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Lädt ... Babes in Toyland’s Fontanelle (33 1/3)von Selena Chambers
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Babes in Toyland was one of the most influential and underrated bands of the 1990s. They rode the wave of the Minneapolis grunge scene crafting a unique sound composed of self-taught instrumentation and unabashed banshee raging vocals. Their stage presence was enigmatic, their lyrics vitriolic, and their Kinderwhore fashion ironic and easy to emulate. But what made them most inspiring was their ethos and a unique brand of sisterhood that inspired fans to create Riot Grrl and form legendary bands such as 7 year Bitch, Bikini Kill, and Hole. Despite the media's politicization of them as an "all-female" band, the Babes insisted their music wasn't a political statement but about personal expression. They would dismiss labeling their act as feminist, but their actions sent a positive message of what a female space within music could look like. Now, almost 30 years after their most seminal record, Fontanelle, was released, the legend of the band is being resurrected and re-spun to reclaim their proper space and context in the history of music and women in rock. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)782.421660922The arts Music Vocal music Secular Forms of vocal music Secular songs General principles and musical forms Song genres Rock songs History, geographic treatment, biography Biography Collected biographyKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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Chambers does an excellent job of giving background on the members and the band and an analysis of the album. One of the strengths of the 33 1/3 series is the freedom each writer has to approach the album under consideration as they think best, and this volume offers some pure music history (including some info from interviews) as well as analysis of songs and contextualization within the times.
The two times I saw them were both Lollapalooza shows so while I knew who they were I wasn't there specifically for them. I was, at the time, deep into my studies, much of which was in our WGS program, so thinking about popular culture such as music was part of what we did. The majority of the people I knew at that time was fine with Babes not proclaiming themselves mouthpieces for feminism since there music spoke volumes.
If you're hoping to get some kind of explanation of "what songs mean" from Bjelland, she wasn't interviewed. But even if she had been, writers are notorious for being less than honest or forthcoming about meaning, besides which, if you haven't figured out a meaning for yourself, maybe you should listen again and think for yourself. We do get plenty of background, from which we can make some guesses about why a song was written, which is different from "what a song means." If you need someone to tell you what a song means, then it doesn't mean anything to you.
I would recommend this to anyone interested in music as well as those who like to explore the interplay between popular culture and society as a whole.
Reviewed from a copy made available by the publisher via NetGalley. ( )