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Auslöschung

von Jeff VanderMeer

Weitere Autoren: Siehe Abschnitt Weitere Autoren.

Reihen: Southern-Reach-Trilogie (1)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen / Diskussionen
6,4583721,507 (3.69)2 / 348
Ein dünn besiedelter Landstrich am Meer wurde durch ein undefinierbares Ereignis in ein abgegrenztes Gebiet verwandelt, in dem sich unerklärliche Dinge ereigneten. Die Regierung geht von einer lokalen Umweltkatastrophe aus, die durch Experimente auf der benachbarten Militärbasis ausgelöst wurde. Nach mehreren Expeditionen, die teilweise in Katastrophen endeten, wird eine 12. Expedition in das Gebiet geschickt. 4 Wissenschaftlerinnen, eine Biologin, eine Anthropologin, eine Landvermesserin und eine Psychologin sollen im Auftrag der geheimen Regierungsbehörde Southern Reach die Erkundung der Geheimnisse von Area X fortführen und sich langsam vom Basislager aus weiter vorarbeiten. Doch schnell werden die Frauen mit einer unheimlichen Natur konfrontiert, die zur tödlichen Bedrohung wird. Der 1. Band von VanderMeers (vgl. "Shriek", BA 2/09) Southern-Reach-Trilogie ist ein packender vielschichtiger Science-Fiction-Roman, der durch seine beklemmende Atmosphäre und die Beschreibung der fremdartigen Natur fasziniert. Empfohlen für ein breiteres Publikum… (mehr)
  1. 140
    Picknick am Wegesrand von Arkady Strugatsky (Tuirgin, jeroenvandorp)
    Tuirgin: The Strugatsky Bros.' Roadside Picnic seems to be a touchstone of the Southern Reach Trilogy—and this continues with greater parallels in Authority. The styles of writing are entirely different, but the concept of Area X is a definite echo of the Zone. Roadside Picnic is a classic of European Science Fiction and well worth reading.… (mehr)
  2. 90
    Solaris von Stanisław Lem (ShelfMonkey)
  3. 50
    Akzeptanz von Jeff VanderMeer (LiteraryReadaholic)
  4. 40
    Die linke Hand der Dunkelheit von Ursula K. Le Guin (andomck)
    andomck: Scientists exploring an alien environment
  5. 40
    Swamplandia von Karen Russell (andomck)
    andomck: Swamps are crazy, man
  6. 30
    Karneval der Alligatoren von J. G. Ballard (ShelfMonkey)
  7. 20
    Silo: Roman von Hugh Howey (thenothing)
    thenothing: dystopia, conspiracy
  8. 10
    Der lange Nachmittag der Erde von Brian W. Aldiss (Cecrow)
    Cecrow: Classic SF that is all about its creepy, atmospheric setting.
  9. 10
    Wilder Girls von Rory Power (bibliovermis)
  10. 10
    Nova. Roman von M. John Harrison (paradoxosalpha)
    paradoxosalpha: The infection/mutation of characters and their ambivalent encounters with transcendent power are in both cases oriented toward a mysterious region of putatively non-human influence.
  11. 10
    Die gelöschte Welt von Nick Harkaway (hairball)
    hairball: Maybe it's the fuzzy cover of the one book, but they remind me of each other.
  12. 10
    Der Traumarchipel von Christopher Priest (AlanPoulter)
    AlanPoulter: Both contain landscapes and people that play with with our sense of reality.
  13. 00
    The Last Letter (Conversation Pieces, Vol 31) von Fiona Lehn (psybre)
    psybre: Also set in an odd near-future (where an environmental disaster has made an entire island dangerous and soon to become uninhabitable).
  14. 11
    Dickicht von Scott Smith (BeckyJG)
  15. 00
    Im Rausch der Stille von Albert Sánchez Piñol (FFortuna)
  16. 00
    Stadt der Heiligen & Verrückten von Jeff VanderMeer (g33kgrrl)
    g33kgrrl: VanderMeer's earlier world-building venture, full of weird-ass fungus war and other monsters. It's lovely and grotesque.
  17. 00
    Chaga oder Das Ufer der Revolution. von Ian McDonald (Litrvixen)
    Litrvixen: A strange alien vegetation begins spreading across Africa and transforming everything and everyone it comes in contact with.
  18. 00
    Houses of Ravicka von Renee Gladman (DarthFisticuffs)
    DarthFisticuffs: Both novels are about the exploration of a place in which the place defies explanation, and the exploration is more into how the space defines the self. Both novels are also very similar in tone.
  19. 11
    The Other Side of the Mountain von Michel Bernanos (marietherese)
  20. 00
    Oryx und Crake von Margaret Atwood (WeeTurtle)
    WeeTurtle: Different content but a similar vibe. Both books deal in human behavior, biology, and how well we fit into an environment.

