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(4.67) | Keine | Classic comic strips from the pages of the official Doctor WhoMagazine, featuring adventures of the 1st, 3rd, 4th, 5th, and 7th Doctors! Ground Zero collects a range of classic black-and-white comicstrip tales featuring four different Doctors, all digitally remastered! Allstories have been taken from the official Doctor Who Magazine, now in its 40thyear of publication! The title story has been long awaited in graphic novel formby Doctor Who fandom; it involves the death of the Doctor's companionAce, and marks the point where the DWM comic strip began to follow itsown continuity.… (mehr) |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. THE DOCTOR: How can you casually condemn an entire race to death?
ISAAC: Hey... it's a living. | |
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▾Literaturhinweise Literaturhinweise zu diesem Werk aus externen Quellen. Wikipedia auf EnglischKeine ▾Buchbeschreibungen Classic comic strips from the pages of the official Doctor WhoMagazine, featuring adventures of the 1st, 3rd, 4th, 5th, and 7th Doctors!Ground Zero collects a range of classic black-and-white comicstrip tales featuring four different Doctors, all digitally remastered! Allstories have been taken from the official Doctor Who Magazine, now in its 40thyear of publication! The title story has been long awaited in graphic novel formby Doctor Who fandom; it involves the death of the Doctor's companionAce, and marks the point where the DWM comic strip began to follow itsown continuity. ▾Bibliotheksbeschreibungen Keine Bibliotheksbeschreibungen gefunden. ▾Beschreibung von LibraryThing-Mitgliedern
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This volume continues the "past Doctor" focus of Land of the Blind, but with a more unified approach otherwise. Bar two fill-ins, every story in the volume is illustrated by Martin Geraghty; the strip hasn't had a unified artistic vision since John Ridgway went from primary artist to one of many back in 1988, so around seven years prior! I like the unity of approach, but even better that it's Geraghty, who is great both with likenesses and storytelling, the combo you need—but don't always find—in a tie-in artist. There's also a new unity of vision behind the scenes; the commentary in this volume by strip editor Gary Gillatt is great stuff, showing how he decided to totally change the approach of the strip
Curse of the Scarab / Operation Proteus / Target Practice
We open with a three-part fifth Doctor and Peri story, a three-part first Doctor and Susan story, and a one-part third Doctor and Jo story. They are all pretty competent. Curse of the Scarab is a decent adventure runaround, with some fun ideas and some more implausible ones; like a lot of Alan Barnes's Big Finish work, this involves plunging the Doctor into a certain moment in historical pop culture, and Barnes is a good pop culture historian, so it works. Some lush artwork from Geraghty helps. Operation Proteus is okay; again, there's some good stuff and some other stuff I found harder to buy, such as the way the cure is deployed. Target Practice is the DWM main strip debut of Adrian Salmon (I guess he was already doing the Cybermen strip, but I won't get to that for some time), and he is one of my favorites. His style is well suited to the subject matter.
Black Destiny
Martin Geraghty may be a good artist, but he's not a good enough artist (yet, anyway) to save us from Gary Russell's confusing transitions; there were several moments in this story where I didn't know what was going on or who was who. The resolution is total nonsense, introducing a whole idea never before mentioned in the story.
Ground Zero
This story does a lot of things to change it up, to signal that the comic strip as you knew it is at an end. There's an ongoing story in DWM for the first time since, I think, The Mark of Mandragora way back in #169-72... five years prior! Ground Zero picks up on hints dropped in three of the previous four stories in this volume, paying off why a mysterious a voice accosted Peri, Susan, and Sarah Jane.
It's also our first story with more than three installments since Final Genesis in 1993. It uses its five parts to good advantage, twisting and turning through a complicated plot; it has powerful cliffhangers. Obviously the death of Ace, but the reappearance of the old companions and the TARDIS plunging into the human collective unconsciousness are also great moments, well executed. The story uses its space to good advantage.
It also feels very now for the first time in a long time. This is the Doctor of the tv movie, not the show, not just in costume, but in attitude, and in an indication that both he and Susan are part human. The death of Ace adds to this: the strip is an ongoing concern, able to change its own narrative in a way that hasn't been true since the introduction of Bernice Summerfield. But it's not just the death of Ace. The story builds off what has come before and sets up what is to come.
On top of all that, it's a dang good story. I will say it runs a bit intense for my tastes—Peri is put through the wringer in a way I don't quite like—but it's engaging, it's interesting, the identity of the narrator is a good reveal, it has great concepts, it has great visuals. The empty streets, the Threshold, the TARDIS straining itself, the console room exploding, and of course Ace's death. Tremendous stuff, and I devoured it. Though I have enjoyed the strip more than I have not since A Cold Day in Hell!, it really does feel like something special is back.
Doctor Who and the Fangs of Time
This is a neat little semiautobiographical story about writer and artist Sean Longcroft's on-again off-again love affair with the show, peronified by him interacting with Tom Baker as the Doctor. Well done, I found it amusing and heartwarming in equal measure. "[Y]ou can't be four years old forever, you know. But part of you always will be."
Stray Observations: