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Lädt ... No Matter: Poemsvon Jana Prikryl
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Jana Prikryl's No Matterargues for the necessity of vision in a time of darkness. Set in cities toppling past the point of decline-and-fall--Rome, London, Dublin, and most of all New York--these poems capture the experience of being human in the late days of empire, when the laws protecting weak from strong are being torn away. Ranging from free verse through sonnets and invented forms, Prikryl's poems insist that every demolition also builds something new and unforeseen. In poems whose one-word titles give the book a percussive rhythm, Prikryl gives voice to the shifting anxieties and fortitude of the powerless. An ancient Sibyl is the presiding spirit, tired of being the conscience of a people addicted to ancient codes of domination. Dido gets the last word on the male lust for conquest. The American tradition of self-reliance shrivels into the narcissism of the survivalist. Scraps of Moby-Dick, Coriolanus, Virginia Woolf, and Heraclitus drift through the poems like ghosts. New York City is taken hostage by the super-rich, and a scramble for resources infects each relationship. Yet the city's glamour and importance can't be denied- there are love poems for friends, for David Bowie, for all kinds of new arrivals who make every city worth saving. In reactionary times, these poems say, we all have a responsibility to use our imagination. No Matteris an elegy for our ongoing moment, when what seemed permanent suddenly appears to be on the brink of collapse. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)811.6Literature English (North America) American poetry 21st CenturyKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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“Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet.”
― Virginia Woolf, The Waves
No Matter by Jana Prikryl is the poet's second full-length collection of poetry. Prikryl earned her BA from the University of Toronto and her MA from New York University. Her poetry and criticism have been published in a variety of publications and journals. Currently, she is a senior editor at the New York Review of Books.
Prikryl combines the new and the old. Rich history meets with contemporary reason and artifacts. Sibyl claims she is no messenger but speaks cryptically in the poems. Historically, how much different would things have been for Dido if she could have followed Aeneas' social media accounts when he left for Sicily.
Aeneas left by sea, and throughout the collection, the sea or the effects of the sea display themselves in many forms. The poems mention green oxygen, patina, Ishmel, and verdigris as visual indicators. The feeling of the sea is present in the repetition of the poem titles; reinforced by the poems titled "Waves." Repetition also exists in the repeating of phrases and clever wording that creates soft redundancy.
There is almost a Woolfish feeling to the poetry that goes beyond waves and whitecaps. There is the tide and the in and out movements that create the cyclic image of waves. Cities alluded to by landmarks rather than names are all places with rivers and tides. In the flow and rhythm of No Matter, the poet leaves small obstacles that challenge one's smooth sailing. Uncommon words represent hazards on a nautical chart that need addressing before passing, an unexpected break in the flow.
No Matter presents an enjoyable poetry experience that tends to a more traditional form and feeling — the words and repetition play on the reader's mind. No Matter may have a connection to the poetry beyond its more common connotation of unimportant. It may mean the absence of matter -- nothingness:
“I see nothing. We may sink and settle on the waves. The sea will drum in my ears. The white petals will be darkened with sea water. They will float for a moment and then sink. Rolling over the waves will shoulder me under. Everything falls in a tremendous shower, dissolving me.”
Virginia Woolf, The Waves.
Unfortunately, not available until July 23, 2019 ( )