I'd normally fall in love with. The problem was that the descriptions of this process only skimmed the surface through the whole story. I never saw deeper than the idea itself, and that was the case for most of what would have normally caught my interest.

The pace feels maddeningly slow for most of the book, and then picks up in a mad rush to the end. It was really hard to feel invested in the story. Each time that I thought something was starting to peak my interest, the book would meander away on a tangent and my questions went unanswered. I was left holding a handful of story threads, rather than the tapestry that I know they were trying so hard to weave.

So 2 stars to this book, because I only 1 star books I didn't finish. I finished this, but it was a rough road. ( )
  roses7184 | Sep 25, 2018 |
I desperately wanted to love this book, but it's hard to love a book that meets none of your expectations. Steampunk and I already have a mixed history, but I really thought that the worldbuilding in this one was going to steal my heart.

Except... it didn't.

The worldbuilding is light at best, and for a book that boasts people who can write worlds into existence, there was a whole lot of "And she climbed on the train and sat across from him" and nearly enough, "She squished into the poorly repaired letter seat, the clack-clack-clack of the rails underneath worsening her headache while outside the train window, a rainy landscape rushed by." ... Okay, I made both those up, but see my point? It's really easy to skate atop the surface of this one rather than to be wrapped up and enjoy it.

The same for the character - tropes and cliches with a lot of characterization in conversation rather than facial features or fidgeting with dress skirts. I wanted more from this, and I didn't get it.

ALL THAT SAID. This feels like something that a lot of other readers, the ones who aren't looking for deeply involved fantasy, will enjoy. I think that for a debut author, there's a lot of potential with Gwendolyn Clare even though this books really wasn't for me, and I'll be keeping an eye out for future releases outside this series. ( )
  Morteana | Sep 9, 2018 |
This is a somewhat strange storyline. It's almost steampunky in its strangeness, but somehow works. It kinda makes me think of Inkheart in some ways - especially the literal power related to texts part, though it's definitely exercised in a very different fashion. ( )
  TiffanyAK | Aug 15, 2018 |
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Young Adult Fiction. Science Fiction. Science Fiction & Fantasy. HTML:

Can she write a world gone wrong?
A certain pen, a certain book, and a certain person can craft entirely new worlds through a branch of science called scriptology. Elsa comes from one such world that was written into creation, where her mothera noted scriptologistconstantly alters and expands their reality.
But when her home is attacked and her mother kidnapped, Elsa is forced to cross into the real world and use her own scriptology gifts to find her. In an alternative Victorian Italy, Elsa finds a secret society of young scientists with a gift for mechanics, alchemy, or scriptologyand meets Leo, a gorgeous mechanist with a smart mouth and tragic past. She recruits the help of these fellow geniuses just as an assassin arrives on their doorstep.
In debut author Gwendolyn Clare's thrilling Ink, Iron, and Glass, worlds collide as Elsa unveils a deep political conspiracy seeking to unlock the most dangerous weapon ever createdand only she can stop it.
An Imprint Book
"This debut novel is fully realized steampunk-fantasy, offering an alternate history that deftly and creatively adopts the politics of 19th-century Italy to create a compellingly unique world.... Exciting and original." Kirkus (starred review)
"Clare's debut is built upon an intriguing premise... A solid series starter featuring a competent, flawed heroine that's built for sf fans." Booklist

. Young Adult Literature.

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