Thanks to NetGalley for this reviewer’s copy!

The premise of THE ARGUMENT is simple – teenage girl goes out to a party, parents disapprove, teenager tells parents she hates them and refuses to talk to them any more. If it only were that innocent!

Hannah is the stodgy, no-fun mother of Olivia and Rosie. Olivia is a normal 15-year-old testing the boundaries of parental control. Rosie is still young and is the favored child, much to Olivia’s chagrin. Everyone appears to be a reliable narrator so far, despite the titular argument. The book flows along with minimal ups and downs until about 60% gone – then the first twist is uncovered and Hannah becomes a sympathetic character while Olivia becomes a selfish, annoying little girl, still believing that if her parents didn’t treat her the way they did, she would not have had to sneak out to that party. Soon after that, the second twist happens – hold onto your book, because it’s a doozy! My sympathies changed ever so slightly towards Olivia at this point, despite the fact that she was still a selfish teenager. At this point, I was not putting the book down until it was finished; it was that good! Then the author drops another twist into the mix, making Hannah even more sympathetic.

Hold those emotions close, though, as from here on in they will be changing and spinning out of control. By the end of the book every character but one is deserving of pity, more or less. Each character (except Rosie, who is quite the innocent throughout) has their demons and their false beliefs. One is a narcissist, another is a control freak, and the other is selfish. Actually, they are all selfish and broken in their own way.

THE ARGUMENT is an unputdownable psychological thriller that starts slow, but ends with multiple jaw-dropping twists. The author is adept at creating simmering tension that boils over midway through the book – and the ending will have you shaking your head at Hannah’s final words. I look forward to reading more of the author’s work. ( )

This book was allll over the place. The twist was sudden, but not well set up. The various pieces of the book—mother/daughter conflict, mysterious intruder, unknown flashbacks—didn’t mesh well together and ultimately just weren’t cohesive. An interesting idea that just didn’t work. ( )

Olivia is a typical 15-year-old girl who is fighting with her parents about going to parties, who is unsure of how to dress and how to behave in school and daydreaming about finally getting away from her family. Except she isn’t. Her life has two sides: on the outside, there is the loving mother in the caring home, on the inside, Olivia and her smaller sister Rosie grow up much more than overprotected. Their parents keep them away from the life outside their small home. They are allowed to school, but not much more. Never can they visit or invite friends, never can they really bond with anybody outside their family. When one evening Olivia sneaks out to go to a party, she sets in motion a series of events that will reveal much more about the family than just explain this very uncommon behaviour of the parents.

The story is told alternately from Olivia’s and her mother Hannah’s perspective. Quite cleverly, Victoria Jenkins first makes you believe in a fairly ordinary phase of rebellion of a teenager. Olivia behaves just like any other girl her age and seems to overdramatise her family life. Yet, slowly and almost unnoticed, something else creeps in and step by step, the image and idea you formed about the family shifts until you have to throw all your assumptions over board.

“The Argument” is a cleverly constructed psychological thriller which captivates the reader with the unexpected development of the characters. Both mother and daughter are actually equal protagonists, the age difference and uneven roles do not really make a difference. You focus on their subtle fight, the bits and pieces of their lives that lie beneath the surface and one after the other come out make them turn into realistic and multifaceted characters. While being occupied with the two women, you overlook the real danger and in the end, it is not easy to come to a final verdict on wrong-doings.

A spell-binding novel which does not offer the immediate thrill but which captivates you at a certain point and in the end, does not leave you without a melancholy feeling. ( )