(Alle 22 Empfehlungen anschauen)

Ranking (51)
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» Siehe auch 348 Erwähnungen/Diskussionen

I don’t read much in the sci-fi or horror genres. They just by and large do not appeal to me, particularly the latter. But I heard enough good reviews of this from enough sources, and holy wow am I glad I stepped outside my comfort zone to pick this up. It’s neither hard sci-fi nor hard horror, more a creepy, deeply unsettling exploration of a world similar to our own but entirely apart. A team of four women (a psychologist, an anthropologist, a surveyor, and a biologist) are sent on a mission into Area X, a mysterious zone that has developed in their version of our world. They are the twelfth expedition, meant to explore and catalog what they find in order to help build understanding of what is happening over there, a place that changed after a never-explained Event. The book follows what happens to the biologist, who (like her cohorts) is never named. She’s not who she seems to be at the beginning. Very little is what it seems to be at the beginning. It’s almost impossible to describe even vaguely the plot, because while Stuff definitely Happens it’s more about the vibes, which are impeccably created. It’s a deeply interior novel, and the biologist is a beautifully-realized character. At just about 200 pages, it moves quickly and it’s honestly hard to put down even as the sense of unease grows as you’re reading it. I’d recommend reading it mostly during the day, it was hard to get out of my head at night. One of the best books I’ve read this year. ( )
  ghneumann | Jun 14, 2024 |
[n.b. A ‘no star’ rating for books I review does not imply criticism—I rarely give ratings, as giving stars is an unhelpfully blunt instrument and all too often involves comparing apples with oranges.]

That VanderMeer takes a ‘less is more’ approach is embedded right from the moment the reader discovers that they will not learn the characters’ names. This sets out a ground rule—that you will barely get the amount of information you need, and not a comma more—and it reinforces the strange, strained relationships between the scientists, who will share a transformative experience without knowing anything about each other, and between their expedition and Area X, an intensely, compellingly weird landscape.

The story is a first-person narrative, the ‘I’ is a product of an isolated youth, an ‘expert in the uses of solitude’. This makes for an interesting point of view, especially here. The question of the reliability of the narrator naturally enough arises, but is more difficult to answer when events recounted never seem to amount to more than hints as to something else: the past, the future, a different interpretation.

The very first feature the four scientists encounter is the foot of a stone stairway that tunnels down into the ground, which the narrator stubbornly persists in calling a tower. The scientists are part of an official investigation into the ‘mysteries’ of Area X, but all they really discover, even those that survive, is that the mysteries are far more evolved than anyone expected. They entered the Area X territory in the hope of finding out about its mysteries, but three out of four do not survive their encounter with its unmediated reality. They arrive under instruction to record information about Area X but Area X seems, in its unexplained way, to be recording itself, keeping the scientists’ records as well as their remains.

By the end, the narrator has acknowledged the collapse of her "compulsion" to "know everything"¸and that even if she had clung to it, “[o]ur instruments are useless, our methodology broken, our motivations selfish." What makes this compelling is that it is an admission not of defeat but of a radically altered perspective of her role in relation to uncanniness, which, under the circumstances, seems the only sane admission to make.
VanderMeer pulls off the remarkable feat of presenting an immensely rich and immersive story in a narrative style that is elusive and ambiguous and a linguistic style that is reticent yet precise. This is a compelling combination.
  Bibliotheque_Refuses | Jun 13, 2024 |
“Area X” is a stretch of countryside (woods, marshes and coastline) where for the past thirty years something strange has been happening—supernatural perhaps, or something alien. It’s expanding too, its perimeter creeping outwards year on year.
    Like several other readers, this idea immediately reminded me of Arkady and Boris Strugatsky’s Roadside Picnic from the 1970s, and there the people who cross the Zone’s invisible but well-defined boundary are chancers, desperadoes going in illegally, alone or in pairs, looking to bring back out some of its strange (and valuable) alien artefacts, risking their lives and very sanity in the process. Here in Annihilation it’s teams of specialists, part of a covert government operation, and this novel documents the latest such expedition (supposedly the twelfth). Their task is to map, take samples and generally explore Area X—also to learn more about what may have happened to the previous expeditions. In other words, although all volunteers, they’re human guinea pigs too: a psychologist, a surveyor, an anthropologist and our narrator, a biologist.
    But have they been told the complete truth? Beyond the border things turn out to be “alien”, not in a Hollywood sense, but more in the way a dream is strange: the landscape itself doesn’t look particularly odd, yet nothing ever quite adds up or makes sense. Area X messes with your mind, and almost from the start this latest expedition begins to unravel.
    For me, this was one of those novels where I felt more might have been made of a good idea. Also, this is a rare example where I liked the film version more than the book (it’s usually the other way round). But then, this is only the first part of a trilogy, so I’m guessing the remaining two do take this a lot further (not sure I’ll be reading them to find out though). Much preferred Roadside Picnic. ( )
  justlurking | Jun 10, 2024 |
I really enjoyed this, as bizarre and unsettling as it is. The scientific expedition that sets out to explore a strange area with a barrier to entry and crazy phenomena inside. The hypnosis to make the team relax (or comply?), the way you can't trust what you see and everyone who has come before has never really returned, even if they physically did. I recall watching bits of the movie based off this, but I don't think I saw the whole thing. I certainly liked this book better than what I recall of the movie though. ( )
  KallieGrace | May 28, 2024 |
3.5 stars. It takes about 250 pages for this to get somewhere. The first chunk of the story is like if "liminal space" subtle dread meets Office Space. The last part of the book truly heats up and feels like classic VanderMeer. It was kind of a drag but those last 100-ish pages were 5/5, and the main reason I want to finish the series. ( )
  escapinginpaper | May 18, 2024 |
Atemberaubend!
 
