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Lädt ... Loudvon Tana Douglas
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Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Female roadie in the 70s. Her first gig was with AC/DC when they were just starting out. Eventually she worked for everyone from Elton John to Iggy Pop. A really good look at the job and the way the boys' club integrated/protected/accommodated her as a young woman--and her defenses against those who didn't. Zeige 3 von 3 keine Rezensionen | Rezension hinzufügen
At just sixteen, Tana Douglas ran away to the circus that was rock 'n' roll in the 1970s, taking a job with a young and upcoming band called AC/DC. While still a teenager she went on to work for Santana, Neil Diamond and Suzi Quatro, before heading to the UK then the US, working for a who's who of bands and artists, including Status Quo, Iggy Pop, Patti Smith, Elton John, Ozzy Osbourne, The Police, INXS, The Who, The Runaways, Lenny Kravitz, Red Hot Chilli Peppers, Pearl Jam, Ice-T and Ice Cube, eventually moving from lighting and stage production into tour management and logistics. Funny, poignant, reflective and revealing, Loud is rock n roll like you've never seen it before, written in her own words by the woman recognised as the first female roadie in the world. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)782.42166092The arts Music Vocal music Secular Forms of vocal music Secular songs General principles and musical forms Song genres Rock songs History, geographic treatment, biography BiographyBewertungDurchschnitt:
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Tana Douglas was a trailblazer in an overwhelmingly male dominated occupation. She became a female ‘roadie’ while still a teenager and thus embarked on an incredibly unorthodox life.
Here, Tana regales us with wild tales from the road, while touching upon her upbringing, and her struggles to balance her career and lifestyle with motherhood, while educating the reader about what goes into setting the stage for live shows, and providing technical details that most of us would never hear of otherwise.
This is a fascinating memoir. Tana worked in an environment that was tough under any circumstances and was forced to deal with double standards and sexism, but her tone is not a bitter one. In fact, I think Tana is proud of her accomplishments, as she should be. She paid some heavy dues and had many regrets, but overall, I get the impression that if she had it all to do over again, she wouldn’t hesitate to jump on the road again with some of the most famous and talented artists of the 70s, 80s, and 90s.
Overall, a solid memoir- very straightforward, but organized chronologically and very easy to read and follow. Some of Tana’s stories were hilarious, some shocking, some poignant, but all were interesting, as is Tana. I think she took the high road quite often and glossed over some of the seedier aspects of the business, choosing to keep the tone mild and matter of fact- but I think she succeeded in giving the reader what they signed on for.
All music fans and concert goers should read this book- it’s a look at what it takes to be a female pioneer in an alpha male environment as well as an up close and personal look at what goes into putting a show together for artists and fans, which was very enlightening.
4 stars ( )