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Three Brothers: Memories of My Family

von Yan Lianke

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"In this heartfelt, intimate memoir, Yan Lianke brings the reader into his childhood home in Song County in Henan Province, painting a vivid portrait of rural China in the 1960s and '70s and chronicling the extraordinary lives of his father and uncles, as well as his own. Yan's parents are so poor that they can only afford to use wheat flour on New Year and festival days, and as a child he dreams of fried scallion buns, and once steals from his father to buy a sesame seed cake. Yan yearns to leave the village, however he can, and soon novels become an escape. He resolves to become a writer himself after reading on the back of a novel that its author was given leave to remain in the city of Harbin after publishing her book. In the evenings, after finishing back-breaking shifts hauling stones at a cement factory, sometimes sixteen hours long, he sets to work writing. A career in the Army ultimately allows Yan to escape village life, but he is filled with regrets as he recalls these years of scarcity, turmoil, and poverty. A powerful portrait of the trials of daily life, as well as a philosophical meditation on grief, death, home, and fate, and gleaming throughout with Yan's quick wit and gift for imagery, Three Brothers is a personal portrait of a politically devastating period, and a celebration of the power of the family to hold together even in the harshest circumstances"--… (mehr)
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Yan Lianke is one of my favorite authors so I was excited to read "Three Brothers: Memories of My Family." The book is certainly a departure from the anxious, seemingly absurdist fiction. It flows very well and can be read in a few sittings.

At the beginning, Yan says that a memoir was suggested by many people around him. Instead of focusing on himself, he focuses on his father and two uncles, the "Three Brothers" of the title. Unlike many other memoirs or even fiction that details life in the '60s and '70s, the poor economy is not discussed too much. There are tragedies but the book is not "scar literature" that dwells on misfortune. Instead, it is a masculine tribute to the three men, nearly deifying their contributions to the family as stoic, hard workers from a rural background.

The book is quite philosophical and features plenty of thoughts on what would be considered popular psychology in the West. For example, there is a thorough discussion of the difference between "life" and "living." Through the memoir, Yan writes a lot about the dignity of work.

There are so many memoirs about youth who were "sent down" to the countryside during national campaigns that they almost run together. Such books are always genuinely dire, but Yan gives a different perspective as a rural witness to the "sent down" youth. He saw them as privileged, gossipy, and urbane, and this was a in contrast to the image other memoirs present.

Yan is very self-critical in this memoir. He is ashamed of the times he stole money for sweets and left his village for the army. This shame gives him plenty of chances to discuss the importance of filial piety, a hugely important cultural trait that emphasizes relationships between generations.

Carlos Rojas' translation seems, as always, wonderful. The book reads very quickly and Rojas justifies a few language choices at the end of the book, but those choices never got in the way.

In all, the book is a bittersweet tribute to the men around Yan. ( )
  mvblair | Oct 28, 2021 |
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"In this heartfelt, intimate memoir, Yan Lianke brings the reader into his childhood home in Song County in Henan Province, painting a vivid portrait of rural China in the 1960s and '70s and chronicling the extraordinary lives of his father and uncles, as well as his own. Yan's parents are so poor that they can only afford to use wheat flour on New Year and festival days, and as a child he dreams of fried scallion buns, and once steals from his father to buy a sesame seed cake. Yan yearns to leave the village, however he can, and soon novels become an escape. He resolves to become a writer himself after reading on the back of a novel that its author was given leave to remain in the city of Harbin after publishing her book. In the evenings, after finishing back-breaking shifts hauling stones at a cement factory, sometimes sixteen hours long, he sets to work writing. A career in the Army ultimately allows Yan to escape village life, but he is filled with regrets as he recalls these years of scarcity, turmoil, and poverty. A powerful portrait of the trials of daily life, as well as a philosophical meditation on grief, death, home, and fate, and gleaming throughout with Yan's quick wit and gift for imagery, Three Brothers is a personal portrait of a politically devastating period, and a celebration of the power of the family to hold together even in the harshest circumstances"--

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