...strange, clever, off-putting, maddening, claustrophobic, occasionally beautiful, occasionally disturbing and altogether fantastic...Annihilation is a book meant for gulping — for going in head-first and not coming up for air until you hit the back cover.
hinzugefügt von zhejw | bearbeitenNPR, Jason Sheehan (Feb 7, 2014)
 
"Annihilation," in which the educated and analytical similarly meets up with the inhuman, is a clear triumph for Vandermeer, who after numerous works of genre fiction has suddenly transcended genre with a compelling, elegant and existential story of far broader appeal.
hinzugefügt von zhejw | bearbeitenLos Angeles Times, Lydia Millet (Jan 20, 2014)
 

» Andere Autoren hinzufügen (14 möglich)

AutorennameRolleArt des AutorsWerk?Status
Jeff VanderMeerHauptautoralle Ausgabenberechnet
Aula, NikoÜbersetzerCo-Autoreinige Ausgabenbestätigt
Blomeyer, MarionUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Corral, RodrigoUmschlaggestalterCo-Autoreinige Ausgabenbestätigt
Kellner, MichaelÜbersetzerCo-Autoreinige Ausgabenbestätigt
McCormick, CarolynErzählerCo-Autoreinige Ausgabenbestätigt
Nyquist, EricUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Strick, CharlotteUmschlaggestalterCo-Autoreinige Ausgabenbestätigt
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The tower, which was not supposed to be there, plunges into the earth in a place just before the black pine forest begins to give way to swamp and then the reeds and wind-gnarled trees of the marsh flats. Beyond the marsh flats and the natural canals lies the ocean and, a little farther down the coast, a derelict lighthouse. All of this part of the country had been abandoned for decades, for reasons that are not easy to relate. Our expedition was the first to enter Area X for more than two years, and much of our predecessors’ equipment had rusted, their tents and sheds little more than husks. Looking out over that untroubled landscape, I do not believe any of us could yet see the threat.
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Desolation tries to colonize you.
"Annihilation!" she shrieked at me, flailing in confusion.  "Annihilation! Annihilation!" The word seemed more meaningless the more she repeated it, like the cry of a bird with a broken wing.
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Ein dünn besiedelter Landstrich am Meer wurde durch ein undefinierbares Ereignis in ein abgegrenztes Gebiet verwandelt, in dem sich unerklärliche Dinge ereigneten. Die Regierung geht von einer lokalen Umweltkatastrophe aus, die durch Experimente auf der benachbarten Militärbasis ausgelöst wurde. Nach mehreren Expeditionen, die teilweise in Katastrophen endeten, wird eine 12. Expedition in das Gebiet geschickt. 4 Wissenschaftlerinnen, eine Biologin, eine Anthropologin, eine Landvermesserin und eine Psychologin sollen im Auftrag der geheimen Regierungsbehörde Southern Reach die Erkundung der Geheimnisse von Area X fortführen und sich langsam vom Basislager aus weiter vorarbeiten. Doch schnell werden die Frauen mit einer unheimlichen Natur konfrontiert, die zur tödlichen Bedrohung wird. Der 1. Band von VanderMeers (vgl. "Shriek", BA 2/09) Southern-Reach-Trilogie ist ein packender vielschichtiger Science-Fiction-Roman, der durch seine beklemmende Atmosphäre und die Beschreibung der fremdartigen Natur fasziniert. Empfohlen für ein breiteres Publikum

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