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Trash interweaves the voices of three women with lived connections to the municipal garbage dump of Ciudad Juárez, Mexico.  Aguilar Zéleny's English-language debut shows the complexities of survival and joy, love and violence for three women: a teenager abandoned by her guardian at the dump, a scientist doing research on the residents of the dump, and a transwoman living nearby who is the matriarch of a group of sex workers.  Each one of the characters navigates family, abandonment, power, jealousy, greed, and multiple taboos around sexuality and gender violence. Their stories are linked by geography and by ideas of waste and abandonment.  As Aguilar Zéleny explores these territories in her book, she asks crucial questions: who is seen as disposable and why? How do women find their own means of survival and joy in the midst of a perilous sociopolitical context? What does it mean to live a life in a time of austerity and extreme violence? Trash is a critical intervention in Mexican literature.… (mehr)
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This book takes place in Ciudad Juárez in Mexico, right across the US border and the city of El Paso, near or in a huge garbage dump. Three women's lifre revolve around this dump, one because she is actually living in and from the dump, one a former prostitute and current madam (BTW is there no other word for this?!) who welcomes new girls seeking to flee the lives they come from and make mony, and a researcher who studies the impact of the dump on people around.

This is a short book with short chapters which reads very fast. At first I wasn't too much into it. The monologues of the madam in particular felt a bit clumsy. However, in the last third, when the lives of the three women start coming together (which is not a spoiler for this kind of book I guess), I found myself really wanting to know how it ends. ( )
  chlorine | Nov 17, 2023 |
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Trash interweaves the voices of three women with lived connections to the municipal garbage dump of Ciudad Juárez, Mexico.  Aguilar Zéleny's English-language debut shows the complexities of survival and joy, love and violence for three women: a teenager abandoned by her guardian at the dump, a scientist doing research on the residents of the dump, and a transwoman living nearby who is the matriarch of a group of sex workers.  Each one of the characters navigates family, abandonment, power, jealousy, greed, and multiple taboos around sexuality and gender violence. Their stories are linked by geography and by ideas of waste and abandonment.  As Aguilar Zéleny explores these territories in her book, she asks crucial questions: who is seen as disposable and why? How do women find their own means of survival and joy in the midst of a perilous sociopolitical context? What does it mean to live a life in a time of austerity and extreme violence? Trash is a critical intervention in Mexican literature.

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